Ajouter une intrigue dans votre langueA mysterious woman repeatedly appears in a family's front yard, often delivering chilling warnings and unsettling messages, leaving them to question her identity, motives and the potential d... Tout lireA mysterious woman repeatedly appears in a family's front yard, often delivering chilling warnings and unsettling messages, leaving them to question her identity, motives and the potential danger she might pose.A mysterious woman repeatedly appears in a family's front yard, often delivering chilling warnings and unsettling messages, leaving them to question her identity, motives and the potential danger she might pose.
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So I just watched The Woman in the Yard, and wow, it's got this creepy, slow burn vibe that really pulls you in, even if it doesn't totally nail the finish. It's about a mom trying to keep it together for her two kids in this beat up farmhouse after a rough loss. They're barely scraping by, with no power, an empty fridge, and a ton of tension. Then this mysterious woman in black shows up in their yard out of nowhere, just sitting there, giving off major eerie energy with these cryptic one liners that'll make your skin crawl.
The movie starts strong. The director knows how to crank up the unease, with those shots of the woman chilling in the yard while the family watches from inside being pure suspense gold. It looks gorgeous too; the sunny days somehow feel unsettling, which is a neat trick. The mom carries the whole thing, feeling raw and real as someone on the edge, wrestling with depression that's just palpable. The kids are solid too, especially the teenage son who's got that moody vibe down. And the woman in black is quietly terrifying, like she's hiding something big without even trying.
It's got this haunting, almost dreamlike feel with some freaky moments that'll stick with you, focusing more on "what's going on" than gore. The tension builds nicely for most of it, but toward the end, it kinda stumbles. It's going for something deep about grief and depression, which I respect, but it doesn't fully tie everything together as smoothly as it could. Still, it's a solid watch if you're into horror that's more about atmosphere than cheap scares. Pop some popcorn, dim the lights, and dive in; it's not perfect, but it's got enough chills and standout performances to make it worth your time.
The movie starts strong. The director knows how to crank up the unease, with those shots of the woman chilling in the yard while the family watches from inside being pure suspense gold. It looks gorgeous too; the sunny days somehow feel unsettling, which is a neat trick. The mom carries the whole thing, feeling raw and real as someone on the edge, wrestling with depression that's just palpable. The kids are solid too, especially the teenage son who's got that moody vibe down. And the woman in black is quietly terrifying, like she's hiding something big without even trying.
It's got this haunting, almost dreamlike feel with some freaky moments that'll stick with you, focusing more on "what's going on" than gore. The tension builds nicely for most of it, but toward the end, it kinda stumbles. It's going for something deep about grief and depression, which I respect, but it doesn't fully tie everything together as smoothly as it could. Still, it's a solid watch if you're into horror that's more about atmosphere than cheap scares. Pop some popcorn, dim the lights, and dive in; it's not perfect, but it's got enough chills and standout performances to make it worth your time.
A slow-burning psychological horror that lingers in the mind long after it ends. I've been a fan of Jaume Collet-Serra's horror movies (Orphan and House of Wax) for a while, mostly for the their over-the-top scares. Here he crafts a quiet, creeping dread as Ramona (the fantastic Danielle Deadwyler), grieving her husband's death and immobilized by a broken leg, watches an ominous woman inch closer to her isolated farmhouse. Subtle visual storytelling replaces exposition, with deep-focus shots and eerie sound design immersing us in Ramona's unraveling psyche. The film methodically builds tension through whispered horror before plunging into full-blown terror in its final act, recontextualizing everything with a surreal climax. Not every theme fully locks into place, but its haunting atmosphere and layered symbolism make it a compelling, rewatchable experience I didn't expect from this studio.
6.5/10.
6.5/10.
Blumhouse CAN be good or decent, but this is yet another one that makes me feel like they put meticulous research into finding out what are the most critically panned and disliked ingredients of their catalogue & then make new films out of them.
Sure, it's a competent enough film with one or two potentially compelling albeit overused themes, but it's also tiring, uninspired, tedious, flat, predictable, lukewarm & ultimately pointless and empty feeling.
