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Une situation explosive

Titre original : A House of Dynamite
  • 2025
  • PG
  • 1h 52m
ÉVALUATION IMDb
6,4/10
91 k
MA NOTE
POPULARITÉ
38
17
Une situation explosive (2025)
When a single, unattributed missile is launched at the United States, a race begins to determine who is responsible and how to respond.
Liretrailer1:57
3 vidéos
49 photos
CatastropheDrame politiqueThriller politiqueDrameThriller

Ajouter une intrigue dans votre langueWhen a single, unattributed missile is launched at the United States, a race begins to determine who is responsible and how to respond.When a single, unattributed missile is launched at the United States, a race begins to determine who is responsible and how to respond.When a single, unattributed missile is launched at the United States, a race begins to determine who is responsible and how to respond.

  • Réalisation
    • Kathryn Bigelow
  • Scénariste
    • Noah Oppenheim
  • Vedettes
    • Idris Elba
    • Rebecca Ferguson
    • Gabriel Basso
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,4/10
    91 k
    MA NOTE
    POPULARITÉ
    38
    17
    • Réalisation
      • Kathryn Bigelow
    • Scénariste
      • Noah Oppenheim
    • Vedettes
      • Idris Elba
      • Rebecca Ferguson
      • Gabriel Basso
    • 2.2KCommentaires d'utilisateurs
    • 182Commentaires de critiques
    • 75Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 1 victoire et 6 nominations au total

    Vidéos3

    Official Trailer
    Trailer 1:57
    Official Trailer
    Official Teaser
    Trailer 1:17
    Official Teaser
    Official Teaser
    Trailer 1:17
    Official Teaser
    A House of Dynamite
    Trailer 2:04
    A House of Dynamite

    Photos49

    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
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    + 43
    Voir l’affiche

    Distribution principale99+

    Modifier
    Idris Elba
    Idris Elba
    • POTUS
    Rebecca Ferguson
    Rebecca Ferguson
    • Captain Olivia Walker
    Gabriel Basso
    Gabriel Basso
    • Deputy National Security Advisor Jake Baerington
    Jared Harris
    Jared Harris
    • Secretary of Defense Reid Baker
    Tracy Letts
    Tracy Letts
    • General Anthony Brady
    Anthony Ramos
    Anthony Ramos
    • Major Daniel Gonzalez
    Moses Ingram
    Moses Ingram
    • Cathy Rogers
    Jonah Hauer-King
    Jonah Hauer-King
    • Lieutenant Commander Robert Reeves
    Greta Lee
    Greta Lee
    • Ana Park
    Jason Clarke
    Jason Clarke
    • Admiral Mark Miller
    Malachi Beasley
    Malachi Beasley
    • SCPO William Davis
    Brian Tee
    Brian Tee
    • SAIC Ken Cho
    Brittany O'Grady
    Brittany O'Grady
    • Lily Baerington
    Gbenga Akinnagbe
    Gbenga Akinnagbe
    • Major General Steven Kyle
    Willa Fitzgerald
    Willa Fitzgerald
    • Abby Jansing
    Renée Elise Goldsberry
    Renée Elise Goldsberry
    • The First Lady
    Kyle Allen
    Kyle Allen
    • Captain Jon Zimmer
    Kaitlyn Dever
    Kaitlyn Dever
    • Caroline Baker
    • Réalisation
      • Kathryn Bigelow
    • Scénariste
      • Noah Oppenheim
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs2.2K

    6,491.3K
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    9
    10

    Avis en vedette

    7MirceaT-71

    At the end of the movie, I was still waiting for the spark... even through the end credits.

    The film unfolds from three different perspectives, with Bigelow experimenting with multiple angles, offering a complex and tense vision of the events. However, as each perspective unfolds, a sense of déjà vu begins to appear, and interest can wane slightly. At times, the repetition of tense moments makes the small details stand out more.

    The first act is exceptionally well-crafted - it grabs you, builds tension perfectly, and makes you believe something truly extraordinary is about to happen. Bigelow creates a pressing atmosphere from the very first minutes, with carefully framed shots and a rhythm that keeps you engaged.

    But by the second act, everything begins to unravel. The film becomes harder to follow, the initial tension fades, and the experimentation with perspectives and angles starts to feel more tiring than engaging. Overall, it comes across as an experimental film that fails to maintain its initial promise.

    Zero Dark Thirty was about the past. The Hurt Locker wasn't about the Iraq War; it was about the protagonist's personal drama. This film, on the other hand, resonates through tension and fear, showing how people live with uncertainty and danger in the present.

    It's not just a story about war or the threat of nuclear disaster, but about the emotions and decisions of people under extreme pressure.

