Dukhtar

"Can I walk on the rainbow? " Dukhtar in Urdu means Daughter.

This was a Pakistan's official entry to the 87th Oscar.

A mother's struggle to keep her daughter away from a life of pains and sufferings that she too has undergone and not to let anything impede her dreams ... although it fails to hold the pieces together and lacks the depth that the story demands, but the exquisite cinematography and acting esp by Mumtaz who plays the protagonist compensate for the cliche tropes and make this movie nearly a great watch...

too often I end up going to cinema watching a Hollywood movie you pay £10 for and its rubbish. Dukhtar barely made any noise in Marketing when it came out, I had to go find out the details myself, but its a gem.

Part of "the new wave of Pakistani Cinema", this movie along with others like Waar, Bol and Khuda ke liyeh are making a name and quality niche for Pakistan's film industry. It seems to have been released in very small circulation in the UK as Pakistani films are not always in demand, but I highly recommend everyone to watch it. If like me you like movies with different stories, not the usual bollywood dance and dishoom trash, this should be your next movie. It appeals as it's a very Pakistani story and one that opens a door to world about women's lives in Pakistan.

If you are thinking about watching a movie, don't miss this one.

Last year's Waar made headlines everywhere because of the jingoistic message it brought. Dukhtar (Daughter) has so far been quite a mellow affair, partly because of its dealing with the poignant issue of child marriage in Pakistan's rural areas.

Shot absolutely beautifully in the North of the country, it is a story about the fierce love of a mother who is not about to give off her young daughter's hand in marriage to settle a tribal dispute.

One of the best things about this movie is that it doesn't get monotonous. The director, Afia, does an excellent job in keeping the story fast-paced with a load of twists and turns despite the relatively banal topic of the flick.

Acting-wise, I was impressed with all the performances except probably that of Mohib Mirza, the truck driver from Punjab. I think he wasn't the right-fit for the role because he visibly struggles to generate that Punjabi pang expected from him. However, this shouldn't be a hindrance in watching the film because the dialog is carried more than aptly by the rest of the cast.

The songs are refreshing, which brings me to another good point about the film; they don't last for an eternity and just are fleeting occurrences during scenes to accentuate the emotions.

All in all, Dukhtar is easily the best film to come out of Pakistan in 2014. It might not see the commercial success of Waar but it's story is infinitely better. A must see.

So the Busan International Film Festival 2014 started with a rock. There are so many flicks being played and people are queuing up to buy the left over tickets. When I first started to scroll through the list of the movies that were going to come on at the BIFF I was pretty uninterested in all of them until I saw Dukhtar in the list. I have been hearing a lot of good things about this movie from my friends in Pakistan. I was surprised and mostly excited to find that the movie will be showing at the BIFF.

The movie started of great. The cinematography was breath taking. The locations are memorizing and brought back memories of all those places I had visited few years back during my trip to Pakistan.

The story was well penned and the characters were well groomed. I felt connected to them and understood their emotions. The story is very true to life and makes you want to sympathize with all the victims. I liked the fact the movie didn't drag for too long and it ended at good point, anything more than that would have been a more obvious cliché.

Music of the movie was great. Songs composer Sahir Ali Bagga, has done a brilliant job at composing the songs. I am still humming the tunes after leaving the theater. Background score by Peter Nashel makes the hair at back of your neck stand up, of course in a good way.

I am not going to talk about the overall plot of the movie, as most of you know by now what it is about. Overall the movie is a must watch! And why is it a good movie because at the BIFF after the movie ended the whole audience in the theater stood up and applauded. That was brilliant moment and if we were allowed to use cameras in the room I would have recorded that moment. Some Koreans thought it was an Indian movie, and before I could turn around and correct them, one westerner corrected them by saying, "I am sorry, but you are wrong. This movie is from Pakistan."

Decide it for yourself. I loved it.

Dukhtar was genuinely beautiful in both the storytelling and cinematography. The plot surrounds a mother and her young daughter escaping the arranged marriage of her child and gaining the help from a truck driver along the way. It is a somewhat simple plot, but is accompanied by stunning visuals and strong sound design that works fluidly with the landscape of Pakistan it was shot in. The storytelling is told through slower introductions to the characters' personalities, and the scenes in which they all begin to become more comfortable with each other is a warm welcome to see in between the thrilling, fear inducing moments and darker imagery. The visual allegories in a couple memorable scenes intensify up to the very ending shot, providing exciting concepts to decipher. Dukhtar draws in an audience that may not be very familiar with the child marriage themes that the story revolves around, and it seems to be more of an "educational" film for these broader global audiences. The mother character is a great protagonist because she is very strong-willed and fiercely protective of her daughter. She bravely stands up to the village's culture laws, and the decision of the filmmaker to tell this story in such a poignant way is admirable. 8/10.