Ajouter une intrigue dans votre langueA warrior is tasked with the protection nine sacred scriptures that can turn any mortal into a deity.A warrior is tasked with the protection nine sacred scriptures that can turn any mortal into a deity.A warrior is tasked with the protection nine sacred scriptures that can turn any mortal into a deity.
- Réalisation
- Scénaristes
- Vedettes
Manoj Kumar Manchu
- Mahabhir Lama
- (as Manoj Manchu)
Raj Zutshi
- Banshi
- (as Rajendranath Zutshi)
Karthikeya Dev
- Teen Lama
- (as Kaarthikeyaa Dev)
Muskan Arora
- Zoya
- (as Muskaan Arora)
7,39.4K
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Avis en vedette
Movie was not quite interesting
The movie offers a storyline that feels somewhat unique, though not entirely groundbreaking. The narrative begins with an interesting premise, which initially raises expectations. However, as the film progresses, particularly in the first half, the pacing feels a little slow. This lag can make it difficult for viewers to stay fully engaged, as some sequences stretch longer than necessary without adding significant value to the overall story.
The picture editing and choreography were fairly average. For audiences who enjoy films filled with expeditions or adventure-driven sequences, the choreography may feel acceptable, even enjoyable at moments. But for many viewers, these scenes do not create the energy or rhythm needed to sustain excitement. Instead, they tend to drag in places, leaving the impression that the film could have benefited from tighter editing or more dynamic direction in this area. On the other hand, the film does shine in certain technical aspects. The visuals and graphics are clearly above average, offering a polished look that enhances the viewing experience. The effort put into the visual design is noticeable, and it provides some much-needed appeal when other elements fall short. The graphics contribute positively to the atmosphere, giving the film a professional finish.
Unfortunately, the ending does not live up to the expectations built earlier. It comes across as too simple, lacking both the drama and excitement that would have left audiences with a strong, lasting impression. A more impactful conclusion could have elevated the film's overall effect.
In the end, the movie is a decent watch. While it has good visuals and a storyline with potential, the lack of energy in execution and a weak ending prevent it from being truly memorable. Overall, it's good, but not amazing.
The picture editing and choreography were fairly average. For audiences who enjoy films filled with expeditions or adventure-driven sequences, the choreography may feel acceptable, even enjoyable at moments. But for many viewers, these scenes do not create the energy or rhythm needed to sustain excitement. Instead, they tend to drag in places, leaving the impression that the film could have benefited from tighter editing or more dynamic direction in this area. On the other hand, the film does shine in certain technical aspects. The visuals and graphics are clearly above average, offering a polished look that enhances the viewing experience. The effort put into the visual design is noticeable, and it provides some much-needed appeal when other elements fall short. The graphics contribute positively to the atmosphere, giving the film a professional finish.
Unfortunately, the ending does not live up to the expectations built earlier. It comes across as too simple, lacking both the drama and excitement that would have left audiences with a strong, lasting impression. A more impactful conclusion could have elevated the film's overall effect.
In the end, the movie is a decent watch. While it has good visuals and a storyline with potential, the lack of energy in execution and a weak ending prevent it from being truly memorable. Overall, it's good, but not amazing.
A Visually Impressive Film with a Weak Core
Mirai (2025): A Visually Impressive Film with a Weak Core
"Mirai" (2025) is a film that offers a stunning visual experience, but is ultimately let down by poor writing and flawed execution. While the movie's visual effects are a definite highlight, the narrative struggles to captivate, making it a frustrating watch.
The film's strongest asset is its VFX, which are good and impressive, creating a visually rich world for the story to unfold in. This technical proficiency is a testament to the effort put into the film's production.
However, the writing is very poor. The storyline lacks originality and depth, failing to create an engaging or compelling narrative. The plot feels disjointed, and the pacing is uneven, with key moments losing their impact due to poor execution in certain places.
The villain character, in particular, is not written well. Their motivations are unclear, and they lack the menace or complexity needed to be a formidable antagonist. This weakness in the villain's character diminishes the overall stakes of the film.
Overall, "Mirai" is a film with good visual effects that are unfortunately overshadowed by a poorly written and executed story. It's a movie that had potential but failed to deliver a truly engaging or memorable experience.
"Mirai" (2025) is a film that offers a stunning visual experience, but is ultimately let down by poor writing and flawed execution. While the movie's visual effects are a definite highlight, the narrative struggles to captivate, making it a frustrating watch.
