Ajouter une intrigue dans votre langueWhen a titan music mogul is targeted with a ransom plot, he is jammed up in a life-or-death moral dilemma.When a titan music mogul is targeted with a ransom plot, he is jammed up in a life-or-death moral dilemma.When a titan music mogul is targeted with a ransom plot, he is jammed up in a life-or-death moral dilemma.
Bientôt disponible
Diffusion prévue pour le 5 septembre 2025
A$AP Rocky
- Yung Felon
- (as A$AP Rocky a.k.a. Rakim Mayers)
Ice Spice
- Marisol Cepeda
- (as Isis 'Ice Spice' Gaston)
Avis en vedette
This was a "we made it" film. Spike Lee, Denzel Washington and Jeffrey Wright are far from needing to prove their filmmaking and acting chops, so this was a love letter to New York, Brooklyn and Black art. It's a timely representation of Black men building from the ground up, growing together and being a bridge to the young men (A$AP Rocky) who aspire to become them. The plot fell flat for me, because more could've been done with the characters, especially Jeffrey Wright's role. I watched and became more engrossed in the art collection than the story itself.
If you're a big fan of spike lee, you'll probably love it. Maybe again you'll probably be disappointed. In my opinion, wasn't bad but it could've been great. It felt kinda dragged, overall you got Denzel, asap rocky did solid.
You can see asap was very into his lines, the scenes between him and Denzel were good.
Catch it at home and have a sit back on the couch with some popcorn and pizza and enjoy. It's in select theaters, feel free to try to catch it otherwise it'll be available to stream in 2 weeks.
You can see asap was very into his lines, the scenes between him and Denzel were good.
Catch it at home and have a sit back on the couch with some popcorn and pizza and enjoy. It's in select theaters, feel free to try to catch it otherwise it'll be available to stream in 2 weeks.
Worth a watch especially if you're African American. A lot of the jokes and writing are geared towards our specific culture and will be more relatable/relevant to us. I appreciated the message at the end of the film about modern day rap music and rap culture. Mostly very strong cast except for Pam, if I'm being honest she was the only weak link and the editing didn't do her any favors. Speaking of editing the editing could have been much better, the writing could have been way better he needed a team of people to review his script, star directors like spike lee get way too much creative freedom and aren't held accountable enough for subpar work in my opinion. ASAP Rocky did a beautiful job he had a very complex and real character that could have easily fallen into a stereotypical cliched performance but he brought a lot of humanity to it. Cinematography was okay. Production design looked very VFX even the view from the penthouse looked like a iPad screen. Denzel did what he was supposed to do. He's a always a joy to watch but he deserved a better script and production quality. Overall not bad. But I wouldn't recommend paying money for it in theatres. Wait till it streams.
Spike Lee movies are always a hit or miss with me. Loved his first, She's gotta have it, Malcolm X (too long), Do the Right Thing (too long), but I never got past the few other movies I saw. IMO the scoring of his movies is atrocious. And he seems to stretch out the scenes filled with dialog too long to the point you want to say "cut" or edit. And that's what I felt watching this "Apple Studio" movie. Spike in an interview said Apple was the only studio that would finance it. It's going straight to stream in about two weeks.
The acting is subpar and his close-ups of Denzel pondering decisions are laughable. Most of the actors are TV actors so that explains it the subpar-ness.
The movie perks up when the ransom drop takes place, but even then you wonder - WHAT the H? The money bag is passed from moto biker to moto biker and the police lose the actual money bag. From my understanding when there's a kidnapping and ransom of a high-powered executive like David King, the FBI takes the lead. Did Spike NOT do his home work?
Denzel is in every scene and that can be a bit too much. I wished to see more of the police work to find the kidnapper, but that falls to Denzel and his chauffeur. Which wouldn't happen in real life. An executive of a record company wouldn't go on the hunt himself. IMO. He would have security do it. Which was also a head-scratcher. The music executive did not have a bodyguard. Even JayZ has a bodyguard.
If you have Apple TV, I would recommend you wait for Highest2Lowest, it will be streaming in a week.
The acting is subpar and his close-ups of Denzel pondering decisions are laughable. Most of the actors are TV actors so that explains it the subpar-ness.
The movie perks up when the ransom drop takes place, but even then you wonder - WHAT the H? The money bag is passed from moto biker to moto biker and the police lose the actual money bag. From my understanding when there's a kidnapping and ransom of a high-powered executive like David King, the FBI takes the lead. Did Spike NOT do his home work?
Denzel is in every scene and that can be a bit too much. I wished to see more of the police work to find the kidnapper, but that falls to Denzel and his chauffeur. Which wouldn't happen in real life. An executive of a record company wouldn't go on the hunt himself. IMO. He would have security do it. Which was also a head-scratcher. The music executive did not have a bodyguard. Even JayZ has a bodyguard.
If you have Apple TV, I would recommend you wait for Highest2Lowest, it will be streaming in a week.
I loved seeing Spike Lee and Denzel Washington teaming up again for a new film. From start to finish, though, the movie felt scattered-jumping around with no clear plot or objective. As expected, Denzel did his thing and really carried it. A$AP Rocky wasn't bad, and Ilfenesh Hadera held her own, but overall the film was just... okay. At times, it definitely gave off Godfather of Harlem vibes, and it was New York through and through from beginning to end.
Movie Grade:C-/C.
Movie Grade:C-/C.
Le saviez-vous
- AnecdotesThe film is a reinterpretation of Akira Kurosawa's Tengoku to jigoku (1963), which was in turn based on the novel "King's Ransom" by Evan Hunter, published in 1959 under his pen name "Ed McBain."
- GaffesWhen David King and Yung Felon are talking in the studio, Yung Felon takes off his headphones midway through the scene. However, in a later shot he still has them on.
- Citations
Paul Christopher: I ain't gonna lie. I wanna hurt this boy.
- ConnexionsReferenced in Radio Dolin: Best Movies of the 2025 Cannes Film Festival (2025)
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
Before They Were Famous: Actors' Early Roles
Before They Were Famous: Actors' Early Roles
See these famous faces in some of their first breakout roles in Hollywood.
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Del cielo al infierno
- Lieux de tournage
- Brooklyn, New York, États-Unis(on location)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée
- 2h 13m(133 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant