Conjuring the Cult

This was a film that I got the chance to see via screener thanks to Susan over at Breaking Glass Pictures. What is interesting here is that I know of the writer/director, Calvin Morie McCarthy, as he's a listener of a podcast that I also do. That would be the 22 Shots of Moodz and Horror. He's been on an episode so I knew he was a filmmaker. Seeing that this one a film from him, that intrigued me more to check out. The title also piqued my interest.

Synopsis: after discovering his blood-soaked daughter dead in the bathtub, David Bryson (Neil Green) attends a self-help group to help save him from his ghostly nightmares. When a group of mysterious cult-like women offer to help him, his choice will not just decide his fate, but the fate of his dead daughter's soul.

Now we start this by seeing our lead, David, as he makes his way home. It is going upstairs to the bathroom that he finds his daughter like in the synopsis. This wrecks his life and he blames himself. He is married to Michelle (Elissa Dowling), but due to what's happened she has moved out. This is a classic idea here where a tragedy like this drives a couple apart.

David's grief doesn't allow him to give up though. He goes to the group that is led by a counselor, played by BJ Mezek. They want him to come to terms with what happened and not blame himself. David is struggling with nightmares that are surreal. It is variations on things where he'll find his daughter, Masha (Chynna Rae Shurts), still alive or he will find her how he did that fateful day. David is approached by Khila (Michelle Coman Padron) and her group of friends. They dress all in black and we'll learn that they're witches. They offer a different type of help that David declines. He is using a Ouija board, trying to communicate with his daughter.

Michelle does still care about her husband. She questions things that he's doing though. Once she sees the Ouija board. She also comes over to get her mail and finds the group of women at his place. There is also another point where David calls her and she accuses him of reaching out to Casey (Daisia Parker), who was a friend of their daughter. Things take odd turns though where David isn't sure what is real or what is a nightmare. He also breaks down, seeking the aid of this group of women, only to find that they might not be able to help him. There is a strange cult that is following him, which could make things even worse.

That is where I'll leave my recap and introduction to the characters. Where I want to start is that this is a solid, atmospheric film. What works here is that you can tell this production didn't have the largest budget, but they're using what they have available to them and I can appreciate that. What checks boxes for me as well is having witches, a cult and doing rituals. That is enough to hook me in.

Now that I've set that up, let me delve deeper here. This is a character study in a way since we're mostly following David as he navigates his grief. What I could connect with is that I have a daughter. She isn't the age of Masha, but I still know that I could be devastated if anything happened to her. I would probably blame myself as well. Seeing what he is doing to communicate with her and how this grows into him wanting to bring her back is good. There is heart and emotion behind that. Things aren't all as they seem though either and I like the reveals that we got as we go. There were things that I guessed and it helps to explain. Not an issue, but just wanted to say that.

Then to develop from there, I do love this idea of this coven of witches. When we first meet them, they are mysterious. That's only because we are watching a horror movie. It is the more we learn about them that it steps over the line so credit there. They make an offer that David refuses at first. What I like there is that he doesn't believe and that feels real. There is an interesting sequence where a ritual was done and I didn't expect how that would play out. There are also secrets here that help develop the story.

Where I want to go next would be the acting, since this is a variation on the character study narrative. Green is solid here as our lead. What I like is that he comes off a bit aloof, even in his grief. I get the idea that he hasn't fully accepted what has happened. He is also blaming himself so instead of coming to terms, he is trying to find a solution. Dowling works as his ex-wife. There did seem to be a strain relationship there and the death of Masha was the great divide. Shurt works as that daughter. At first, it just seems that she's here to present a backstory. There's more here though as this goes on. Other than that, I like Padron and her group of friends. Parker, Marieka Prom, Brad Littlefield and Jason Brooks also helped to round this out for what was needed.

All that is left then is filmmaking. Now I've already said that this looks and feels bigger than its budget. That is a credit there. How this was shot is good. There are surreal vibes where we don't know what's a dream or what is real. We also don't know if David slips into a different world, like our own. I do enjoy that aspect so the cinematography and framing help that. The effects were solid. They went practically where they could. We got a monster later that was terrifying looking. I do believe there was CGI, but no issues there. Other than that, the soundtrack fit what was needed and the sound design was creepy as well.

In conclusion, I'm glad that I gave this a watch. Is it a great film? No, but for what they're able to do with their budget, I was impressed. This creates a good atmosphere. I'm also a sucker for films with a witch, cults and rituals, so that worked in its favor. There are story elements that I thought worked with how they were developed. I did guess one major one, but that doesn't hurt my experience. The acting was solid and I thought this was well made. Credit there to the cinematography, framing and soundtrack to help capture that atmosphere. I'd recommend this one if what I said are things that you enjoy. Solid little film to check out.

