Grotesquerie

I am almost done with episode four and I feel like I am watching a Mashup of Someone's Mid Life Crisis who is aware of their Neurodivergent Storytelling (but doesn't care what we think about that adhd method) and then added some fetishist borderline schizophrenia and then got lost telling the original story.

And yes, I am aware of how horribly structured that sentence is. It is me emulating the rhythm and tone plus general confusion as to what in the world I am watching. Who is this about? Who do I care about here? And please tell me why (for the love of storytelling just let me in on why I am watching this, please).

It's so all over the place that I welcomed Taylor's boyfriend in the chaotic mix of a cast. I am not even a fan. Meaning there's zero fangirling - just me being happy to have something to relate to or even be remotely interested in. He's got a solid vibe - I see the appeal.

But lets talk about Niecy Nash - I want to have a small talk with her agent because she is getting undersold and underused. Stop putting her in these ridiculous detective roles that it doesn't even seem she is interested in. She is better than those roles and it's not helping to keep trying. She is wise and beautiful and talented. Find her the roles that have the range and she will shine. (Sorry but these roles give us time to think about her wasted talent).

All the Actors are also quite good - but there is a very unnatural chaotic viewpoint that hurts to try to follow. I mean random singing and fires and being preached to about life and watching the weird metaphoric portrayal of some outdated religious stuff - but I guess that's okay because you throw in some online activity lines and it's suddenly not the same thing we have seen over and over? Ick.

I gave it a six because the Actors showed up and still stayed in the scenes. Maybe they were as confused as I am because I care more about that then the plot.

Is there a plot?

I was riveted for 9 episodes. Great acting and really interesting story. Episode 10 was a pile of garbage. Convoluted, overdone and absolutely no answers. What an unbelievable disappointment. Max Winkler had great instincts in his direction. Every episode was a cliffhanger and I couldn't wait to see the next chapter. That last episode was so unwatchable it didn't seem like it was part of the original story. The lighting was off, every scene was so dark it was difficult to watch. The only way this would make sense would be to renew the story and give us some answers. Sadly, I no longer care and won't be watching.

The problem with Ryan Murphy is the way things get stretched out. After a few episodes (or seasons), the story gets overextended, deflates, and drags on without any real substance.

That's exactly what happens here, in this series. After a strong start with a very unique idea, well-written characters, and a sense of freshness, Murphy's need for shocking twists and flashy narrative choices once again leads to an overstuffed world where the balance between content and flashy presentation is lost.

I truly admire the innovative ideas of the talented Ryan Murphy, but once again, he squanders his talent on unnecessarily drawn-out stories.

This psychological thriller assembles a stellar cast to tell a story that sometimes feels uncertain about its direction. At times, the show evokes Silence of the Lambs, with Niecy Nash delivering an impressive performance as a flawed investigator who excels at her job yet is haunted by her own demons. The show's artistic scenes, the hyper-sexualized Catholic priest, and the surreal, exaggerated events create the sense of watching a fever dream.

As the episodes progress, the main protagonist often appears to drift through life in ways that feel unexplained. In the last quarter of the season, this approach finally begins to make sense-but then the plot takes yet another convoluted turn that may leave the audience perplexed. Despite the stellar cast, top-notch acting, and several iconic scenes, it often feels like the story itself was secondary to these other elements.

Grotesquerie begins with an intriguing premise, blending crime investigation and psychological drama with an air of sinister mystery. The partnership between Courtney B. Vance's nuanced detective and Niecy Nash's empathetic but assertive nun sets the stage for a series that initially captivates. The first few episodes are a masterclass in suspense, with layered storytelling and atmospheric tension that keeps viewers hooked.

Unfortunately, as the series progresses, it unravels into a convoluted mess. Narrative decisions become increasingly absurd, undermining the carefully crafted intrigue established early on. Instead of building towards a satisfying conclusion, Grotesquerie stumbles with nonsensical twists that feel more like desperate attempts to shock than logical story progression. What started as a compelling exploration of human darkness devolves into a tedious and overblown finale.

While the performances remain strong throughout, they're not enough to salvage the series from its overly ambitious but poorly executed narrative choices. Grotesquerie is a frustrating watch: a show that had all the ingredients for greatness but squandered them with baffling storytelling.

Rating: 6/10 - A gripping beginning marred by a disappointing descent into chaos.