Rifle Club

The cinematic work known as Rifle Club can be classified as an action thriller drama genres, and a subgenre of gun fight. The film was directed by Aashiq Abu.

The narrative under scrutiny pertains to the history of the rifle club, an establishment with a long and distinguished history in the realm of firearms. The club boasts a rich tapestry of experiences interwoven with the annals of military history, offering a unique perspective on the evolution of armaments and the pursuit of marksmanship. The club has a considerable number of members. The majority of these individuals are residing at the club. The romantic movie star, Shajahan, would take on the role of the lead actor in an action movie. In order to prepare for his role, he attended the rifle club to practise firing a gun. Subsequently, his cousin and girlfriend followed him to the club, having escaped from a gangster team. The younger son of Daya, a gangster operating within the Mangalore region, was killed by this cousin and girlfriend, albeit without any discernible motive. The older son proceeded in the direction of the club, where he was apprehended by members of the club. He was subsequently shot by the aforementioned members. Subsequently, Daya and his entire cohort proceeded to launch an attack on the club. However, the club members successfully vanquished and killed each and every member of the gang.

The narrative was of adequate quality. The direction exhibited a standard quality. The performances are of a commendable standard, and the musical scores are a notable aspect of the film. A number of visual effects (VFX) scenes appear to deviate from conventional norms, evoking a sense of peculiarity or otherworldliness in their presentation. Nevertheless, it is a film that can be watched on a single time and recommended to others.

Aashiq Abu proves his naysayers wrong and bounces back with an extremely stylish, no-nonsense actioner filled with fun one-liners. Yes, this is definitely style-over-substance but when it's tastefully done, I'm not complaining. In the conventional sense, this may also be Abu's most "entertaining" film yet, though it may not feel all that original. That's beside the point here, as the cast (every single one of them) is firing on all cylinders-be it with guns or puns. It's almost like the writers (Syam Pushkaran, Dileesh Karunakaran, Suhas-especially, the former) wanted to shed their "always realistic and grounded" tag and come up with an all-round engaging film that's mostly about guns and the humans wielding them.

A special shoutout (within the ensemble) must go to Hanumankind-his second-coming scene is just FIERY and Rex Vijayan gives him a fantastic song + score. Anurag Kashyap also does well in his first Malayalam outing, mixing up Malayalam and Hindi in his dialogues. Vishnu Agasthya exudes an enigmatic screen presence, and I'm glad he's playing one of the good guys here after RDX. Dileesh Pothen is solid, getting some of the best lines and a whistleworthy comeback. Vani Viswanath shines among the leading ladies, reminding us of what we were missing all this while. Also, Navani's Kasargod accent (if it was dubbed by her) was jolly good.

At 1h 52m, Rifle Club is not trying to come across as an exercise in detailed, arc-filled writing. Aashiq Abu clearly knows what he's going for, which is to make a very good-looking film that makes you laugh and hoot; his filmography was sorely missing out on something this fun-filled (and gleefully violent) for a long time. I think the team managed to score a winner in that regard. The baddies could've been written a tad better though.

Rifle Club is an action-packed tale of guns, vengeance, and family dynamics, centering on a rifle club family and their standoff with a gangster and his sons. The film starts on a slow note, spending time setting up the narrative and introducing a sprawling cast. While this deliberate pace may test some viewers' patience, it lays the groundwork for an explosive second half.

The turning point comes with a series of intense, high-stakes shootouts that showcase thrilling action choreography and keep you at the edge of your seat. However, the large ensemble cast is a double-edged sword; many characters feel underutilized, leaving some subplots half-baked.

Despite its uneven pacing and loose ends, *Rifle Club* delivers an adrenaline-pumping climax that action lovers will enjoy. It's a movie that thrives on its second-half spectacle but could've been more impactful with tighter storytelling and better character focus.

Although 'Rifle Club' lacks a deeply engaging narrative, Aashiq Abu delivers a cinematic firework that keeps the audience entertained for two hours without a dull moment.

This film cannot claim to have a great script, despite being penned by Shyam Pushkaran, Dileesh Karunakaran, and Suhas. Instead, it presents a fierce backdrop perfect for gunfights, enriched with all the essential elements for an action-packed drama.

Even in the photographs adorning the walls, Sunny and Aziz establish their distinct character presence, adding depth to the narrative.

It is also refreshing to witness the powerful screen presence of Vani Viswanath after a long hiatus. Just two or three impactful scenes highlight how much Malayalam cinema has missed her charisma.

However, Vani Viswanath's dominance in the scenes tends to overshadow Surabhi, Unni Maya, and Darshan, despite their efforts and training with firearms.

For Vijayaraghavan, portraying Kuzhuveli Lonappan posed no significant challenge, and he executed the role of a wheelchair-bound character with finesse.

Among the supporting cast, Vineeth Kumar as romantic star Shahjahan, Kiran Peethambaran as production manager Rappadi, Suresh Krishna as doctor Lazar, and Prashanth Murali as gun-wielding Pallilachan stand out as the most engaging performances.

Dileesh Pothen and Vishnu Agasthya's gun-toting appearances evoke memories of scenes from their own 'O. Baby,' including the presence of a white dog, which also finds its way into 'Rifle Club.'

Hanuman Kind Suraj's performance adds significant mileage to the film, particularly in the thrilling scene where Bheera enters the Rifle Club.

The real fireworks ignite with the entry of Anurag Kashyap, intensifying the action. On one side, Anurag Kashyap and his team unleash bullets from modern firearms, while on the other, Dileesh Pothan's secretary Avaran and his team counter with antique guns. 'Rifle Club' masterfully blends both styles, creating an explosive cinematic experience.

While Dileesh Pothan impresses as Avaran in Kaduvachal, some viewers may feel that Anurag Kashyap wasn't given enough freedom to fully explore his role as Dayanand Bare.

The song 'Gandharva Gaan..' bears resemblance to 'Ratipushpat' from Bhishma Parvat, although its melody and rhythm seem slightly disconnected. Setting this aside, Rex Vijayan's background score is commendable.

Visually, the cinematography outshines even Aashiq Abu's direction, pushing the film's aesthetics several notches higher.

Despite an impressive cast, the abundance of characters in the action sequences sometimes feels overwhelming, making it challenging to focus on individual performances.

If you enjoy gunfights and thrilling sequences akin to Amal Neerad's films, Aashiq Abu's 'Rifle Club' will not disappoint. This is a movie best experienced on the big screen.

The film was great and I had a blast watching it. Nearly every aspect was very well done. The main performances especially from dileesh pothen and anurag kashyap are great. The side actors like vani vishwanath and vijayaraghavan provide good support. Vineeth Kumar has a good role. Some of the side actors are just alright. The much hyped Hanumankind was just alright and you can tell he's never acted in a film before. The music, cinematography, and editing are all great. The film goes in a very fast pace and you won't notice the time flying by. The only major problem is the dialogues which sound completely out of place some times. Whenever dileesh pothen says a double meaning joke, he literally says "double meaning double meaning" right after. That completely ruins the joke. There is a scene where dileesh pothen says dialogues in pure malayalam and another character translates them into english. If the audience needs to understand every word, they can just turn on subtitles right? Otherwise the film is a simple and well done film that you will definitely enjoy.