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Going into this film completely blind is the play. Absolutely bonkers.

I appreciate an original horror story when it gets executed to perfection. Funny, cringey (in a good way) and downright absurd.

The story is interesting enough and follows cult/folk lore but the performances by Franco and Brie are the high point. Their chemistry is perfect and believable. The film highlights themes of co-dependency and fear of commitment in a truly insane way.

Granted, there are cliched moments that are usually present in the horror genre. And yes, such moments are in this film, but it definitely doesn't take away from the wild ride. This film reminiscences elements from "The Substance" but it warrants its own distinction.

Definitely up there with one of the best horror movies of the year.

When real-life couples star together, the resulting film can take on a fascinating meta-layer. Although their offscreen bond doesn't necessarily blur into their characters, it inevitably hovers in the background. Mike Nichols' 'Who's Afraid of Virginia Woolf?' wasn't simply a searing portrait of marital warfare; it was also Elizabeth Taylor and Richard Burton, cinema's most famous spouses, sparring with a ferocity that audiences couldn't help but connect to their tempestuous private lives.

Likewise, Stanley Kubrick's 'Eyes Wide Shut' wasn't just a puzzle about desire and fidelity. Echoed against the backdrop of Tom Cruise and Nicole Kidman's highly publicized marriage, the couple's casting lent an extra layer of voyeuristic intrigue to the film. That extra-textual dimension doesn't alter the story, but it makes the fiction feel charged in ways it otherwise wouldn't.

This is also the case with Michael Shanks' 'Together,' starring the real-life couple Dave Franco and Alison Brie. A body-horror à la Coralie Fargeat's 'The Substance,' the film follows long-time partners Tim and Millie, who have been drifting apart. After relocating to the countryside, they encounter a mysterious force that starts to reshape their lives, forcing them closer than ever. Soon, their romance becomes a macabre affair, as the boundaries between co-dependence and monstrosity irrevocably blur.

Atmospheric, visceral and laced with dark humour, Shanks' film grips from start to finish. Essentially a Cronenbergian romantic comedy, it's bloody good fun, with some thematic weight. Shanks' narrative cleverly uses the language of body-horror to externalize the often-unspoken dynamics undermining relationships. More than an external threat, the disgusting entity that binds Tim and Millie embodies their neediness for, and resentment towards, one another.

Horror has always excelled at making the abstract tangible- whether it be desire as parasite, or intimacy as contagion- and Shanks leans into that tradition with gory relish. In 'Together', the spectacle of skin and sinew isn't there for shock alone, but as a metaphor for how love can devour, how co-dependence can trap partners in a suffocating cycle of intimacy. As proceedings intensify, the couple's bond is forced into a crucible, revealing both the strength and fragility of their connection.

Shanks' strong characterisation emphasises this point, especially when it comes to Tim. He is far from a traditional macho protagonist, being a vulnerable, tentative man marked by trauma. He can't work a compass or start a fire, and relies heavily on Millie in everyday situations. His hesitancy and fragility ground the film, making the couple's descent into grotesquerie more affecting than it otherwise might be.

Millie, too, is drawn with nuance; a smart young teacher who loves Tim and wants the best for him, but whose patience sometimes frays under the weight of his insecurities. Together, they feel less like genre archetypes and more a realistic couple. Their exchanges throughout are natural, laced with a dry wit that feels true to life. At its core, the film is a love story, which works because one believes in Tim and Millie's bond- the tenderness beneath the terror.

Visually, the film is as striking as it is unsettling. Germain McMicking's cinematography cloaks the rural setting in a pall of damp greys and muted greens, evoking both isolation and decay. Further, Nicholas Dare's production design makes the world feel intimate yet suffocating, deeply alive- disquietingly breathing.

In addition, the effects work is impressively tactile, leaning on practical gore and prosthetics rather than CGI, giving things a raw, clammy immediacy. Shanks doesn't flinch from grotesque detail, yet the imagery never tips into gratuity. Just as crucial are the sound design and score: the former wringing dread from creaks, squelches and silences, the latter pulsing uneasily beneath the action without overwhelming it. Further, Sean Lahiff's editing is sharp and economical, ensuring every shock lands with precision.

