Ajouter une intrigue dans votre langueA stand-up show that touches on topics such as artificial intelligence, political correctness, family weddings, funerals, and the end of humanity.A stand-up show that touches on topics such as artificial intelligence, political correctness, family weddings, funerals, and the end of humanity.A stand-up show that touches on topics such as artificial intelligence, political correctness, family weddings, funerals, and the end of humanity.
- Director
- Writer
- Star
- Prix
- 1 victoire au total
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I honestly don't care whether the material is appropriate or not or whether it crosses a line or not. In humor, I think it's all fair game. They're just jokes and it's all good. So I have zero issues with any of that. My issue is simply that the show was just not very inspired and ultimately not particularly funny. It wasn't bad, but there wasn't much of a coherent narrative for the show, there were many one-liners that fell quite flat, stories that weren't particularly interesting, jokes that didn't elicit anything (at least in me) and quite frankly, Ricky just seemed to be going through the motions in this show. It felt a little phoned in.
There are much better stand up shows out there than this one.
Armageddon is good, well worth a watch, but not "Supernature" or "The Closer" good. I found too many of the jokes a bit predictable, something that Ricky is usually great at avoiding, many eye rolling moments and a lot fewer spitting "laugh out loud" punchlines. I look forward to the next Gervais special, or anything that he produces really, while this is not his best work, a stand up comic of this level still delivers when not running on all cylinders.
BUT ...
.... There is nothing new!
The subject-matter has been exhausted at this point, yet he is still trampling that same old ground and making the same old points.
There are also references to bits by other comedians, as there have been in his last three specials. This is by no means an accusation of stealing material or any such nonsense, however, it should be noted that less popular comedians have received a lot of flack for a lot less.
My last criticism would be that a lot of his material seems be aimed at twitter. Twitter and the real world are very different places, so when he talks about 'people', it comes across as almost hollow because his characters are based in that world.
This might sound like a bad review, but it isn't. Armageddon hits the same high standards we're used to seeing from Ricky Gervais. Unfortunately, 'same' might be the most important word in that sentence.
So, when RG bursts into giggling in a special, he has probably done it dozens of times, but most of the time you feel like "Oh he just thought of something funny, said it out loud and is now laughing like me". Don't know exactly why this time I just didn't buy it. Especially when RG underlines it saying something like "I just tought a new joke..."... No, didn't really believe it.
Also, repetition is killer. RG says the word "woke" about as much as your average edgy teenager who is writing a TLDR rant in Youtube comment section. I don't disagree with the message, just found myself detaching from the comical and humorous aspects of it.
Comedians have been complaining about audience getting butthurt too easily for over ten years now, not just the woke ones, but pretty much everyone. The subject it's not fresh, you should take a new angle or something. And even so, currently comedians probably are free'er to say whatever than ever before. RG was born 1961, that year Lenny Bruce was arrested all the time just for saying f. Can't write the full word here... it's not because of woke people.
But yeah, it doesn't totally suck, so if you generally like Ricky Gervais specials, it still delivers some laughs.
Le saviez-vous
- Citations
Ricky Gervais: People going, "No, it should be played by a real disabled creature." They're going, "The actor should have the same disability as the person they're portraying." But it was the life story of Stephen Hawking, right? So for the first part of the file, the cunt could walk, right? So I put it to you, what is easier? Getting an actor who can walk, pretend he can't for the last bit of the film, or get an actor who can't walk, pretend he can for the first bit? How would that even fucking work? Puppetry? Think!
- ConnexionsFeatured in Credlin: Episode #7.246 (2023)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Рікі Джервейс: Армагеддон
- Lieux de tournage
- The London Palladium, Royaume-Uni (RU)(End credits)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 3 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1