La librairie de mademoiselle Green

Mr Brundish, in the film, states that "gods, humans and animals all have one thing in common - courage."

That was the heart of this story from beginning to end. You may not have liked that the story did not conclude as you would have liked but it was real and genuine, something we see infrequently.

Echoes of Dylan Thomas' Under Milkwood whisper throughout the deliciously slow film The Bookshop (2017), a village drama that captures the essence of old-world Britishness. If narrative action is important to you there is little to see here, but if you enjoy character portraits you will love this inconsequential tale told beautifully.

Set in a sleepy 1959 seaside port, young widow Florence Green (Emily Mortimer) arrives determined to overcome her grief and open a small bookshop. The town has never had a bookshop and most of the villagers don't like books anyway, except for the reclusive Mr Brundish (Bill Nighy) who reads everything he can. After pushing through a wall of petty officials the shop opens in a run-down cottage despite fierce opposition from the imperious Mrs Gamart (Patricia Clarkson). She wants the cottage reclaimed as an arts centre, so battle-lines are drawn between small-mindedness and the winds of change.

At times the story slows down so much that it almost stops, just to watch tall grass swaying in the wind or to hear leaves sighing on trees. The camera lingers in the space between words or glances, or it traverses shelves full of books with titles hinting that change is coming. Even the film's highlight romantic scene is little more than agonisingly tender moments that evaporate into the ether. Fortunately, the cinematography is up to the challenge of capturing mood and nuance as it dwells on Bradbury's dystopian Fahrenheit 451 (1953)and Nabokov's controversial Lolita (1955)to telegraph the post-war social transformation that is underway elsewhere.

Instead of pushing the narrative forward, the film prefers to dwell on archetypal caricatures of small people in small places. A smug gadabout, a banker nicknamed Mr Potato Head, a smelly fishmonger, a precocious teenager, a dithering lawyer, the snobbish and manipulative Mrs Gamart, and of course, the incurable romantic Mr Brundish. While these are portrayed with a light brush, it is Florence who holds our attention for the depth of her vanguard feminist courage and self-belief. The entire cast is well chosen, but Emily Mortimer is the film's undoubted shining star.

It might be argued that Bill Nighy is such an icon of British movies that he overpowers any given role simply by being a composite of every other persona he has ever played. In other words: he is always Bill Nighy. But that is a minor distraction in an otherwise flawlessly directed, slow-burning village drama of how books and ideas can change the world we live in. It is not recommended, however, for anyone who does not have the time or need to stop and smell flowers or watch boats sail by.

I do not understand how this beautiful film could have such . . . abysmal ratings. I believe it deserves more credit. Anyone with a love of literature or this style of film should definitely give it a watch and appreciate it!

A charming and attractive movie set in England 1959 at a small East Anglian town dealing with a stubborn woman called Florence Green : Emilio Mortimer , who attempts to create a bookshop and along the way she amasses a series of obstacles and opposition by some local powers . Then she faces off egoístic local population and other inconveniences , exception for a good-tempered and amiable lonely man : Bill Nighy who helps her . A town that lacks a bookshop is not always a town that wants one! A town without a bookshop is no a town at all.

Enjoyable and feeling drama , adding social habits of a small community at a coastal little town . The main premise results to be the following : is there a place for opening a bookshop in a small town that may not want one ¿. Concerning the peculiar life of an obstinate widow and a loner widower , both of them extremely enthusiasts of reading and books . Two solitary beings whose lives to be intersected thanks to books as Lolita by Vladimir Nabokob and notorious writers as Ray Bradbury : Farenheit 451 . Emily Mortimer is pretty good as the free-spirited entrepreneur who attempts to bring a cultural awakening and Bill Nighy is splendid as the reclusive book loving widower . Along with other secondaries as Patricia Clarson playing the polite but ruthless local grand Lady, Michael Fitzgerald , Francés Barber , James Lance , among others

Special mention for the brilliant and luxurious cinematography by Jean Claude Larrieu. As well as agreeable and evocative musical score by Alfonso de Villalonga . The motion picture was competently directed by the Spanish filmmaker Isabel Coixet following her ordinary feeling style . Coixet e is a fine professional , and she is sually the camera operator of her movies . Isabel is a nice craftsman who has made thoughtful and heartful films , such as : A los que Aman , Map of Sounds of Tokyo , Another me, The Secret Life of Words , Things I Never Told You , Endless Night , Learning to Drive, Elisa and Mariela . And his greatest hits were Another Me , Bookshop. She also has made some documentary and shorts as Proyecto Tiempo , Sea Aral, Espíritu de la Pintura , Marea Blanca , Marlango, Spain in a Day and a segment of París Je taim , among others . The Bookshop rating : 7/ 10. Well worth watching . Better than average .

Once again, I see criticism of a film because it moves to slowly. It a modern curse. I looked one day and found that 25 percent of the films available were based on comic book characters. Most of them involve the same tired martial arts, with overdressed villains who are going to destroy the world. I like escape and enjoy good adventure too, but this is what mainstream cinema seems to have become, so when something introspective comes along it is seen as boring. We've given up the effort to look into the souls of people. Here is the story of a good woman who becomes victimized by a cruel town led by a rich, narcissistic human being. It is slow moving but the message is really striking. Emily Mortimer has so much emotion in her face and manner. For those of you that gave this a single point, perhaps she should have used a round kick and snapped off the old lady's head.