As Tim and Millie, Dave Franco and Alison Brie's real-life marriage lends their on-screen intimacy a raw authenticity, making Shanks' vision of closeness-turning-hideous even more disturbing. Both deliver powerhouse performances- Franco in particular, showing a vulnerability and range rarely glimpsed in his comedic work. Brie, meanwhile, plays Millie with a sharp mix of exasperation and tenderness, anchoring the film's emotional core. Damon Herriman also does fine work in a supporting role as Millie's work colleague Jamie, whose personable demeanour belies a hidden darkness.

In conclusion, Michael Shanks' 'Together' is bloody great: a grisly reflection of intimacy, co-dependence and the messy realities of love. Dave Franco and Alison Brie work wonderfully together, grounding Shanks' Cronenbergian vision in something startlingly human. With tactile effects, evocative cinematography and a keen ear for dread, the film shows how passion can curdle into possession, with devastating consequences. In short, in the realm of body-horror, 'Together' stands apart.

Body horror is a genre that can be difficult to nail. At its best, it is anxiety-inducing, disturbing, and off-putting, often beyond the point of enjoyment. It is horror, not because of the scary monsters or hidden nightmares, but because of the natural human unease towards bodies being bent and broken in ways they shouldn't. As a horror genre fan, I have become desensitized to most of the tactics used to scare in movies, but body horror, done right, never fails.

Together is almost that movie. It builds anxiety both through body horror and simple awkwardness, but just as it rises to the point of being unbearable, it breaks the tension, either with humor or romance. It does this well, but I was left feeling too comfortable, too comfortable for a movie purporting to be a genre based on the opposite. If they had leaned into the body horror more, unwilling to break, this could've been exceptional, but as it stands, I was left wanting.

For someone who is easily scared or is new to body horror, this film could be great. The humor and romance make it more approachable, but it also detracts from the horror. Certainly not a waste of time, but it sucks to see a film come so close only to miss the mark.

My girlfriend and I went to this movie as part of Landmarks mystery movie night. I found the movie really kept you guessing as to what direction it was going to go. I thought Franco and Brie were great for their respective roles. The movie took a turn halfway through that threw me off, but it brought me back in at the end.

Not a revolutionary horror movie by any means but I quite enjoyed it! Recommend for anyone that's interested in checking out an original and interesting horror movie with some depth. I have found myself thinking about the film over the past few days since I saw it. It has a good mix of themes and had a few good laughs.

A bit outlandish at times (maybe even most of the time) but nonetheless I found it entertaining. Check it out 🙂

Together follows Tim and Millie, who find themselves at a crossroads when they move to the countryside, abandoning all that is familiar in their lives except each other. With tensions already flaring, a nightmarish encounter with a mysterious, unnatural force threatens to corrupt their lives, their love, and their flesh.

The film sets everything up well. The characters, the relationship, the setting. I liked all that. The story itself was good, but the overall experience felt a bit flat and underwhelming. Things should have happen faster. When the horror, tension, or weirdness finally shows up, it's good. But it doesn't stay there. It never really sits in the moment. More time should have been spent in those moments once they happened, not necessarily more things to happen. It felt like the film was holding back when it should've leaned in. More should've happened emotionally and visually. It felt like it could've gone deeper or darker, and I was ready for it. That's one of my big issues with the film. The body horror and supernatural elements are there, but they could've gone harder with it.

The trailer gave away a lot, so if you've seen it, you've probably already caught most of the big horror moments. That takes away some of the surprise, which is a shame, because the film does have its own story to tell. It's straightforward and easy to follow.

What worked really well was the emotional side of it. The relationship felt real. You could see yourself in these two people, and what they're going through feels honest. Dave Franco and Alison Brie are great together. You can tell they're a real couple. There's a natural chemistry between them that makes everything feel more believable, especially as things start to fall apart. There are also a few funny little moments between them that break up the tension in a nice way, without messing with the overall vibe.

