Grotesquerie

Grotesquerie: A Symbolic Nightmare

I'm not entirely sure how to categorize "Grotesquerie." It isn't strictly a horror series; rather, it feels very symbolic. It reflects the continuous nightmare the world, especially the United States, is living in. The acting is brilliant from all the actors, with each performance adding depth to the story. The idea itself is good, but the execution wasn't as strong. I blame the script and the director for this. Additionally, there is too much violence, which can be overwhelming. Overall, I did like the series and I'm waiting for another season if there will be one. I give it a 7 out of 10.

All I have to say is this right here... If Niecy Nash (I don't have time to worry about a hyphenated add-on to her name) doesn't win some kind of award for these performances in these 10 episodes, there is something wrong with the Hollywood system. Forget about what the show is about, whether you like the show or not, whether the other actors are good, or the direction is good, just watch the show because Ms. Nash is nothing short of interesting as f!*k. Now, I'm going to add this so my required minimum is met for this review. These shows are getting more and more demented because Hollywood is mostly demented.

The problem with Ryan Murphy is the way things get stretched out. After a few episodes (or seasons), the story gets overextended, deflates, and drags on without any real substance.

That's exactly what happens here, in this series. After a strong start with a very unique idea, well-written characters, and a sense of freshness, Murphy's need for shocking twists and flashy narrative choices once again leads to an overstuffed world where the balance between content and flashy presentation is lost.

I truly admire the innovative ideas of the talented Ryan Murphy, but once again, he squanders his talent on unnecessarily drawn-out stories.

I was riveted for 9 episodes. Great acting and really interesting story. Episode 10 was a pile of garbage. Convoluted, overdone and absolutely no answers. What an unbelievable disappointment. Max Winkler had great instincts in his direction. Every episode was a cliffhanger and I couldn't wait to see the next chapter. That last episode was so unwatchable it didn't seem like it was part of the original story. The lighting was off, every scene was so dark it was difficult to watch. The only way this would make sense would be to renew the story and give us some answers. Sadly, I no longer care and won't be watching.

Ryan Murphy once was good at providing variety tales,but now feel pieces he thinks need telling his way is art versus fetish.

The lead was an unstable detective unsure how she kept her job,seemed she couldn't find her way out of a paper bag.

Who honestly would discuss a new case with a stranger claiming to be a nun,without actual credentials.. I get some nuns are less conservative,but how she acted was insane.

The priest just didn't fit his part seems Murphy was trying,to get a look-alike of Evan Peters & it failed.

Redd was an odd character that seemed too personal with the husband under her care,feel there is more to the story only time will tell.

The only thing that was grotesque was the daughter in the first episode dressed in something purposely tight & eating food enough for two people.. Who cares that she is pretty or anything,let's make weight her character focus because apparently that's how large people are perceived.

I know this is a two episode review but,feels like another season of AHS titled something else.

The series is full of clichés & plotholes,maybe stereotypes but nothing really original.

Cinematography was ok,but nothing stellar either.

Check this out & decide yourself,review edits might come as the series concludes.

Edited update- Just like in AHS: NYC all of a sudden in the last few episodes Ryan Murphy flips a switch on the storyline cohesiveness,he probably calls it artistic or twist but it shouldn't leave the viewer feeling a variety of emotions to the series from disconnected/confused & so forth.