"Priyo Maloti," directed by Shankha Dasgupta, stands out as a refreshing departure from typical Bangladeshi cinema, offering an authentic and poignant narrative rooted in the struggles of ordinary people. The film doesn't shy away from depicting the socio-political landscape of contemporary Dhaka, offering a critical lens on systemic issues and the additional burdens faced by minorities.
One of the film's strongest aspects is undoubtedly Mehazabien Chowdhury's portrayal of Maloti. This marks her debut as a lead actress in a big-screen film, and she delivers a compelling performance, capturing the character's resilience amidst escalating adversity.
Director Shankha Dasgupta's intent to address various societal issues, including the struggles of seeking government support, unemployment, and disparities in documentation, particularly for the lower class, is evident throughout the film. The narrative feels authentic because it mirrors real-life experiences, making it relatable to a wide audience. The film also touches upon the sensitive topic of religious clashes and the rigid grip of patriarchy, further adding to its depth and social commentary.
The cinematography by Barkat Hossain Palash and the background score by Ruslan Rahman are also noteworthy, successfully immersing the audience in the emotional journey of Maloti. The use of real locations in Old Dhaka adds to the film's authenticity and liveliness.
Shankha Dasgupta's work in "Priyo Maloti" is a testament to his skill as a filmmaker. He has crafted a film that is not only engaging but also deeply meaningful, leaving a lasting impression on the viewer through its honest portrayal of life and its compelling narrative. His dedication to authenticity and his nuanced direction make "Priyo Maloti" a truly remarkable cinematic experience.