The film's strongest asset is its VFX, which are good and impressive, creating a visually rich world for the story to unfold in. This technical proficiency is a testament to the effort put into the film's production.
However, the writing is very poor. The storyline lacks originality and depth, failing to create an engaging or compelling narrative. The plot feels disjointed, and the pacing is uneven, with key moments losing their impact due to poor execution in certain places.
The villain character, in particular, is not written well. Their motivations are unclear, and they lack the menace or complexity needed to be a formidable antagonist. This weakness in the villain's character diminishes the overall stakes of the film.
Overall, "Mirai" is a film with good visual effects that are unfortunately overshadowed by a poorly written and executed story. It's a movie that had potential but failed to deliver a truly engaging or memorable experience.
Epic visuals but limiting story!
The story is about a negative entity getting hold of nine magical granth's (books) and succeed in his demonic endeavors. To oppose him we have our hero's and his various relations.
The story involves not one or two or three but nine magical books. The thing I did not like is the story being wrapped up with limiting number of access to these books by the demon. I mean it's hardly shown how the demon gets access to all this granth's except for the final one.
Now what I liked, the visuals are awesome the huge mythical eagle, fire, the mythical rod in itself and being turning into Lord Rams gaandiv, etc are all carved well.
Final Verdict: The story is not strong, but it's nice if you want something light minded. The movie is doing well at box office. You can give it a try.
The story involves not one or two or three but nine magical books. The thing I did not like is the story being wrapped up with limiting number of access to these books by the demon. I mean it's hardly shown how the demon gets access to all this granth's except for the final one.
Now what I liked, the visuals are awesome the huge mythical eagle, fire, the mythical rod in itself and being turning into Lord Rams gaandiv, etc are all carved well.
Final Verdict: The story is not strong, but it's nice if you want something light minded. The movie is doing well at box office. You can give it a try.
Why?
The story isn't exactly groundbreaking - it's basically Avengers: Infinity War with a discount twist. Instead of Thanos collecting stones, our villain here is collecting books to gain superpowers. Don't ask why or how, because even the movie doesn't seem to know. No one ever reads those books, by the way.
Apparently, these magical books were written by King Ashoka himself - yes, the Buddhist emperor - and somehow, he's now part of a full-blown fantasy story with magic, dark magic, and enough superstition to fill ten temples. How or why a rationalist like Ashoka is involved? Don't bother figuring it out; the writers didn't either.
The hero's mission is to stop the villain, and guess what his weapon is? A magic stick - sorry, correction - Lord Rama's bow, conveniently chilling in an ice cave. The logic melts faster than the ice, honestly.
Most scenes are silly or unintentionally funny. The VFX is actually decent, and the cinematography looks good. Background music and production values are fine. Acting? Everyone's over the top, and Shriya Saran's serious expressions will make you laugh for all the wrong reasons.
Watch it only if the promos tricked you into thinking it's something epic.
Apparently, these magical books were written by King Ashoka himself - yes, the Buddhist emperor - and somehow, he's now part of a full-blown fantasy story with magic, dark magic, and enough superstition to fill ten temples. How or why a rationalist like Ashoka is involved? Don't bother figuring it out; the writers didn't either.
The hero's mission is to stop the villain, and guess what his weapon is? A magic stick - sorry, correction - Lord Rama's bow, conveniently chilling in an ice cave. The logic melts faster than the ice, honestly.
Most scenes are silly or unintentionally funny. The VFX is actually decent, and the cinematography looks good. Background music and production values are fine. Acting? Everyone's over the top, and Shriya Saran's serious expressions will make you laugh for all the wrong reasons.
Watch it only if the promos tricked you into thinking it's something epic.
Wasted Potential..!
Mirai had all the ingredients to be an epic mythological fantasy - stunning visuals, big ideas, strong cast - but wastes its potential with weak writing, laggy pacing (169 mins feels stretched), forced comedy, and underdeveloped characters. The director focuses too much on spectacle and mythology references, ignoring emotional depth and logic. Antagonist and supporting characters start strong but get sidelined. Result: a visually grand but emotionally hollow film that drags in the second half.
Verdict: 2.5/5 - "Half-baked epic." Spectacle lovers may enjoy, but story seekers will be disappointed.
Verdict: 2.5/5 - "Half-baked epic." Spectacle lovers may enjoy, but story seekers will be disappointed.
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Détails
Box-office
- Budget
- 400 000 000 INR (estimation)
- Brut – à l'échelle mondiale
- 513 313 $ US
- Durée
- 2h 49m(169 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39:1
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