    PS: Don't rush to criticize it as a total failure - the director's intention and the concept itself are not bad at all. The only problem is that the next two perspectives don't reach the level of the first. Had they managed that, it could have been a 10/10 film.
    TicTacTruth

    Entertainment is Not An Incomplete Story that Drags

    Imagine telling a story at a party. You start off by stating how crazy the event is because it's about how the world almost ended. Then, the rest of the two hour story stays there with no real details or conclusion. Are you bored yet?

    Now the story holes. The military is able to detect a missile launch but cannot see where it sourced from or what it actually is. We also watch it snail across the sky and we are unable to shoot it down.

    Maybe the higher rankings for the originality of the story are justified. In my humble opinion entertainment isn't supposed to be a bunch on unknowns with a defined ending. I would like my two hours back on this one.
    6leomcneill99

    I feel like I've just been cheated on...

    Watching this film is like being told you've got takeout for dinner, only to end up with casserole.

    I'm sure there was some underlying creative thoughts from the director with this story line but it wasn't clever nor smart. They had a great idea right in their palms and they threw it all away.

    The ending of this film has to go down in history as one of the most frustrating endings in all of cinema. I've felt unsatisfied and in absolute disbelief. You almost feel cheated as you've become so invested in the story to only be let down right at the end! (and that's an understatement!).

    It's worth watching but prepare for heartbreak.
    6WakeyBakey

    From 10 to 1

    The first 30-40min is very very good. Right into the action, edge of your seat stuff.

    Caught myself thinking: "How are they gonna keep this pressure and atmosphere going for 2 hours?" Then BAM! They're not. It's the kind of movie that shows the same event from multiple perspectives. With minor new things adding to the story with each perspective. So past the first perspective, you know what's going to happen. It feels like you're watching the same thing over and over.

    It's too bad. The first part is absolutely superb. The acting is on point throughout by people who deserve their star status.

    But it completely loses all excitement after the first part.
    ulukay

    Waste of time

    The whole story is told within 30-40 minutes. Then the same story is told 2 more times from different perspectives. And they come to no conclusion, no new information, nothing.

    It's 3 times the same story with no added value.

    They tried to do some artsy movie using the petal story structure, and utterly failed to deliver the whole point of a petal story structure.

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    Intérêts connexes

    Helen Hunt and Bill Paxton in Tornade (1996)
    Catastrophe
    Martin Sheen in The West Wing (1999)
    Drame politique
    Dustin Hoffman and Robert Redford in All the President's Men (1976)
    Thriller politique
    Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Moonlight - L'histoire d'une vie (2016)
    Drame
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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The title card "Hitting a bullet with a bullet" is shown over a reenactor from Gettysburg. Famously, there is an example of a bullet hitting a bullet and fusing together at the Gettysburg museum. According to legend, this happened during Pickett's Charge on July 3rd, 1863.
    • Gaffes
      In the absence of any threat against the American nuclear deterrent, the nuclear command authority would very definitely put a counterstrike on hold for several hours at least, by default, because in the given scenario, they do not even know which nuclear power is attacking the USA. Once the nuclear event has occurred though, they can then have the fission products analyzed and compared to previous analyses from known sources, previous foreign nuclear tests, fission products in the exhaust of foreign nuclear facilities and such. All this data is on file. It would very probably at least reveal the source of the bomb fuel with great certainty.
    • Citations

      Carl Sagan voice over.: [From the trailer, Carl Sagan voice over.] Home. Everyone you love, everyone you know, everyone you ever heard of, lived out their lives on a mote of dust, suspended in a sunbeam. Think of the rivers of blood spilled by all those generals and emperors, so that in glory and triumph, they could become the momentary masters of a fraction of a dot. In our obscurity, there is no hint that help will come from somewhere else to save us from ourselves. The Earth is where we make our stand, It underscores our responsibility to preserve and cherish the only home we've ever known.

    • Connexions
      Featured in CBS News Sunday Morning: Episode #47.41 (2025)
    • Bandes originales
      In the Air Tonight
      Written and Performed by Phil Collins

      Courtesy of Atlantic Recording Corp.

      By arrangement with Warner Music Group Film & TV Licensing

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    Détails

    Modifier
    • Date de sortie
      • 24 octobre 2025 (Canada)
    • Pays d’origine
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • A House of Dynamite
    • Lieux de tournage
      • Kenya(on location)
    • sociétés de production
      • First Light Productions
      • Netflix
      • Prologue Entertainment
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Brut – à l'échelle mondiale
      • 13 567 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 52m(112 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Atmos
    • Rapport de forme
      • 2.00 : 1

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