Bigger Fish to Fry
- L'épisode a été diffusé 12 mars 2024
- 18+
MA NOTE
Avis en vedette
So much is wrong with this lousy Pure Taboo segment, it's hardly worth recounting, but basically it demonstrates how little respect the Adult Time/Gamma pornographers have for their audience in this series.
Midnight's screenplay is preposterous on its face, but sloppily directed by the team of Siouxsie Q & Michael Vegas, who apparently only care about the gonzo sexual content, not the acting or story. Daniel Shar has a large NonSex role that he overacts, but is never believable.
As Midnight would have it, he is an unemployable creep who supposedly has come up with a scam that is making him rich. He takes photos of his brother's girlfriends to use, catfishing style, with made-up on-line profiles to lure dumb guys by pretending to be all these fictional women, and extort money from them.
He picks one of these girls, Haley Reed, tells her what he's up to, and proposes that she become his partner in order to go the next step and have her meet up with a big fish, Ken Feels, for a big score that supposedly will gain them enough money to retire from this life of crime.
She listens to his bullshit scheme and immediately agrees; worse yet after meeting the guy at Daniel's home (pretending it's her house), she quickly has gonzo sex with him, completely out of character. A gimmick of him doing a Cyrano de Bergerac routine of coaching Haley in her ear bud with details of her fake role as she seduces Ken is milked for fake suspense but also goes nowhere.
Fans get to see XXX sex, but none of it is credible. Worse yet, there is no twist in Midnight's script -the vignette has no ending except for a money shot. The viewer is strung along for an hour and played for the fool, just like Ken Feels' character. Only one thing to watch for: Daniel blows a line, apparently semi-improvising, saying parrot when he was supposed to refer to a pet canary, tries to cover for the blooper, and the asleep-at-the-wheel directors and editor leave it in the final print.
Midnight's screenplay is preposterous on its face, but sloppily directed by the team of Siouxsie Q & Michael Vegas, who apparently only care about the gonzo sexual content, not the acting or story. Daniel Shar has a large NonSex role that he overacts, but is never believable.
As Midnight would have it, he is an unemployable creep who supposedly has come up with a scam that is making him rich. He takes photos of his brother's girlfriends to use, catfishing style, with made-up on-line profiles to lure dumb guys by pretending to be all these fictional women, and extort money from them.
He picks one of these girls, Haley Reed, tells her what he's up to, and proposes that she become his partner in order to go the next step and have her meet up with a big fish, Ken Feels, for a big score that supposedly will gain them enough money to retire from this life of crime.
She listens to his bullshit scheme and immediately agrees; worse yet after meeting the guy at Daniel's home (pretending it's her house), she quickly has gonzo sex with him, completely out of character. A gimmick of him doing a Cyrano de Bergerac routine of coaching Haley in her ear bud with details of her fake role as she seduces Ken is milked for fake suspense but also goes nowhere.
Fans get to see XXX sex, but none of it is credible. Worse yet, there is no twist in Midnight's script -the vignette has no ending except for a money shot. The viewer is strung along for an hour and played for the fool, just like Ken Feels' character. Only one thing to watch for: Daniel blows a line, apparently semi-improvising, saying parrot when he was supposed to refer to a pet canary, tries to cover for the blooper, and the asleep-at-the-wheel directors and editor leave it in the final print.
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- ConnexionsFeatured in Closet Cum-Guzzler (2024)
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