Overall, Together is a solid but not groundbreaking horror/drama. It explores some interesting ideas. I just wish it had pushed things further emotionally and visually. It had all the right pieces. It just didn't go far enough with them.

It doesn't happen that often that we get genuinely fresh, original ideas in horror - and when it does, it feels so bloody good. 'Together' (2025) is exactly that. A grotesque, clever, and oddly funny little gem that had me cringing, laughing, and totally hooked the entire time.

The concept is unhinged in the best way: a couple moves to the countryside... and starts getting TOO attached. What unfolds is what I can best describe as a rom-com body horror (yes, really) that somehow makes co-dependency literal... and it weirdly works. So well.

Body horror isn't for everyone, but this is so well done. The practical effects are gnarly in the best way - just the right amount of gross to make your stomach turn while keeping you glued to the screen. It leans into the absurdity, but underneath the chaos is a surprisingly honest look at toxic love, compromise, and identity.

Alison Brie and Dave Franco are absolutely fantastic. You totally buy into them as a couple who love each other but maybe shouldn't be together. Or maybe should? I don't even know. That's part of the fun.

And I have to say - any film shot in Melbourne gets an automatic bonus point from me. There's something so satisfying about seeing our suburbs twisted into something this surreal.

Cringey in all the right ways. Disgusting in the best possible sense. 'Together' is one of the most original horror films I've seen in ages - and it will absolutely satisfy genre lovers looking for something bold, grotesque and new.

I'll be honest when I say that the trailers never properly sold me on this movie, it made it seem like a completely different movie than what we got.

The concept is really unique. While there's been some chatter online about possible plagiarism, that's not my place to weigh in on. What I can say is that this film stands on its own with a bold and bizarre approach. The effects are striking, and some moments hit a level of fear and discomfort that really stays with you. It does an excellent job portraying anxiety and the disorienting terror of dreams that blur into reality.

Dave Franco delivers what might be his best performance to date, giving the character a desperate vulnerability that anchors the whole thing. Alison Brie complements him perfectly, and their chemistry helps ground the madness with emotional weight and some dark humour.

It's disturbing, oddly beautiful and full of surprises. If you're into surreal horror with emotional undercurrents and a touch of body horror, it's absolutely worth checking out.

Just saw this in the cinema, and honestly, I left disappointed. The actors gave strong performances, but the writing didn't support them. The plot felt messy, with clunky dialogue and uneven pacing.

There were a few moments of foreshadowing that hinted at something deeper, but nothing ever really came together. Despite the cast's efforts, the story just didn't deliver.

There's a basic principle in filmmaking that's as old as time. If you set up your characters correctly the audience will always be invested and that's EXACTLY what you get here.

From the opening you see our main characters struggles with their relationship and how they wanted to please the other but fail multiple times. The movie hit the themes of complacency and dependency and tries to disguise it as love in moments that work FLAWLESS.

The actual scares are actually VERY EFFECTIVE and there's one at night that made me jump because of the sheer claustrophobic nature of the camera angles and shots.

Ending: Definitely the most controversial part of the film for me. I obviously won't spoil but it completely almost ruined the film for me. It just kinda really took me out. I initially thought it would end in a different way and kinda hoped it would but no. Again that ending is really BAD so again beware that but besides that I thought this was a nice horror film.

This is a great Body horror film that might have been missed, and it is a good thing I haven't missed it. Kudos to Chris Stuckman that recommended this one. Since he became a critic that doesn't disses films, I understand that if he uploads a review, it is a sign that the films was worth watching. This is exactly the case.

Dave Franco and Alison Brie are, apparently, a married couple in real life, so this experiment of a movie with a message about relationships and how they reflect to both sides of the bond, was an interesting one. How will both actors survive each other, working together on the same movie set.

This was and still it was interesting to hear an interview with both, to understand how this experience was from each side. In the movie they are a couple that haven't been married yet. He is clinging to the idea he can fulfill his musical dreams and not just as a Hobbie and she is, of course, fully dedicated to her career and trying to change scenery, to maximize her side of potential (and salary will also be nice).

They both move to a new place, village, if we may call it and then troubles start happening, as they should, In a classic horror movie genre. Michael Shanks is a short movies director and not a lot of experience is mentioned in his filmography. It is certainly the best work of his, since...ever and it is interesting to see what he will make next in line.

The movie is not actually scarry in the old fashioned way. It has some gore in it, it is well shot and there are a lot of horrifying bits and pieces, but towards the end, we get the body horror effect and the movie, as those genre films always go, gets wild, but not to wild and graphic, which I like and respect.

Personally, I don't like the body horror genre, because it feels, for several stages, that the director is over trying to make his audience disgusted. This one is made so well, that even the parts that made me want to vomit, were somehow digestible. The best thing is the high tension of this movie and the fact it grabs the audience by the neck and doesn't let go.

And this is also a movie that makes you think. About relationships in general, about your relationship and of course it makes us think about the relationship of the couple in the movie, that feels like they've done each and every mistake that is demonstrated in the book of mistakes in relationships.

It is a problem to try and detach the eyes from this movie. It is well directed and both main actors makes great work and can gladly get back home with great payment to do what they love - together. It had a lot of mystery; it is great as thriller and excellent as a body horror genre movie. Great Jog.

"Humans were originally created with four arms, four legs and a head with two faces. Fearing their power, Zeus split them into two separate parts, condemning them to spend their lives in search of their other halves." Plato, The Symposium

Although the current horror film Together doesn't pretend to parse Plato's discourse on love, it relies heavily on the idea that true love is the comingling of minds and bodies that were once separated by Zeus out of envy. Tim (David Franco) and Millie (Alison Brie) spend time in a country house seeking to regain the passion they once had.

After a stroll that ends up in a cave (how very Platonic!), they devolve into maddened humans, literally getting under each other's skin. The visuals, even without excessive CGI, are body horror at its best, and allegorically land us in discussion about what love means and how it affects the struggling relationship the drama began with.

Thematically Together wishes to show how much the stressed couple loves each other, even willing to sacrifice their very flesh to reconcile their affections. No couple in the audience can ignore the commentary on the emotional demands of love, the millennial fear of commitment, and the strains that modern lonely life make on romance.

After all, Millie has sacrificed a higher teaching order to take a rural job while he is still at 35 years old trying to play in an indie-rock band. His intermittent impotency, while understandable given his lack of professional success, still seems like a major impediment to taking their love to the next level.

While treating the aud to some icky body horror, writer-director Michael Shanks comments on the challenges of modern living that needs the therapy of communal sharing, of overcoming horrors together to emerge from that cave together toward the future.

I'm vaguely aware of the potential plagiarism controversy surrounding Michael Shanks' 'Together (2025)', a body-horror starring real-life power couple Dave Franco and Alison Brie, but I don't know enough about it to truly form an opinion of it. From what I've seen, it is undeniably similar to 'Better Half (2023)' in terms of its premise and even a few specifics of its execution, but it's clearly aiming for a completely different tone. The fact that its screenplay has been around since 2019 also doesn't do the accusation any favours. Further to this, the film is seemingly heavily inspired visually by 'A Folded Ocean (2023)', a short with pretty much the same concept and some suspiciously almost-identical shots, even though that piece isn't involved with the lawsuit at all. It could, of course, be a case of parallel thinking (the idea of people fusing isn't exactly new territory for body-horror), but it does dampen one's enthusiasm for all involved pictures despite claims that the whole thing is a PR stunt by the makers of the supposedly ripped-off movie. I don't really know what I'm trying to say here, but I felt like I should at least acknowledge the controversy at the core of this release without pretending to have any answers about it. Perhaps the point is that the affair doesn't feel as though it's treading into new territory, and in fact feels incredibly familiar when it comes to its fundamentals (the fact that the trailer spoils pretty much every gag here doesn't help).

The affair is ultimately rather slight, despite feeling like a proper horror for much of its runtime. It balances lore exploration and unsettling ambiguity pretty well, but it isn't able to truly sink its teeth into the dynamic at its core. It's thematically rather shallow, its point starting and stopping at "codependency as horror", and its messaging is confused at best. It doesn't help that the situation the characters find themselves in, which is meant to reflect their relationship and take it to its most literal extreme, only vaguely mirrors their actual dynamic, lacking the sense of irony it needs to feel as though it could only have happened to them (or, at least, that their story is the only one about this subject that could, and should, have been told). It's not as if the couple is outwardly afraid of commitment, making their unnatural connection their worst nightmare, but it's not as if they're especially codependent either, at least not until something starts violently pulling them together, so it also isn't a cautionary tale about losing yourself in a relationship. Both of these potential meanings are hinted towards at different times, which implies to me that the flick knows what it needs to do but just doesn't quite have the skill to do it. It also struggles to balance its tone, ostensibly being a horror-comedy but lacking much of the latter and sometimes incorporating it in clumsy ways. However, even though it isn't all that deep or keenly observed, it's still rather enjoyable for its majority. Brie and Franco are genuinely quite good, the sweaty anxiety of their increasingly magnetic scenario slowly but surely pushing them past their breaking points, and the picture often looks really accomplished, if a little too dark. The direction is playful when it needs to be and restrained when it doesn't, and most of the visual effects (many of which are aparantly practical) are believable enough that their pain outweighs their silliness. The narrative is simple but effective, the set-pieces are typically either suspenseful or intense enough to keep you on the edge of your seat, and the pacing is tight enough that you never contemplate boredom. Having said that, it definitely has its flaws. For one, it sometimes feels like something is missing, perhaps due to its notably weak theming. It isn't as immense as it perhaps could have been, nor is it as claustrophobic. It has a thick and grimy atmosphere, but it isn't particularly scary. It doesn't quite end with the "got ya" sting it thinks it does, and it also bizarrely pulls a lot of its punches (you're never really forced to sit with any of its body horror and, as such, none of it actually gets under your skin). Honestly, it should have been more gruesome and unsettling, even if it does have a few nicely startling images that aren't afraid of their own ridiculousness. Still, despite its issues, it's an entertaining experience that keeps you engaged for its majority. It's well-acted, well-directed, and, well, believably gnarly on occasion, missing the mark in terms of its theming and some of its horror but nailing its sickly warm cinematography and increasingly unhinged character work. It's narratively underwhelming, but formally solid. It's pretty good overall.

I left the theater about 20-30 mins ago. Overall, I really liked it

The movie's premise is original, and there's a thoughtful message about relationships. The ending contains much ambiguity, which might not work for some. But I liked it. I think the film leaves a lot of room for interpretation about what happens. Whether the ending is happy or tragic, for example, is debatable, and even I feel that I could frame an argument for both sides.

I found both of the leads - Alison Brie and Dave Franco - to be great. Their acting is smooth, and their characters are likable enough as protagonists. They have great romantic chemistry (some might respond by saying, "Well duh, they're a real-life couple." But I've actually seen movies where real-life couples don't have on-screen chemistry; real-life relationships don't always translate on-screen. Both of them deserve credit for their performances in this movie).

The movie is billed as a horror/comedy. And I guess there are some dialogue and embarassing situations that could be taken as comedy. But as a whole, I really found the movie to be more of a straight horror. And there are some creepy and unsettling moments. The gore is also not as extreme as I had heard. I never grimaced or felt the need to look away; there's no reliance on shock in this movie. The movie's pacing is good, and the run-time is just right.

In terms of flaws -- the film introduces a friendly teacher at Alison Brie's job. The movie basically telegraphs that he knows more than he's letting on. There's a certain VHS scene that feels a little bit contrived; the film seems to jam that scene to explain stuff in as little time as possible. Additionally, I didn't quite grasp the backstory about Dave Franco's mother

Still - a very good movie. It's not a knock-off, but this movie reminded me quite a lot of The Substance because of the general vibe (as well as a certain monster) . If you liked The Substance, you'll definitely like this one.

10/10.

While some of the cliched tropes in the horror genre are sticked within it's narrative and characters, the original horror concept, great atmosphere, visual make-up designs and the strong performances from Dave Franco and Alison Brie offers a fun horror, comedy and body horror tale.

