Retro

I stand with Selvaragavan, After 2020 March the world has changed,Corona has changed the peoples minds, we enjoy only entertainment, we do not bother about the story or stroy line, we come to theatre only to spend our valuable time into a laughable time, but that too we miss it, we miss vivek sir. He too was taken by Corona. This movie is nothing but a childish remake of Ayirathil Oruvan,The original source of the story is the story of Exodus. Santhash Narayanan also didnt do justice for the movie by his music only Ilayarajas songs were used but nothing surpasses Rajinikanths Johnny. We lost our Ice Quarter.

"Retro 2025" is primarily a showcase for the undeniable talent of Surya, who delivers a performance that is bound to leave audiences stunned. His portrayal of the character is captivating and powerful, demonstrating his commanding screen presence. Adding to the film's initial appeal is the "Kanimaa" song sequence, a vibrant and memorable portion of the movie with excellent visuals and an infectious soundtrack.

However, despite these significant strengths, "Retro 2025" ultimately struggles to maintain consistent engagement due to an overreliance on action sequences. While initial fight portions may be exciting and showcase Surya's physicality, their sheer volume becomes repetitive and eventually leads to a noticeable dip in viewer interest as the narrative progresses.

The focus on seemingly endless action overshadows other crucial elements of the film, potentially hindering the development of a more nuanced storyline and the exploration of supporting characters. While Surya's dedication to these scenes is evident, their excessive presence detracts from the overall cinematic experience for those who prefer a more balanced blend of action and narrative depth.

In conclusion, "Retro 2025" is a film that benefits immensely from Surya's stunning performance and the memorable "Kanimaa" song. However, viewers should be prepared for a movie that leans heavily into action, which unfortunately becomes its primary drawback, preventing it from reaching its full potential.

Retro is signature Karthik Subbaraj-style cinema. It's a love story with a lot of action. Good to see Suriya in top form with this performance. Pooja Hegde is very good at expressing the innocence and emotions required for her role. Jayaram portrays his character with enjoyable comic timing. The sound design and background score really support the film well and are praiseworthy. The songs are enjoyable-especially Kannima, which is well integrated into a 15-minute-long one-take sequence.

That sequence is pure brilliance and not to be missed.

3/3 The movie is divided into different segments, and most of them are well shot and engaging. The 'Cult' plot in the first half felt a bit slow and dull but compensates in the second.

The film does lose the spark momentarily but gets back on track eventually. The characters have been given a pulp fiction treatment through their costume design and development, and it works well within the world of the film.

The color palette and set design are noticeable and vibrant.

The action sequences are good and enjoyable. Overall, Retro is a classy Subbaraj-style storytelling experience, and its execution of a simple yet interesting story along with technical finesse makes it entertaining and fun to watch on screen for most of its runtime. Do give it a watch!

OVERALL 7/10.

The story goes too deviated, it's bonkers!

I don't know the political logic behind this movie but it seems non existent, feels like a poorly made piece with the missing essence of a karthik subbaraj padam, the quality has down graded reminiscently and awful camera work, and when I say that, I don't mean shakey camera work, cuz sometimes it can be implemented artistically but this is just horrible. Colour grading is weird and the visuals where CGI was needed should've been compromised and now, this is just a try of a commercial film from Karthik subbaraj with modest budget... Also, karthik subbaraj must take a break from trying to bring large elements of emotional sadness, it didn't woth with Jigarthanda double x, it didn't work here either... Fight scenes in Karthik's movies are one of the best in tamil cinemas, but dude flying from a gunshot or maybe even from something the looks like an one ince punch never seemed to find it's way out of his recent movies. The concept of love between paari and rukmini too felt stretched out cuz it was just a constant cycle of "accept, regret, deny".. how did karthik subbaraj go from down to earth, realistic and connectable Jigarthanda, pizza, mahaan, to this thing whatever this is.. it was a fun movie to watch nonetheless and a lot of people would enjoy it.

The story folds quite good for first half with good interval but after that the story began downhilled till the climax it has much potential to be a great film but got this stage because the director unable to properly connect the dots from first half in the second half as the second half give you a feels of watching another film hope he change that in his next film Now talks about acting Pooja's acting is good but expected more on her character little underfilled but on other note Suriya eppa dei eppadi ya ippadi ellam nadiara that mirror smilling scene !!!!!! What a acting but you need more focus on choosing better scripts and finally Santhosh narayan music is great and asset in the film, editing could have better,camera work is good other sides villian or to say Villain's easily describe in two word Dummy pieces. Its an decent film one time watchable because of Suriya's great acting and music other departments are ok with direction and editing below par

Best theatrical film for him since 24 film but excepting more from his.