It's rare for a movie that's under 90 minutes long to feel this very stretched out, and it's a damn shame that such weak scripts get greenlit with casts & crews that are too good for it.
The worst Jaume Collet-Serra flick, can only compete with "Black Adam" maybe.
Sure, it's a competent enough film with one or two potentially compelling albeit overused themes, but it's also tiring, uninspired, tedious, flat, predictable, lukewarm & ultimately pointless and empty feeling.
It's rare for a movie that's under 90 minutes long to feel this very stretched out, and it's a damn shame that such weak scripts get greenlit with casts & crews that are too good for it.
The worst Jaume Collet-Serra flick, can only compete with "Black Adam" maybe.
3 out of 5 stars.
The Woman in the Yard is a fair psychological horror film that has a creepy concept but as the story goes on it loses its steam.
Pros:
The plot is okay. About a family going through grief and living at a farm house. Until a creepy lady all in black sits out in the yard. And gets closer and closer with creepy messages.
It has a great cast ensemble and great performances.
The direction can be creepy as the lady gets closer and going after the family by the shadows.
Cons:
The film does lack scared, jump scares, or any thrills. I feel like the direction missed out on that opportunity.
As the plot starts unraveling during the climax, the real horror loses itself. Also making it difficult to even care for the film without going into spoiler territory. The climax and ending was a little disappointing.
Overall, it is an okay film that starts out great but falls apart too quickly as it gets to the end.
The Woman in the Yard is a fair psychological horror film that has a creepy concept but as the story goes on it loses its steam.
Pros:
The plot is okay. About a family going through grief and living at a farm house. Until a creepy lady all in black sits out in the yard. And gets closer and closer with creepy messages.
It has a great cast ensemble and great performances.
The direction can be creepy as the lady gets closer and going after the family by the shadows.
Cons:
The film does lack scared, jump scares, or any thrills. I feel like the direction missed out on that opportunity.
As the plot starts unraveling during the climax, the real horror loses itself. Also making it difficult to even care for the film without going into spoiler territory. The climax and ending was a little disappointing.
Overall, it is an okay film that starts out great but falls apart too quickly as it gets to the end.
Jaume Collet-Serra may not be a perfect director but I have enjoyed his fun popcorn flicks like The Shallows, The Commuter and underrated horror Orphan. While it's messy script and structure does suffer from uneven directions and tone, it's interesting concept and solid thrills offer a good fun horror movie.
Placed with some interesting themes and good camerawork, the slow-burn tension and atmosphere does offer some good build up throughout. Including sound designs and colors used throughout. I do wish the writing does explore some different territories and ways, especially it's third act being pretty rough. Undoubtably, the concept was pretty interesting. Once again, Danielle Deadwyler shines with a strong performance and keeps the characters somewhat interesting, even if it doesn't always work.
For 87 minutes, the movie does feel as if it would work as a short film or a short episode. But as a whole, it's a decent horror flick.
Placed with some interesting themes and good camerawork, the slow-burn tension and atmosphere does offer some good build up throughout. Including sound designs and colors used throughout. I do wish the writing does explore some different territories and ways, especially it's third act being pretty rough. Undoubtably, the concept was pretty interesting. Once again, Danielle Deadwyler shines with a strong performance and keeps the characters somewhat interesting, even if it doesn't always work.
For 87 minutes, the movie does feel as if it would work as a short film or a short episode. But as a whole, it's a decent horror flick.
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Le saviez-vous
- AnecdotesToutes les informations contiennent des divulgâcheurs
- GaffesWhen Annie is in the kitchen cutting the block of cheese its size changes dramatically when her mom comes to help her. (Time: 8:43)
- ConnexionsReferences Le miroir a deux faces (1958)
- Bandes originalesMiddle of This Storm
Written by Lorne Balfe & Ayanna Witter-Johnson
Performed by Ayanna Witter-Johnson
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- La mujer de las sombras
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 12 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 22 405 985 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 9 395 255 $ US
- 30 mars 2025
- Brut – à l'échelle mondiale
- 23 311 502 $ US
- Durée1 heure 28 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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