Troubleshooters

A bad movie, worst script, good cinematography (hence 2 stars), bad directing and acting. Don't see what was the point of making it? Bajraktaraj and Destani are good actors, so I didn't get it why they got involved in making this moviie, did they owe a favor to someone? It was a comedy but nobody laughed in the theater, too cringe.. Waste of time.

So much potential wasted. Plenty of albanian directors so why get som foreign director to do a film that deals with albanian problems and corruption? And why, with such a big bugdet, don't you get someone who knows how to write complex plots and comedy to write your movie?

So lastlty, this is a movie that maybe was made cause someone had so free time to do it. And in the process wasted the time of everyone involved and our time who went to see it.

Bad all around!

Wow what a great Movie! The Troubleshooters are really awsome. Funny and emotianal an packed with great Action.

This an absolute blast, comedy, action, and a dash of heart in a way that keeps you hooked from start to finish. You usually only get a film like this from Hollywood, but this one is from Albania!!! It´s absolut great directet. The two leads are perfectly cast as the bumbling yet lovable amateurs. Watching them fumble through their first case is pure comedy gold. Disguised as wealthy dandies at a luxurious five-star resort in Durrës, they try to crack a wild murder mystery-but with no real plan or experience, they're as clueless as they are hilarious. The film does a fantastic job of balancing their ineptitude with moments of genuine charm and camaraderie, making it easy to root for them despite their constant screw-ups.

Set against the stunning backdrop of the Albanian coast, the film takes us on a whirlwind adventure through the streets of Tirana, lavish casinos, football stadiums, and even construction sites high above the city. Every new scene brings fresh chaos, with our heroes somehow stumbling their way through the most outrageous situations imaginable. The action sequences are thrilling, and the humor is consistently sharp, mixing slapstick with witty dialogue that never feels forced.

I had much higher expectations for this film, but unfortunately, it delivered absolutely nothing. As an Albanian, I was looking forward to supporting our artists and enjoying a quality production. However, I was left feeling disappointed and frustrated. The film featured two well-known figures, but their performances felt lackluster and uninspired. I had hoped to see them shine, but instead, it seemed as though they were just going through the motions without any real passion or commitment.

The storyline was confusing and poorly structured; it felt like there was no coherent plot to follow. Instead of being drawn into an engaging narrative, I found myself lost and wondering what the point of it all was. The pacing was off, with scenes that dragged on without purpose while other important moments seemed rushed and underdeveloped. This left me feeling disconnected from the characters and their motivations.

It also felt like the film was more focused on promoting certain brands than telling a meaningful story. There were several moments that came across as blatant advertisements, particularly for the hotel and Noizy's car. Instead of integrating these elements naturally into the plot, they felt forced and out of place. It was distracting and took away from the overall experience. It seemed as though the filmmakers prioritized commercial interests over creating a compelling narrative, which is unfortunate given the potential of the project.

The humor in the film fell flat as well. I expected some light-hearted moments, but the jokes felt forced and unoriginal. Instead of eliciting laughter, they often left me cringing. A good comedy should engage the audience and make them feel connected to the characters, but in this case, it just felt awkward. The attempts at humor detracted from what could have been a more serious and impactful story.

The cinematography and production quality were also disappointing. While I understand that not every film has a big budget, I expected at least a certain standard of quality given the talent involved. The visuals were often underwhelming, with poorly framed shots and inconsistent lighting. This lack of attention to detail made it challenging to immerse myself in the film's world, and I found myself constantly distracted by the technical shortcomings.

In addition to the film's structural issues, the character development was lacking. I didn't feel a connection to any of the characters, as they were often one-dimensional and lacked depth. I wanted to root for them and understand their struggles, but instead, they felt like mere caricatures without any real substance. This made it difficult to invest emotionally in the story, and by the end, I found myself indifferent to their fates.

Overall, I walked away from this film feeling disappointed and frustrated. I had hoped for a quality production that showcased the talent of our artists, but instead, I felt like I wasted my time. As an Albanian, I wanted to celebrate our culture and creativity, but this film missed the mark entirely. It seemed more interested in promoting brands and delivering a half-hearted story than in providing an engaging and meaningful experience.

In conclusion, if you're looking for a film that offers a compelling narrative, strong character development, and quality performances, I would recommend looking elsewhere. This film fell short in every aspect, leaving me with a sense of regret for having anticipated something special. It's a shame, given the potential of the artists involved, but sometimes even the best talent can't save a poorly executed project. I hope that future productions will learn from these mistakes and strive to create something truly worthy of our support.

Troubleshooters is a true blockbuster, setting a new standard for Albanian cinema! The director masterfully blends action and comedy, delivering a film that's not just entertaining but also a groundbreaking achievement in the country's film industry. The scale and spectacle of this movie are unlike anything Albania has seen before. With dynamic action sequences and sharp humor, the film captivates audiences in a way that feels fresh and exciting. The cinematography is stunning, with every shot perfectly composed to highlight both the intensity of the action and the lighthearted moments. It's a visual feast, and the film's grand scale makes it clear that Albanian cinema has entered a new era. Troubleshooters is a cinematic triumph that will undoubtedly be remembered as a milestone in the country's film history!

Troubleshooters is a fantastic blend of action, comedy, and inspiration that kept me entertained from start to finish. It's not just a film about chasing dreams but also about resilience, friendship, and embracing life's surprises. Oh, and it also delivers a jaw-dropping plot twist that completely changes the game!

The story follows Luan and Amir, two unlikely heroes who embark on a chaotic journey full of challenges, hilarious moments, and heartfelt lessons. Luan's quick wit and Amir's lovable clumsiness make for a dynamic duo, bringing endless laughs while keeping the story grounded in relatable emotions.

The humor in Troubleshooters is nonstop-I was laughing out loud for most of the movie-but it still manages to inspire and surprise. Just when you think you know where things are heading, the plot twist hits, leaving you stunned and eager to see how it all unfolds.

The visuals and soundtrack are top-notch, enhancing every scene, but the real star of the movie is its storytelling. Luan and Amir's journey of self-discovery is both entertaining and meaningful, with a message that it's never too late to follow your dreams. And here's a tip: don't leave your seat too soon! The end-credits scene is an absolute must-watch-it's the cherry on top of an already amazing film.

If you're looking for a movie that will make you laugh, inspire you, and leave you with a big grin, Troubleshooters is the one to watch. How many characters are in the text.