Mirai

The story is about a negative entity getting hold of nine magical granth's (books) and succeed in his demonic endeavors. To oppose him we have our hero's and his various relations.

The story involves not one or two or three but nine magical books. The thing I did not like is the story being wrapped up with limiting number of access to these books by the demon. I mean it's hardly shown how the demon gets access to all this granth's except for the final one.

Now what I liked, the visuals are awesome the huge mythical eagle, fire, the mythical rod in itself and being turning into Lord Rams gaandiv, etc are all carved well.

Final Verdict: The story is not strong, but it's nice if you want something light minded. The movie is doing well at box office. You can give it a try.

Mirai (2025): A Visually Impressive Film with a Weak Core

"Mirai" (2025) is a film that offers a stunning visual experience, but is ultimately let down by poor writing and flawed execution. While the movie's visual effects are a definite highlight, the narrative struggles to captivate, making it a frustrating watch.

The film's strongest asset is its VFX, which are good and impressive, creating a visually rich world for the story to unfold in. This technical proficiency is a testament to the effort put into the film's production.

However, the writing is very poor. The storyline lacks originality and depth, failing to create an engaging or compelling narrative. The plot feels disjointed, and the pacing is uneven, with key moments losing their impact due to poor execution in certain places.

The villain character, in particular, is not written well. Their motivations are unclear, and they lack the menace or complexity needed to be a formidable antagonist. This weakness in the villain's character diminishes the overall stakes of the film.

Overall, "Mirai" is a film with good visual effects that are unfortunately overshadowed by a poorly written and executed story. It's a movie that had potential but failed to deliver a truly engaging or memorable experience.

It has become a trend in Indian cinema to use deities in movies, not as part of meaningful storytelling but mainly to cash in on emotions. Many Filmmakers seem more interested in exploiting faith than creating strong scripts or genuine characters, which reduces the art of filmmaking to a commercial shortcut.

Audiences should be careful not to fall for every such film. Some movies truly have a soul, where faith blends naturally into the story, while others are soulless and exist only to make money. Recent example of genuine storytelling is Mahavtar Narsimha. Supporting sincere efforts and rejecting manipulative ones is the only way to encourage good cinema.

Mirai had all the ingredients to be an epic mythological fantasy - stunning visuals, big ideas, strong cast - but wastes its potential with weak writing, laggy pacing (169 mins feels stretched), forced comedy, and underdeveloped characters. The director focuses too much on spectacle and mythology references, ignoring emotional depth and logic. Antagonist and supporting characters start strong but get sidelined. Result: a visually grand but emotionally hollow film that drags in the second half.

Verdict: 2.5/5 - "Half-baked epic." Spectacle lovers may enjoy, but story seekers will be disappointed.

The narrative struggles with character development and payoff. The heroine, introduced with promise, becomes increasingly sidelined and ultimately adds little to the story after the halfway mark. More critically, the villain-portrayed as nearly invincible throughout the film-receives a disappointingly abrupt resolution. After successfully obtaining all nine books, a single arrow ends his saga, undermining both his buildup and the audience's investment in his power.

A more satisfying approach would have been to extend his presence into a sequel. By allowing him to fully wield the destructive force of the nine books, the story could have explored darker consequences and raised the stakes considerably. The heroes' journey to uncover a meaningful strategy for defeating such a formidable enemy would have created a more compelling and emotionally rewarding climax.