Ajouter une intrigue dans votre langueFour tales unfold in writer-director Wes Anderson's anthology of short films adapted from Roald Dahl's beloved stories.Four tales unfold in writer-director Wes Anderson's anthology of short films adapted from Roald Dahl's beloved stories.Four tales unfold in writer-director Wes Anderson's anthology of short films adapted from Roald Dahl's beloved stories.
Photos
Avis en vedette
These four short stories are brilliant. With Wes' style it's like a match made in heaven. The stories almost feel like bed time stories. And the cast choice was superb. The only member i didnt like was Richard Ayoade, just because his lifeless acting and voice annoys me 😂. First time watching all these in the big combined film
Story 1 - ' The Wonderful Story of Henry Sugar', was great seeing Benedict in a Wes production. And the arc it took was supering interesting.
Story 2 - 'The Swan', was effortlessly told by Rupert Friend. Never seen him before, very talented.
Story 3 - 'The Rat Catcher', Ralph finnes at his best. Diving into this character, creepy, the voice, costume and mannerisms
Story 4 - 'Poison', was brilliant as Dave Patel & Bendicts chemistry was great. Would love to see these two together for future wes productions. Was quite comical which I loved.
Story 1 - ' The Wonderful Story of Henry Sugar', was great seeing Benedict in a Wes production. And the arc it took was supering interesting.
Story 2 - 'The Swan', was effortlessly told by Rupert Friend. Never seen him before, very talented.
Story 3 - 'The Rat Catcher', Ralph finnes at his best. Diving into this character, creepy, the voice, costume and mannerisms
Story 4 - 'Poison', was brilliant as Dave Patel & Bendicts chemistry was great. Would love to see these two together for future wes productions. Was quite comical which I loved.
A series of four adaptations by Wes Anderson of Roald Dahl stories. Wes Anderson adapting a Roald Dahl story seems a perfect combination: the clever innocence of Dahl's writing, Anderson's whimsical, stylised direction. It's been done before, to great effect; 'Fantastic Mr Fox' (2009) was brilliant.
However, while none of the episodes are terrible, they are a bit of a mixed bag.
The Wonderful Story of Henry Sugar - 7/10
An interesting plot, some highly engaging characters, some spot-on performances from an all-star cast (Ralph Fiennes, Benedict Cumberbatch, Ben Kingsley, Dev Patel, Richard Ayoade, all in multiple roles) and Anderson's use of seemingly basic effects, props and settings create a whimsical, child-like atmosphere.
On the negative side the matter-of-fact tone makes you feel like you're consuming bullet points of a plot rather than being engrossed in the movie. It's the downside to the whimsicalness, I guess. In addition, I was expecting a punchier ending which never came.
The Swan - 8/10
The best of the lot, with Dahl's emotional story of innocence-meets-thuggery set to Anderson's clever backdrops and special effects and imbued with the usual Anderson whimsicalness and child-like atmosphere. Rupert Friend is great as the narrator.
Not perfect though. The film seemed set up for a powerful ending but this never came, just fizzling out. The Wonderful Story of Henry Sugar was similar - great journey, lacklustre destination. Hopefully this isn't a characteristic of all these films.
The Rat Catcher - 6/10
From the previous two, the style and presentation of the films are a given. A quirky, reasonably engaging story, narration with the narrator talking in short, bullet-point-like sentences, highly-stylised backdrops and props, great performances (in this case from Ralph Fiennes, Rupert Friend and Richard Ayoade).
A less positive aspect has been that while the story is engaging, it has no punchline. It simply fizzles out. The Rat Catcher is no exception.
Here it is a touch worse in that the story never really seems to fully get going anyway. At least the other two had a fair degree of momentum.
Still, it's interesting and watchable enough.
Poison - 6/10
Poison is similar to the other three short films in the series in that it contains narration with the narrator talking in short, bullet-point-like sentences, an engaging story and some quirky backdrops and props. The backdrops are bit less of a factor here, due to this film being set almost entirely in one location.
The other three had a nasty habit of leaving you dangling at the end - setting you up with an engaging, seemingly set up for a powerful ending and then just fizzling out, sans punchline. This one seemed to be heading to buck the trend but, alas, it is more of the same. There is a half-theme around ungraciousness and racism at the end but it really isn't developed well enough to have an impact.
Interesting enough, just don't expect too much of the conclusion.
However, while none of the episodes are terrible, they are a bit of a mixed bag.
The Wonderful Story of Henry Sugar - 7/10
An interesting plot, some highly engaging characters, some spot-on performances from an all-star cast (Ralph Fiennes, Benedict Cumberbatch, Ben Kingsley, Dev Patel, Richard Ayoade, all in multiple roles) and Anderson's use of seemingly basic effects, props and settings create a whimsical, child-like atmosphere.
On the negative side the matter-of-fact tone makes you feel like you're consuming bullet points of a plot rather than being engrossed in the movie. It's the downside to the whimsicalness, I guess. In addition, I was expecting a punchier ending which never came.
The Swan - 8/10
The best of the lot, with Dahl's emotional story of innocence-meets-thuggery set to Anderson's clever backdrops and special effects and imbued with the usual Anderson whimsicalness and child-like atmosphere. Rupert Friend is great as the narrator.
Not perfect though. The film seemed set up for a powerful ending but this never came, just fizzling out. The Wonderful Story of Henry Sugar was similar - great journey, lacklustre destination. Hopefully this isn't a characteristic of all these films.
The Rat Catcher - 6/10
From the previous two, the style and presentation of the films are a given. A quirky, reasonably engaging story, narration with the narrator talking in short, bullet-point-like sentences, highly-stylised backdrops and props, great performances (in this case from Ralph Fiennes, Rupert Friend and Richard Ayoade).