My Rating: 6.5 out of 10.

This film excels in delivering a captivating and suspenseful narrative. One of the film's standout aspects is its cleverly structured buildup to a series of startling revelations involving a mysterious cult. The initial premise of the protagonist, led by grief to a support group, seamlessly transitions into his eerie encounters with a coven poised to enact a sinister plan. This progression is handled with a deft touch, providing just enough foreshadowing to pique interest without diminishing the impact of the surprises that follow.

The storyline weaves together these elements into a compelling tapestry of horror and suspense that keeps the viewer engaged. Although the film occasionally struggles with repetitive sequences, these moments are overshadowed by its strengths, particularly the effective use of haunting imagery and a robust, ominous atmosphere that grips the audience. Overall, Conjuring the Cult provides a thoroughly enjoyable and intriguing experience, marking it as a noteworthy addition to the horror genre.

With the 2024 movie "Conjuring the Cult" being a horror movie that I had neither seen nor heard about, of course I opted to watch it, as I had the opportunity to do so here in 2025. I found the movie's cover to be alluringly interesting, and sat down to watch the movie with an open mind accessible to impressions, as I virtually didn't know what I was getting into here.

Writer and director Calvin Morie McCarthy put together a rather slow paced narrative. It was a storyline that sort of tried relying on atmosphere and slowly building up tension, but it sort of was too sluggishly paced to be really effective. At one hour into the 93 minute runtime nothing thrilling or particularly entertaining had happened, and I have to admit that my attention was drifting to other things than the movie.

I wasn't familiar with a single actor or actress on the cast list, aside from Neil Green and Elissa Dowling, which is actually something that worked in favor of the movie. Yeah, I enjoy watching new and unfamiliar talents on the screen whenever I sit down to watch a movie. And I will say that the acting performances in "Conjuring the Cult" were adequate.

"Conjuring the Cult" was a swing and a miss of a movie. The narrative was simply too slow paced and uneventful to provide much of any entertainment value.

It should be noted, however, that the production was good, but it didn't count for much as the narrative was killing the viewing experience.

This is definitely not a movie that will grace my screen a second time, as it was quite the struggle to sit through it the first time around. Neither is it a movie that I would recommend horror fans to seek out.

My rating of writer and director Calvin Morie McCarthy's 2024 attempt at a horror movie lands on a generous three out of ten stars.

After the death of his daughter, a grieving father tries to look into what caused her suicide and finds a coven of her friends who tried to help her before she died, but the more he looks into the cult finds their ties to witchcraft enough to realize the deadly plan they're about to start.

This was a decent enough if overall flawed genre effort. Among the better features here is the build-up of the general reveal here and what goes on with the cult makes for a great reveal. The initial idea of the death leading him to a support group where he gets into contact with the coven that has everything set up to get their plan started is surprisingly obvious to see coming but still allows for even creepy imagery to set things up nicely. As the gradual reveal about the witches and what they intend to do with him following the exploits of his daughter, this comes about incredibly well in the second half where his corruption at their hands makes everything come together into a far more ominous which not only includes the reveal about their plans but a series of chilling visuals to accomplish everything. It comes together nicely enough to be quite fun and helps give this some great points even though there are some big issues here that bring this one down overall. The main issue with the film is the overreliance on repeating the same tactic where the constant intrusion from the cult takes the form of dreams and nightmares that do the same thing over and over again. The fact that he has the same thing multiple times where the initial appearance of the sequence is thought to be a haunting where the witches are targeting him before being turned into the reveal that it was all a dream which is a fine tactic once or twice but gets repeated multiple times here to the point where it wears out its welcome quite quickly. It never changes tactic either so it easily comes across as something that drains the atmosphere quite easily so that there's a plodding and draining build-up to the whole reveal due to this repetitive action. These factors all manage to give this one a few issues to overcome.

Rated Unrated/R: Graphic Language, Graphic Violence, and Full Nudity.

Conjuring the cult excels in its build-up and suspense, particularly through the well-crafted reveal of the cult's dark intentions. The transition from a grief-driven search to a chilling discovery is seamless, with each scene skillfully contributing to an increasingly tense atmosphere. The visual storytelling is particularly striking, blending eerie elements with a hauntingly beautiful cinematography that keeps the audience enthralled.

Despite its occasional reliance on dream sequences, the film uses this technique effectively to blur the lines between reality and nightmare, enhancing the emotional depth and complexity of the plot. Each twist and turn is delivered with precision, ensuring that the suspense never wanes.

Overall, this film is a masterful blend of emotion, suspense, and supernatural elements, making it a standout in its genre. It's a captivating watch that not only entertains but also deeply moves its audience, leaving a lasting impression.