Cinq ans après Jurassic World: Dominion (2022), une expédition traverse des régions équatoriales isolées pour extraire l'ADN de trois créatures préhistoriques massives pour une avancée médic... Tout lireCinq ans après Jurassic World: Dominion (2022), une expédition traverse des régions équatoriales isolées pour extraire l'ADN de trois créatures préhistoriques massives pour une avancée médicale révolutionnaire.Cinq ans après Jurassic World: Dominion (2022), une expédition traverse des régions équatoriales isolées pour extraire l'ADN de trois créatures préhistoriques massives pour une avancée médicale révolutionnaire.
- Réalisation
- Scénaristes
- Vedettes
- Prix
- 2 victoires et 2 nominations au total
- Brooklyn Pedestrian
- (uncredited)
Avis en vedette
Another disappointing sequel
I'll break this down into three pros and cons to keep this short.
Pros:
1) There are dinosaurs.
2) Some great location photography, especially in Thailand.
3) There are a couple of great moments of grandeur, although the best one for me (revealing a herd in a valley) relies on a lot of nostalgia farming. Still, it's effective. There's also a sequence with a raft that feels like Spielberg could have directed it, in a good way.
Cons:
1) The script is bad. Lots of exposition, despite the fact that the plot is very simplistic. Some of the characters are annoying. Everything is very predictable, to the point that there's really not a single surprise. There's little tension or sense of danger or even mystery.
2) The cast. Most of them seem to be here to collect a paycheck. Scarlett Johansson seems a little miscast for the character she's playing, though I'd still primarily blame the writing rather than her performance. Jonathan Bailey is a non-entity. Mahershala Ali is wasted. None of these characters are memorable. The best character is probably a tiny dinosaur they meet along the way that gets a few easy "aww" moments. It's cheap, but it works.
3) The special effects. As far as I could tell, the dinosaurs are 100% CGI (or close to it). Dominion was far from good but the mix of practical and CGI effects was nice to see, and a step in the right direction. I was hoping for more of that here, especially since there are several opportunities for practical effects once they get on the island. Everything looks artificial. It's also one of those movies where despite the great location photography, some of the environments still look really fake.
Anyway... the last three movies in this franchise have all been pretty bad. I don't expect something on par with the first Jurassic Park, but I think we could do a little better than this!
5/10.
Just more of the same
Honestly, the first half felt all over the place
Scarlett Johansson and Jonathan Bailey were solid, with Bailey bringing unexpected charm despite some forced emotional lines. The movie leans heavily on spectacle and nostalgia, yet the human characters felt shallow and underwritten - I never truly cared about them.
It's entertaining as a summer blockbuster if you just want dinosaur chaos, but it lacks depth. Still, worth the watch for the action and visuals.
I'm genuinely furious
There's hardly any plot to speak of. Instead of a coherent story, we get a pathetic excuse for intrigue - something about "collecting blood samples." The rest is just empty space, disconnected scenes, and aimless noise. It feels like the writers just gave up, hoping that big names and dinosaurs would carry the film.
But even the dinosaurs are missing. What we get instead are grotesque mutant creatures that inspire neither fear nor awe - only disgust. Where's the grandeur of the ancient world? Where's the spirit of adventure? Everything is drowned in a CGI mess.
And let's not forget the behavior of the main characters. It's not just stupid - it's insulting. It feels like they're competing to see who can make the dumbest decision every minute. Watching it is physically painful.
And then there's the architecture and technology. Are you kidding me? You're on an island full of predators, and everything makes noise - doors bang, systems whir, everything clatters. It's as if the designers intentionally made it easier for dinosaurs to find and eat everyone. Total nonsense.
In conclusion: this film is hollow, annoying, and completely disrespectful to the audience. No plot, no sensible characters, no proper dinosaurs. Just noise, stupidity, and monstrosities. A "rebirth"... into something much, much worse.
paycheck project
What It's Like to Be Part of the Jurassic Park Franchise
What It's Like to Be Part of the Jurassic Park Franchise
Blocage sonore
Le saviez-vous
- AnecdotesJonathan Bailey not only stars as Dr. Henry Loomis, but also contributes to the film score. He plays clarinet in several orchestral tracks and performs the solo heard during the scene when his character touches a dinosaur for the first time.
- GaffesIn the service station on the island, the family escape down a drain after seeing the water flow down the grid, but the tunnels themselves are completely dry and free of water. For a sewer, it is awfully big for rainwater and awfully clean for a sewer- especially in a tropical climate.
- Citations
Dr. Henry Loomis: We don't rule the Earth. We just think we do.
Dr. Henry Loomis: And sure, we're changing the environment, but that makes us the ones to worry about, not the planet. When the Earth gets tired of us, believe me, it will shake us off like a summer cold.
- Générique farfeluAt the very end of the credits, nature sounds from the island are heard.
- Bandes originalesMovin' On Up
Written by Bobby Gillespie, Andrew Innes, Robert Young
Performed by Primal Scream
Courtesy of Reprise Records/Creation Records
Licensed by Warner Music Group Film & TV Licensing/Sony Music Entertainment UK Limited
Meilleurs choix
The Year in Posters
The Year in Posters
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Jurassic World: Rebirth
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 180 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 339 640 400 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 92 016 065 $ US
- 6 juill. 2025
- Brut – à l'échelle mondiale
- 868 901 354 $ US
- Durée
- 2h 13m(133 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1