A less positive aspect has been that while the story is engaging, it has no punchline. It simply fizzles out. The Rat Catcher is no exception.
Here it is a touch worse in that the story never really seems to fully get going anyway. At least the other two had a fair degree of momentum.
Still, it's interesting and watchable enough.
Poison - 6/10
Poison is similar to the other three short films in the series in that it contains narration with the narrator talking in short, bullet-point-like sentences, an engaging story and some quirky backdrops and props. The backdrops are bit less of a factor here, due to this film being set almost entirely in one location.
The other three had a nasty habit of leaving you dangling at the end - setting you up with an engaging, seemingly set up for a powerful ending and then just fizzling out, sans punchline. This one seemed to be heading to buck the trend but, alas, it is more of the same. There is a half-theme around ungraciousness and racism at the end but it really isn't developed well enough to have an impact.
Interesting enough, just don't expect too much of the conclusion.
While Ive not yet read any one of Roald Dahl's works, I was convinced of the fact that the film was approached according to an avid reader. I found that aspect of it, well executed. At the beginning had a hard time focusing on the visuals and keeping up with what was being said. Quite marvelous work from the cast at the recitation aspect.
Not having read Dahl's work didnot give me THAT perspective on the film and "Poison" was quite difficult for me to conclude. Apart from that it was a good watch and for me, an introduction to Roald Dahls writing.
Not having read Dahl's work didnot give me THAT perspective on the film and "Poison" was quite difficult for me to conclude. Apart from that it was a good watch and for me, an introduction to Roald Dahls writing.
The Wonderful Story of Henry Sugar and Three More (2024) is the final movie in Wes Anderson's filmography that I watched for the first time ever and it was awesome.
Positives for The Wonderful Story of Henry Sugar and Three More (2024): The short stories are very engaging and fun to watch with a fun cast. The cast does a great job with their performances and you have Ralph Fiennes, Benedict Cumberbatch, Dev Patel, Ben Kingsley, Richard Ayoade and Rupert Friend are playing different roles into these short stories. The set designs look great and are having fun with their characters. The dialogue is amazing and very witty. While these stories are separate from each other, they have their own stories with themes that come fill circle by the end of each segment. And finally, this movie has excellent pacing that kept me invested during each short story.
Overall, The Wonderful Story of Henry Sugar and Three More (2024) is a wonderful anthology movie from Wes Anderson and I can't wait for his newest movie coming out later this month.
Positives for The Wonderful Story of Henry Sugar and Three More (2024): The short stories are very engaging and fun to watch with a fun cast. The cast does a great job with their performances and you have Ralph Fiennes, Benedict Cumberbatch, Dev Patel, Ben Kingsley, Richard Ayoade and Rupert Friend are playing different roles into these short stories. The set designs look great and are having fun with their characters. The dialogue is amazing and very witty. While these stories are separate from each other, they have their own stories with themes that come fill circle by the end of each segment. And finally, this movie has excellent pacing that kept me invested during each short story.
Overall, The Wonderful Story of Henry Sugar and Three More (2024) is a wonderful anthology movie from Wes Anderson and I can't wait for his newest movie coming out later this month.
This anthology film consists of four short stories, with the main story being about Henry Sugar, a rich and unmarried man who never worked a day in his life. One day, he discovers a journal, which tells how Imdad Khan was able to see without his eyes. Sure, he had eyes, but through years of practice he could 'see' perfectly well even if blindfolded - or with his eyelids glued together.
Henry Sugar decided to follow Imdad's procedure, and when he finally mastered the art, he used it to read cards at casinos, winning a fortune in the process. Instead of keeping all the money, he decided to put it to good use. This segment features a very good production design and excellent lighting.
The second story is 'The Swan'. It is the story of Peter Watson, who was captured by troublemakers Ernie and Raymond, who wanted him dead. The story is narrated by an adult Peter Watson, now part of the events of him as a teenager.
The third story, 'The Rat Catcher', is about a boastful man who tries to rid a petrol station of a rat infestation, but the rats seem to put his expertise to the test.
The fourth story is 'Poison', and revolves around Harry, who wakes up to find a venomous snake lying on his stomach. Harry's friend Timber summons Doctor Ganderbai, who takes every precaution to save Harry.
All these stories are told in Wes Anderson's trademark style, which I absolutely love. It is funny and engaging, and a pleasure to watch.
Henry Sugar decided to follow Imdad's procedure, and when he finally mastered the art, he used it to read cards at casinos, winning a fortune in the process. Instead of keeping all the money, he decided to put it to good use. This segment features a very good production design and excellent lighting.
The second story is 'The Swan'. It is the story of Peter Watson, who was captured by troublemakers Ernie and Raymond, who wanted him dead. The story is narrated by an adult Peter Watson, now part of the events of him as a teenager.
The third story, 'The Rat Catcher', is about a boastful man who tries to rid a petrol station of a rat infestation, but the rats seem to put his expertise to the test.
The fourth story is 'Poison', and revolves around Harry, who wakes up to find a venomous snake lying on his stomach. Harry's friend Timber summons Doctor Ganderbai, who takes every precaution to save Harry.
All these stories are told in Wes Anderson's trademark style, which I absolutely love. It is funny and engaging, and a pleasure to watch.
Le saviez-vous
- AnecdotesIn the original book the title finishes with six more (short stories) whereas Wes Anderson changed the title to three more to reflect the fact he was only making four movies in total.
- ConnexionsEdited from La merveilleuse histoire d'Henry Sugar (2023)
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- La maravillosa historia de Henry Sugar
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 28m(88 min)
- Couleur
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant