Ajouter une intrigue dans votre langueA tinderbox of competition and resentments underneath the façade of a picture-perfect couple is ignited when the husband's professional dreams come crashing down.A tinderbox of competition and resentments underneath the façade of a picture-perfect couple is ignited when the husband's professional dreams come crashing down.A tinderbox of competition and resentments underneath the façade of a picture-perfect couple is ignited when the husband's professional dreams come crashing down.
- Director
- Writers
- Stars
Avis en vedette
Olivia Colman & Benedict Cumberbatch were sublime as usual. No notes.
Andy Samberg also did the best he could and somehow managed to not make his character seem annoying given the writing.
The movie needed a lot more Allison Janney who was great for the few minutes she was in and a lot less Kate McKinnon whose character was just absurd and over the top for no reason. Did not find her remotely funny.
None of the other characters were fully formed and you couldn't care less about them. Wasted some really talented actors like Ncuti Gatwa in throw away roles.
Andy Samberg also did the best he could and somehow managed to not make his character seem annoying given the writing.
The movie needed a lot more Allison Janney who was great for the few minutes she was in and a lot less Kate McKinnon whose character was just absurd and over the top for no reason. Did not find her remotely funny.
None of the other characters were fully formed and you couldn't care less about them. Wasted some really talented actors like Ncuti Gatwa in throw away roles.
I think it's really amazing to have a romantic comedy featuring two of the UK's national treasures Benedict Cumberbatch and Olivia Coleman in the theatres now, especially with all the nastiness going on the world.
This reimagining of the 1989 dark comedy featuring Kathleen Turner and Michael Douglas, shows what happens when a couple favour work-like ambitions rather than working on communicating with one another. It is genuinely hilarious, sweet and tragic all at the same time.
I won't give away the ending, but while it makes some changes to how the 1989 version ended, it also doesn't take away its cautionary tale aspect. It is also hugely critical of the material wealth that people accumulate when they become successful with their jobs.
The two leads have great chemistry and work excellently together. The film also has an early 2000s vibe, which reminded me of Roach's earlier films such as Meet The Parents or Analyse This. Definitely worth a rewatch!
This reimagining of the 1989 dark comedy featuring Kathleen Turner and Michael Douglas, shows what happens when a couple favour work-like ambitions rather than working on communicating with one another. It is genuinely hilarious, sweet and tragic all at the same time.
I won't give away the ending, but while it makes some changes to how the 1989 version ended, it also doesn't take away its cautionary tale aspect. It is also hugely critical of the material wealth that people accumulate when they become successful with their jobs.
The two leads have great chemistry and work excellently together. The film also has an early 2000s vibe, which reminded me of Roach's earlier films such as Meet The Parents or Analyse This. Definitely worth a rewatch!
With stupid dialoques, only a bit funny in the preview clips, even two of best British actors can not save this disaster. It leaves a deep feeling of disappointment. I do not recall seeing the original War of the Roses but it must have been much better otherwise no one would have invested in this failed remake.
Less a scabrous 'my parents in the eighties' affair like the original "War of The Roses" than a continuous mild volley of P. G. Wodehouse-level insults and backhands, Coleman and Cumberbatch are a delight as marrieds (though looking more like elder sister and flummoxed younger brother) whose equanimity topples when Benedict's architectural career goes the way of Gotham Hospital in "The Dark Knight." Andy Samberg, Alison Janney and Kate McKinnon sit back and provide relaxed support when necessary but mostly let these old pros stretch out and do their stuff. What a great throwback pairing and bouquet of talent! Hope they work together again!
The Roses was an engaging and enjoyable watch. While the story did give me pause, making me wonder whether my partner and I might one day mirror the couple on screen, it was delivered with remarkable performances. Olivia Colman in particular stands out as always, bringing depth and nuance to her role.
On the technical side, aside from a few weak CGI shots, the visuals were impressive. The color grading was especially striking and added richness to the overall tone of the film.
Although the ending felt somewhat overdone, the film as a whole was satisfying and well worth the watch.
On the technical side, aside from a few weak CGI shots, the visuals were impressive. The color grading was especially striking and added richness to the overall tone of the film.
Although the ending felt somewhat overdone, the film as a whole was satisfying and well worth the watch.
Le saviez-vous
- AnecdotesWhen deciding what Theo and Ivy's careers would be, writer Tony McNamara looked for "things I knew about, and I wanted two jobs that were manifested visually. I wanted [Theo] to build something we could see and for her to build something that was tactile." McNamara also chose Ivy's career as a chef because he's a self-described foodie who previously worked in restaurants.
- GaffesWhen the Roses are seeing their kids off at the airport, they're doing so at the gate, something not permitted for non-passengers since 9/11.
- ConnexionsVersion of La guerre des Roses (1989)
- Bandes originalesHappy Together
performed by Susanna Hoffs and Rufus Wainwright
written by Garry Bonner and Alan Gordon
courtesy of: Bank Robber Music, LLC
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- The Roses
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 9 484 311 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 6 265 264 $ US
- 31 août 2025
- Brut – à l'échelle mondiale
- 19 800 152 $ US
- Durée
- 1h 45m(105 min)
- Couleur
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant