Ajouter une intrigue dans votre langueA tinderbox of competition and resentments underneath the façade of a picture-perfect couple is ignited when the husband's professional dreams come crashing down.A tinderbox of competition and resentments underneath the façade of a picture-perfect couple is ignited when the husband's professional dreams come crashing down.A tinderbox of competition and resentments underneath the façade of a picture-perfect couple is ignited when the husband's professional dreams come crashing down.
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Reviewers say 'The Roses' is a polarizing dark comedy that offers sharp humor with some tonal inconsistencies. Many praise the movie for its biting satire and the exceptional chemistry between Benedict Cumberbatch and Olivia Colman, who both deliver standout performances. The supporting cast, including Andy Samberg and Kate McKinnon, are also highlighted for adding depth to the film's exploration of modern relationships and societal pressures. Others, however, feel the film fails to match the dark comedy of the 1989 original, finding its pacing and tone to be erratic. Reviewers enjoy the film's British wit and modern take on classic themes, but its mixed reception suggests that while it has moments of brilliance, it may not fully satisfy all viewers.
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Great cast, but the film left me cold.
Benedict Cumberbach and Olivia Colman excelled as usual in their roles, but I wish their pairing was a little more believable, but despite that, they carried the film. However, some of the other characters were a little unrealistic and over the top like Kim McKinnon and Andy Samberg. The actress did their best, but the situations created were a little unrealistic. The film just did not seem believable - for instance, why would you keep around friends who are always trying to undermine you, the couple seemed to have no real friends, and the children were like exercise robots!
The film tried too hard to be funny, and therefore took out some of the emotion and humanity that would have made it more relatable. There was no teenage angst from the children. The coworkers in the restaurant were given much more screen time in an attempt at humor, than Allison Janney, who was great as usual in her brief role as the lawyer.
The older "War of the Roses film" somehow had real passion and the heart that this film lacked. After the set up of the marketing and the trailer, the actual film left me disappointed.
The film tried too hard to be funny, and therefore took out some of the emotion and humanity that would have made it more relatable. There was no teenage angst from the children. The coworkers in the restaurant were given much more screen time in an attempt at humor, than Allison Janney, who was great as usual in her brief role as the lawyer.
The older "War of the Roses film" somehow had real passion and the heart that this film lacked. After the set up of the marketing and the trailer, the actual film left me disappointed.
Cumberbatch and Colman are great; the script is uneven
It's a dark comedy about marriage set from 2011 to 2025, briefly in London, England, but mainly in Mendocino, California. Theo Rose (Benedict Cumberbatch) is a frustrated, idealistic architect who wants his designs to reflect their environment. He meets Ivy (Olivia Colman), who dabbles at gourmet cooking and hankers to move to America. They impulsively marry and move to California, where in ten years Theo starts a flourishing career while Ivy raises their twin children, Hattie (Hala Finney/Delaney Quinn) and Roy (Wells Rappaport/Ollie Robinson). We also meet some friends, such as Barry (Andy Samberg) and Amy (Kate McKinnon). As things are going well, Ivy starts a small seafood restaurant with Theo's support.
Suddenly, in 2021, a major disaster turns their lives upside down--Theo loses his position and takes over raising the kids, while Ivy's restaurant suddenly becomes a major success. Their relationship deteriorates amid acerbic dialogue and conflict avoidance, culminating in an explosive climax.
I like both Benedict Cumberbatch and Olivia Colman as actors, and believe they deliver excellent performances in "The Roses," as the script features clever, edgy repartee between their characters, and their chemistry is outstanding. However, the secondary characters don't work as well. The Barry and Amy characters are memorable, but most others are not. The Allison Janney character has her best lines in the trailer.
Suddenly, in 2021, a major disaster turns their lives upside down--Theo loses his position and takes over raising the kids, while Ivy's restaurant suddenly becomes a major success. Their relationship deteriorates amid acerbic dialogue and conflict avoidance, culminating in an explosive climax.
I like both Benedict Cumberbatch and Olivia Colman as actors, and believe they deliver excellent performances in "The Roses," as the script features clever, edgy repartee between their characters, and their chemistry is outstanding. However, the secondary characters don't work as well. The Barry and Amy characters are memorable, but most others are not. The Allison Janney character has her best lines in the trailer.
Solid leads let down by caricatured side characters.
Olivia Colman & Benedict Cumberbatch were sublime as usual. No notes.
Andy Samberg also did the best he could and somehow managed to not make his character seem annoying given the writing.
The movie needed a lot more Allison Janney who was great for the few minutes she was in and a lot less Kate McKinnon whose character was just absurd and over the top for no reason. Did not find her remotely funny.
None of the other characters were fully formed and you couldn't care less about them. Wasted some really talented actors like Ncuti Gatwa in throw away roles.
Andy Samberg also did the best he could and somehow managed to not make his character seem annoying given the writing.
The movie needed a lot more Allison Janney who was great for the few minutes she was in and a lot less Kate McKinnon whose character was just absurd and over the top for no reason. Did not find her remotely funny.
None of the other characters were fully formed and you couldn't care less about them. Wasted some really talented actors like Ncuti Gatwa in throw away roles.
Funny comedy because of the leads but weak cast
The Roses is a remake of the 1989's movie and book, The War of the Roses. I never read the book or watched the movie so I had no expectations walking into this movie. The Roses is about the slow descent of a marriage between a successful architect and a successful cook. This movie is really held together because of the lead couple played by Benedict Cumberbatch and Olivia Colman. They have great chemistry and snark so I enjoyed every scene they are in together. The story is also good where you can see how their marriage slowly crumbles and it is slow. It is not like a lot of romantic comedies where it happens fast, there is a lot of small pieces that pile up for the eventual blow out. The actual divorce blow up doesn't happen until the third act so some viewers may be disappointed if they saw the trailers. For me, I like the slow progression. That being said probably the weakest elements are the supporting cast. Andy Samberg & Kate McKinnon are two of the more well known actors that play friends of the Roses and a lot of their jokes miss. All the friends are not funny or just rude and you never understood why they were friends with any of them in the first place. The children also are pretty forgettable. I did enjoy the movie overall but that is only because of how strong the leads are. You can definitely wait to see this at home.
Smart, sharp, and entertaining, but ultimately hampered by a trailer that gave away its wildest moments.
Jay Roach's The Roses is a sharp, stylish, and often brutally honest look at the slow-motion implosion of a marriage. On paper, it has all the makings of a wild, darkly funny ride a modern update of The War of the Roses, with a razor-sharp Tony McNamara script and a powerhouse pairing in Benedict Cumberbatch and Olivia Colman. And while the film is undeniably entertaining, it's also a bit of a bait and switch that leaves you wishing it had trusted its chaos sooner.
The film charts the rise and implosion of Theo and Ivy Rose, a seemingly flawless couple whose marriage begins to fray as Theo's career skyrockets. What starts as subtle emotional distance soon becomes an emotional minefield, with small resentments snowballing into a quiet war of neglect, envy, and pride. The early sections of the film, watching them fall in love and build their lives together, are tender and grounded, anchored by the nuanced performances of Cumberbatch and Colman.
And here's where my frustration begins, the marketing for The Roses promises a balls-to-the-wall black comedy where a couple goes to war with each other in increasingly absurd ways. The trailer sells carnage, slapstick, and chaos. But in reality, that level of over-the-top madness doesn't hit until the last 20 minutes and by then, we've already seen most of those "wow" moments in the trailer. The slow build works narratively, adding emotional depth, but it also makes the movie feel like two different films competing for your attention, an incisive marital drama for most of its runtime, and a bonkers satire at the very end.
I can't help but feel a little cheated. If you walked into the theater expecting The Roses to be a wall-to-wall dark comedy, you're likely to leave a little underwhelmed. And that's a shame, because beneath the mismarketing is a smart, well-acted, and deeply cynical look at how success, ambition, and love can combust when left unattended.
The Roses is worth watching for Cumberbatch and Colman alone they elevate the material, turning what could have been a hollow satire into something genuinely compelling. But go in with the right expectations: this isn't the chaotic laugh riot the trailer sold you. It's a slow-burn dissection of a marriage in decay, with just a dash of chaos sprinkled on top.
The film charts the rise and implosion of Theo and Ivy Rose, a seemingly flawless couple whose marriage begins to fray as Theo's career skyrockets. What starts as subtle emotional distance soon becomes an emotional minefield, with small resentments snowballing into a quiet war of neglect, envy, and pride. The early sections of the film, watching them fall in love and build their lives together, are tender and grounded, anchored by the nuanced performances of Cumberbatch and Colman.
And here's where my frustration begins, the marketing for The Roses promises a balls-to-the-wall black comedy where a couple goes to war with each other in increasingly absurd ways. The trailer sells carnage, slapstick, and chaos. But in reality, that level of over-the-top madness doesn't hit until the last 20 minutes and by then, we've already seen most of those "wow" moments in the trailer. The slow build works narratively, adding emotional depth, but it also makes the movie feel like two different films competing for your attention, an incisive marital drama for most of its runtime, and a bonkers satire at the very end.
I can't help but feel a little cheated. If you walked into the theater expecting The Roses to be a wall-to-wall dark comedy, you're likely to leave a little underwhelmed. And that's a shame, because beneath the mismarketing is a smart, well-acted, and deeply cynical look at how success, ambition, and love can combust when left unattended.
The Roses is worth watching for Cumberbatch and Colman alone they elevate the material, turning what could have been a hollow satire into something genuinely compelling. But go in with the right expectations: this isn't the chaotic laugh riot the trailer sold you. It's a slow-burn dissection of a marriage in decay, with just a dash of chaos sprinkled on top.
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
These big screen releases can now be watched from the comfort of your couch.
Blocage sonore
Prévisualisez la bande originale ici et continuez à écouter sur Amazon Music.
Le saviez-vous
- AnecdotesThe "We Got Crabs" restaurant shown in the film is an actual working one, called The Winking Prawn, North Sands, Salcombe, Devon, UK.
- GaffesTheo administers an EpiPen in Ivy's arm multiple times. EpiPens are used on the thigh not an arm.
- ConnexionsReferenced in Last Week Tonight with John Oliver: Benjamin Netanyahu (2025)
- Bandes originalesHappy Together
Written by Gary Bonner (as Garry Bonner) and Alan Gordon
Performed by Susanna Hoffs and Rufus Wainwright
Courtesy of Bank Robber Music, LLC
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- The Roses
- Lieux de tournage
- Salcombe, Devon, Angleterre, Royaume-Uni(https://www.countryfile.com/tv/where-was-the-roses-filmed)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 15 298 844 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 6 265 264 $ US
- 31 août 2025
- Brut – à l'échelle mondiale
- 51 981 278 $ US
- Durée
- 1h 45m(105 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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