For a debut project, director Michael Shanks really captures the horrific and bonkers nature of the body horror genre. Raving with great atmosphere, practical effects (which some were grossly cringeworthy which succeeds on the good aspects about body horror), and the direction. The writing explores some interesting themes about relationships, dependency and how bonds can be a fear within the self of someone. While I do admit some aspects, especially the way how characters are approached and some of the elements feel cheesy, the narrative works for the most.

Franco and Brie has some great chemistry between one another, especially when the horror body elements are shown every time they are on screen. Although some of the dialogue moments were a bit strange, as a whole, the horror and body elements of this movie was successful.

Overall, a good Midnight movie.

Tim and Millie move away to try to save their failing relationship, but their problems deepen when they explore the local area.

I wish I hadn't seen so many trailers for it; my algorithms bombard me with horror trailers, so I had an idea of what was coming. That aside, this film really did surprise me.

Body horror isn't my favorite genre, I'll be honest, but there was a great story here, some truly unsettling scenes, a dash of humor, and some decent acting.

I can't say I was crazy about either of the leading characters, but their performances seemed very deliberate; they were two people stuck in a toxic relationship, a couple that should have separated some time ago.

The pacing was good, the special effects were very good; overall, this impressed me. It felt different from most of the recent horrors I've seen.

Very good.

8/10.

Go look up "A Folded Ocean" a short by Ben Brewer in 2023. Not only did Together steal the concept, but there are also shot for shot scene recreations or theft. They have not given credit to the real writer and director, so you be the judge. How does this film have the exact scenes of the couple being merged together, as a film that came out two years earlier, and did not be considered theft?

I think we as horror fans sometimes fall into the trap of expecting every lower-budget, "indie-but-not-really" horror release from studios like A24 or NEON to be the "scariest film of the year," or some sort of genre classic. But sometimes, it just great to see a good concept executed well. Together makes no pretense of what it is: a small-scale, nasty little summer horror flick that uses the horror elements to explore a metaphor.

While Together isn't ground breaking by any means and you'd have to have absolutely no media literacy to understand what it's analogizing, I don't think that's necessarily a knock on it. In a lot of ways, Together kind of feels like "baby's first body horror," a stepping stone into a genre that's accessible for horror curious audiences. I appreciate that despite being body horror to its core, the movie doesn't try and disgust its audience at every turn.

Don't get me wrong - my favourite movie of 2024 was The Substance, I love my blood and gore as much as the next guy. But, I think it's nice that a film like this exists to gently bring people into this admittedly tough sub-genre to get into.

I also like the clarity of what it's trying to communicate quite refreshing as well; as much as I love a film like Stop Motion, I can see why audiences would mostly leave it frustrated. Together avoids that by pretty much beating you over the head with its metaphor, but not in a way that felt like it underestimated the audience.

I think the reason it works as well as it does is because Dave Franco and Alison Brie have electric chemistry, appearing as much a real couple on screen as they are in real life. There's a raw emotional honesty to their characters and relationship that's hard not to find compelling.

The film does spin its wheels a bit towards the middle and at times seems uninterested in the lore it sets up. Again, this was purposeful and meant to explore the characters more than the literal plot points. I can't criticize film makers for making the "better" choice, even if it did make the narrative a little less sensical than I would've liked.

By the time Together ended I was throughly happy with it. It's a good movie that goes in some very interesting directions and I'd recommend to anyone interested in upping their horror game. Now, would I rush back to rewatch it right away? Probably not.

As much as I've praised the film for being more "accessible" and "easy on the audience," it sort of caps the film at a "pretty good" level for me.

I love when Dave Franco and Allison Brie act together in a movie. They have great chemistry (duh) and some of the scenes where they had to be intimate seemed very real.

Together was fun, weird, had its dark humorous moments and the special effects were pretty good! It's original, there's plot points that are a bit predictable, but overall I do think it was original.

I honestly really liked the story. I try not to watch trailers close to opening day because they show more for some reason.

At the end of the day, this movie is going to be polarizing. You'll either love that it or hate it.

I loved it!