Ajouter une intrigue dans votre langueIn May of 2020, a standoff between a small-town sheriff and mayor sparks a powder keg as neighbor is pitted against neighbor in Eddington, New Mexico.In May of 2020, a standoff between a small-town sheriff and mayor sparks a powder keg as neighbor is pitted against neighbor in Eddington, New Mexico.In May of 2020, a standoff between a small-town sheriff and mayor sparks a powder keg as neighbor is pitted against neighbor in Eddington, New Mexico.
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- 1 nomination au total
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Reviewers say 'Eddington' is a divisive film that captures the chaos and division of the COVID-19 era, with strong performances, particularly from Joaquin Phoenix. Some praise its bold ambition and dark humor, while others criticize its pacing, coherence, and thematic execution. The film's exploration of political and social issues during the pandemic elicits both admiration and frustration, reflecting the polarized nature of its subject matter.
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Eddington feels like being locked in a room with your own thoughts...while those thoughts are armed and slightly unhinged. The pacing is tight, the plot twists keep you leaning forward, and just when your anxiety peaks, it throws in a gut-punch of humor that somehow makes it all feel human again.
It's a rare film that can make you laugh and feel like you need to sit quietly in a dark room afterward just to process what you watched. This is that film. Smart, offbeat, unsettling, and genuinely entertaining. Eddington doesn't just keep you intrigued, it lingers long after the credits roll.
It's a rare film that can make you laugh and feel like you need to sit quietly in a dark room afterward just to process what you watched. This is that film. Smart, offbeat, unsettling, and genuinely entertaining. Eddington doesn't just keep you intrigued, it lingers long after the credits roll.
This Movie is many things but not a good movie. Yes, that's how i will start my review. This movie has no specific genre, first it's a drama, then it became some dark comedy, then it's a crime thriller, then it's a effing war movie and at the last it's an unfinished revenge thriller. What the eff is this about! I don't know, i have no idea after watching this horrible thing.
In 2019, Ari Aster struck many film fans as the new face of horror and quickly attached him to the genre. In 2025, Ari Aster has departed from that stereotype and is now seen (at least in my opinion) as a director who makes very polarizing and ambitious films that he wants to make. I gotta respect the guy for going out and doing that. Eddington, much like his 2023 film "Beau is Afraid" is that kind of film. It's ridiculously ambitious, busy, and absolutely bonkers. It's something that I feel only Aster could make. I'll agree with the critics when they say Aster covers a lot of subjects but doesn't really commit to most of them. He seems to kind of get lost in the moment of trying to satirize and summarize too many subjects of the COVID pandemic to the point of exhaustion. It's not his most successful film and it's certainly not going to please everyone, but I greatly admire the drive he put into it.
I can only tell this is gonna be a very polarising film, people are going to love the ambition from Aster or call it a convoluted mess.
Depending on your views during the 2020s will severely determined your outlook on this film. Are you able to laugh at the insanity or remain serious at the severity of events that transpired.
Eddington is ultimately a satire on the comedic ridiculousness and tumultuous times of the 2020's. Eddington in itself is the main character. It's a macrocosom of events that impacted the US but obviously ramps them up to 11.
I appreciate the craft and the film was at its best when it was reminiscent of the Coen's No Country For Old Men. The 2nd act elevated the implemented satire to a contemporary western crime thriller.
The film is hit or miss in its summary. I understand the message and themes but at some points the execution is lacking. I feel like it tried to juggle a lot of themes and messages. Maybe sticking to one or two would have made the film more tight and succinct.
Depending on your views during the 2020s will severely determined your outlook on this film. Are you able to laugh at the insanity or remain serious at the severity of events that transpired.
Eddington is ultimately a satire on the comedic ridiculousness and tumultuous times of the 2020's. Eddington in itself is the main character. It's a macrocosom of events that impacted the US but obviously ramps them up to 11.
I appreciate the craft and the film was at its best when it was reminiscent of the Coen's No Country For Old Men. The 2nd act elevated the implemented satire to a contemporary western crime thriller.
The film is hit or miss in its summary. I understand the message and themes but at some points the execution is lacking. I feel like it tried to juggle a lot of themes and messages. Maybe sticking to one or two would have made the film more tight and succinct.
What a mess of a movie. One thing this did so well was actually show the way how much politics divided people since the start of the pandemic. The way people became passionate about their beliefs and how they reacted to it was pretty spot on, unlike anything else that has been. But this still leans to one side by simply being given more than enough importance and center stage to stupidity as a normal belief system. Even with the aftereffects and hypocrisy being shown by both sides, the root of fundamental belief makes a difference, which, as fit for an American movie, this avoids addressing. Even without considering the political aspect, the narrative structure is a mess. Switching from rivalries, political tensions with satirical undertones, to gory shootouts, the movie swings hard, and at least it's weirdly interesting throughout.
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- AnecdotesAri Aster wrote a contemporary Western script long before the COVID-19 pandemic began and was initially planning to make it his directorial debut. He tried for quite a few years to get it made, but he ultimately decided to shelve it and make Héréditaire (2018) his debut. He confirmed during Beau a peur (2023)'s press tour that this script would more than likely be his fourth feature, and it was updated to fit a post-2020 lens.
- GaffesAt the beginning of the film when Joe is watching a YouTube video on his phone, the dislike count is missing and the Shorts Remix button is visible. Dislike counts were removed. Both features weren't globally launched until 2021, a full year after this movie is set.
- ConnexionsFeatures Vers sa destinée (1939)
- Bandes originalesI Feel Alive
Written by David Carriere, Jane Penny, Riley Tripp Fleck and Jackson MacIntosh (as Jackson Edwin Macintosh)
Performed by Tops
Courtesy of Tops Musique
By arrangement with Terrorbird Media
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Еддінгтон
- Lieux de tournage
- Truth or Consequences, New Mexico, ÉTATS-UNIS(as Eddington)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 10 109 484 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 4 404 742 $ US
- 20 juill. 2025
- Brut – à l'échelle mondiale
- 12 638 919 $ US
- Durée
- 2h 28m(148 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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