Le sac noir

Full disclosure: when I first saw the trailer for Black Bag, I wasn't impressed. In fact, I was even less impressed when I assumed it was just another run-of-the-mill spy thriller about agents hell-bent on destabilising Moscow.

Boyyyyy, was I wrong.

This film is an absolute class act - an intelligent, gripping espionage drama that had me hooked from start to finish. Cate Blanchett and Michael Fassbender deliver powerhouse performances, balancing raw intensity with the kind of nuance that elevates the film beyond your standard spy fare. Their chemistry is electric, and every moment between them crackles with tension.

The supporting cast is just as strong, with Naomie Harris, Regé-Jean Page, and Pierce Brosnan adding layers of intrigue and depth. The dialogue is razor-sharp, and the script is packed with twists and turns that never feel forced - just expertly crafted storytelling at its finest.

Steven Soderbergh is in his element here, blending sleek cinematography with a tight, sophisticated narrative. It's stylish, smart, and effortlessly cool. If you think you know what to expect from Black Bag, think again. This is espionage cinema at its absolute best.

I have to confess that I have tried my best to sit through watching it, but I failed...gladly.

I don't know why this movie, with several men and women sitting around a dinner table, kept blabbering to each other, would cost and consume 50 million dollars to make. How much did the producers pay each of these actors to sit down? Maybe they spent a lot of the movie budget just for the black plastic glass frame for the guy, even if it looked so unnecessary and so fake on his face?

I have also found that the dialogue of this movie is just so irrelevant to me. I couldn't even understand what it meant, maybe not just to the participant actors who could ingeniously memorize the wtf? Dialogue, but to a lot of the viewers, including me. I have watched some movies with only two actors sitting facing each other and talking from the very beginning to the end, but I found them so interesting and never lost my focus. But the dialogue of this Black Bag, with more people talking to each other, I didn't even know what they were talking about and couldn't care less.

Black Bag (2025) would be one of the most tedious and meaningless movies that I have watched in the last 50 years.

Cate Blanchett didn't age well and did an abysmal facelift job that almost made her unrecognizable and tough to look at.

This taut spy thriller from Stephen Soderbergh doesn't exactly reinvent the wheel of the spy fiction genre, but it's definitely and thoroughly well-made and well-acted. Viewers should first and foremost know that this is a small-scale drama/thriller without action scenes and mostly set in a handful of relatively confined locations, so it is definitely not like a James Bond or Mission Impossible-style spy movie. For patient and sophisticated viewers who enjoy a lot of cleverness with their mystery and intrigue, "Black Bag" will prove to be an entertaining watch. The cast is generally pretty good, especially Michael Fassbender and Cate Blanchett, who are the two leads.

The film feels stylish and polished despite its small scale and brief running time. Soderbergh's deft direction keeps things running quickly and efficiently, paying special attention to the psychological and intuitive motives of the characters. The plot developments aren't particularly unique compared to other spy films, which is what holds back "Black Bag" from being truly great, but its commitment to creating intriguing narrative tension in an entertaining way and at a small scale is commendable. Recommended. 7/10.

It was one of those movies that's first hard to get into, but once you hit halfway you're invested. It's not that this movie was bad at all, it just didn't hit for me. It felt like a murder mystery, without the murder. It had fun twists and turns and dark at times. Them sitting around the table was the most intense parts, that goes to show you the amount of action in this movie. Just a warning if you're looking for any at all, this has none. Also most of this movie could have been figured out with a conversation between wife and husband, thay apparently trust each other so much. But whatever. Haha

Watched at AMC on 3-13-2025.

Greetings again from the darkness. Are you ready for 90 minutes of cool people wearing cool clothes and doing cool things while acting cool in the face of danger? If so, this one is for you. Oscar winner Steven Soderbergh (TRAFFIC, 2000; OCEAN'S ELEVEN, 2001; OCEAN'S TWELVE, 2004) dons multiple hats here as director-producer-editor-cinematographer (some under familiar pseudonyms). The screenplay comes from well-known writer David Koepp (JURASSIC PARK, 1993; MISSION: IMPOSSIBLE, 1996). The pedigree of these two is exemplified by the cast assembled.

George (Michael Fassbender) and Kathryn (Oscar winner Cate Blanchett) star as husband and wife secret agents that have pledged to kill for each other if ever necessary. Really, that should be part of every wedding vow. Fastidious George has built his reputation on his mystical ability to spot a lie, and has no room for anyone who is less than honest. Glamorous Kathryn excels at her missions and when secrecy is required, one spouse will utter the magic titular phrase, "black bag". This signals, 'I love you, but can't tell you more'. They live in a stunning London apartment, which serves as the setting for two particularly crucial dinner parties.

Every spy story worth its mettle has at least one MacGuffin, and ours is Severus, a sophisticated code worm designed to take control of nuclear weaponry. While it gets mentioned numerous times, the real story here is in discovering who the mole is inside the Secret Intelligence Service managed by Stieglitz (Pierce Brosnan). The five suspects George must investigate include computer analyst Clarissa (Marisa Abela, BACK TO BLACK, 2019), easily tempted agency veteran Freddie (Tom Burke, so excellent in THE SOUVENIR, 2019), suave and self-confident Stokes (Rege-Jean Page, "Bridgerton"), and staff psychologist Dr. Zoe Vaughn (Naomie Harris, MOONLIGHT, 2016). You'll notice that's just four suspects, as the fifth (unknown to her) is George's wife Kathryn. Adding to the intricacies of the jobs, the dinner parties, and this mole mission is the fact that George and Kathryn aren't the only couple in attendance. Clarissa is dating the older Freddie, while Stokes and Zoe are also seeing each other ... and there are likely other surprise complications with this group.

True fans of spy thrillers should know that this is not a new TINKER TAILOR SOLDIER SPY (2011), but rather a user-friendly story in the mold of the "Mission: Impossible" movies - only with less action and no high-wire stunt sequences. Instead, these agents withhold a lot while still talking a lot (some of the dialogue is quite funny). It's more of a personality chess match than an assault on our senses. Complementing the verbose proceedings is a perfect twisty jazz score from David Holmes. We must also take note of the numerous ties to the James Bond franchise (Brosnan, Harris, and rumors), and it's best to just sit back and enjoy Soderbergh in his element (this is his second film released in 2025) ... entertainment with a cool vibe.

Opens in theaters on March 14, 2025.