Ajouter une intrigue dans votre langueA mother transforms into the goddess Kali to battle a demon's curse involving fear, blood, and betrayal.A mother transforms into the goddess Kali to battle a demon's curse involving fear, blood, and betrayal.A mother transforms into the goddess Kali to battle a demon's curse involving fear, blood, and betrayal.
- Prix
- 2 nominations au total
Avis en vedette
Maa, the second film in the Shaitaan universe, promises an ambitious blend of mythology and horror, but ultimately delivers a middling experience. Set in the rural backdrop of Chandrapur, near Kolkata, the film follows a determined mother caught in a terrifying supernatural struggle to save her daughter. In comparison to Shaitaan, Maa feels underwhelming and less cohesive. It neither offers the psychological tension of a horror classic nor the visual spectacle of a mythological epic.
Despite its intriguing premise, Maa falls short of making a lasting impression, both emotionally and cinematically. The concept of weaving mythological elements into a horror framework is undoubtedly rich with potential. Unfortunately, the writing doesn't fully rise to the occasion. The first half is relatively taut and builds up some anticipation, giving the illusion that the film is heading toward a chilling climax. However, the second half rapidly loses steam becoming sluggish, overlong, and predictable.
Maa delivers visuals that are sadly unimpressive. The VFX, instead of elevating the horror, often diminish it with lackluster execution. This becomes even more apparent when compared to the bar set by the Maddock Cinematic Universe. Except for a few standout scenes - notably the car escape sequence featuring Ambika and Shweta being chased by monster girls, there is little tension or immersion.
Kajol carries the weight of the film on her shoulders with an earnest performance. She plays the concerned and fierce mother convincingly, but the script does her no favors. Young talents Kherin Sharma and Rupkatha Chakraborty provide fine support, while Ronit Roy emerges as the film's surprise package. Dibyendu Bhattacharya is reliable as always, but the rest of the cast, unfortunately, leaves a forgettable impression, largely due to flat characterizations.
Direction 1.5/5 Acting 2.5/5 Dialogues 2/5 Story 2/5 Screenplay 2/5.
Despite its intriguing premise, Maa falls short of making a lasting impression, both emotionally and cinematically. The concept of weaving mythological elements into a horror framework is undoubtedly rich with potential. Unfortunately, the writing doesn't fully rise to the occasion. The first half is relatively taut and builds up some anticipation, giving the illusion that the film is heading toward a chilling climax. However, the second half rapidly loses steam becoming sluggish, overlong, and predictable.
Maa delivers visuals that are sadly unimpressive. The VFX, instead of elevating the horror, often diminish it with lackluster execution. This becomes even more apparent when compared to the bar set by the Maddock Cinematic Universe. Except for a few standout scenes - notably the car escape sequence featuring Ambika and Shweta being chased by monster girls, there is little tension or immersion.
Kajol carries the weight of the film on her shoulders with an earnest performance. She plays the concerned and fierce mother convincingly, but the script does her no favors. Young talents Kherin Sharma and Rupkatha Chakraborty provide fine support, while Ronit Roy emerges as the film's surprise package. Dibyendu Bhattacharya is reliable as always, but the rest of the cast, unfortunately, leaves a forgettable impression, largely due to flat characterizations.
Direction 1.5/5 Acting 2.5/5 Dialogues 2/5 Story 2/5 Screenplay 2/5.
Pretty good movie with decent storyline but I don't know why Kajol's acting was way off , and obviously the plot is repeated the same logic to save the family u go out to somewhere else than one of your frnds call you back then something happens so your whole family have to come now at the end u face the enemy to be the ultimate galactic saviour ( obviously you will need god's power) you defeat the enemy and you be the hero I would rather recommend to watch SHAITAAN it's better than this m still giving this 5 starts coz other characters balanced the missing points but you can still feel the stretch again i dont have any hatred and this review isn't targetted to anyone this is my personal opinion.
Honestly Kajol should retire, she is destroying her legacy. Surely she would've read the script and must've thought what is this no scares all about promoting a cult and not concentrating on the film itself. The movie is all about a religious promotion and the story has so many holes in it. The ghost is a tree yes a tree the director must be drunk when he came up with this concept. The movie is an absolute disgrace and seriously one of the worst films I have ever seen if it had minus then I would give it a minus 10. People actually walked out i Should've done so the film is all to do with promoting kajols beliefs which am sorry lost the film.
Please do not waste your 2 hours and 13 minutes. It's not worth it. Stupid story line. Extremely predictable. Like within the first 30 minutes I knew what was going to happen at the end and guess what. Whatever I thought would happen actually did. It was extremely stupid and needed a better story line and better director that knows what they're doing. Kajol acting was great as usual. Casting was good too. Special affects were also ok, not bad. Could be better since vfx is so advanced these days but I understand why did not wanted to spend to much on it since they didn't know if it would do well or not. FYI, I'm typing this while the ending of the movie is still playing, yes it's that bad.
This movie is dull and slow. The story is very basic and doesn't have anything new or exciting. It feels like it was just put together without much thought. The main cast seems to have been picked based on popularity, not actual acting talent.
Kajol, in particular, looks outdated and shows very little range in her acting. In the past, her weak performances were easy to overlook because stronger male actors carried the films. But in this movie, her limitations are very clear.
Surprisingly, the extras and background actors do a much better job. They feel more real and help move the story along more than the leads do. There are also some truly talented actors in the film, but their roles are so small that their skills go to waste.
The pace of the movie is another big issue-it drags on and on. It takes forever for anything meaningful to happen. Overall, this movie is a missed opportunity and a disappointment.
Kajol, in particular, looks outdated and shows very little range in her acting. In the past, her weak performances were easy to overlook because stronger male actors carried the films. But in this movie, her limitations are very clear.
Surprisingly, the extras and background actors do a much better job. They feel more real and help move the story along more than the leads do. There are also some truly talented actors in the film, but their roles are so small that their skills go to waste.
The pace of the movie is another big issue-it drags on and on. It takes forever for anything meaningful to happen. Overall, this movie is a missed opportunity and a disappointment.
Le saviez-vous
- AnecdotesKajol and Ronit Roy worked 30 years after Hulchul together.
- ConnexionsSpin-off from Shaitaan (2024)
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Détails
Box-office
- Brut – à l'échelle mondiale
- 282 403 $ US
- Durée
- 2h 13m(133 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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