Mo sha

Which actually makes it appear way louder than it is ... well it is likely that that will be the case - so no pun intended. The movie may have an issue with some - especially when it comes to the psychologically brutal scenes - bullying is not fun at all. And seeing that happen to someone, may make you feel a lot of anger and other negative (understandable) emotions.

So it will be tough to find a person to root for ... and even when you find one, you may find yourself changing opinion ... we all have done stuff we may not be too happy about. Fret not though ... I think there is at least one character you will find morally good ... if that is what you are looking for.

Of course just because you have (at least) one here, doesn't mean they will end up on top ... this has quite a lot of twists and turns ... and goes back and forth timeline wise ... but it works like a charm. ... if you let it that is! Suspend your disbelief and just watch this for the crime thriller that it is ... really well done, flaws and all included.

At first glance, this seems like a good film. The cinematography is stunning, giving the movie a stylish and artistic vibe. However, my main issue lies in how the characters are written. Almost every character feels unnatural, as if they're not behaving like real people. To be clear, the actors deliver solid performances-it's the script that's problematic. The dialogue and interactions feel overly scripted and staged, which breaks the immersion.

The film's pretentiousness is especially evident in the ending, which makes no sense. Without delving into spoilers, I couldn't help but wonder: what was the point? How does it actually help the girl in the story? It feels like an attempt to be profound but ends up being confusing and unsatisfying.

Just came back from the cinema where I watched the remake of Boon-lip (Sam) Quah's "A Place Called Silence" from 2022... I couldn't help but wonder why a remake of the same movie was made just two years later by the same director!

The 7:50 P. M. session only had 20 people, so I was able to choose the best seats for an optimal viewing experience. The cinematography was impressive, with vibrant colors throughout, typical of many Chinese films nowadays. The screenplay was overly complex and lacked elegance, making it quite messy in some parts. However, the performances by Chuan-jun Wang, Janine Chun-Ning Chang, and Francis Ng were very good, and the editing was flawless, leaving me with an overall positive impression.

This crime thriller remake had a successful $50 million theatrical debut in mainland China, likely due to the appeal of the new cast. Despite being entertaining and filled with gore and slashing, the audience began to dwindle after couple of weeks as they switched to the latest comedies released in Chinese cinemas. While well-made, there was nothing particularly new about it.

I initially expected a straightforward tale of bullies getting their comeuppance, and while the movie certainly delivered on that front (for someone who despises bullies, it's suffice to say I took immense pleasure in that), I was pleasantly surprised by how the narrative unfolded into several paths, that too in such a meticulous manner.

At first glance, you might think the story is overly ambitious, introducing a multitude of characters in an attempt to create a complex web of plotlines, to overwhelm the viewers, However, as you delve deeper into the narrative, you will slowly come to appreciate all the thoughtful connections being made, culminating in a climax that masterfully ties every separate thread together.

Now, I won't divulge any specifics, as I want to keep the essence of the story a mystery, but I must commend how the writing challenges the notion of 'morality' and highlights the inherent fragility of the concept.

P. S. I absolutely cherished the ending, the best possible way to draw a fitting conclusion.

I'm quite surprised that this is a Chinese movie. Unlike many traditional Chinese films, it avoids overly dramatic scenes and dialogues, delivering a refreshing and modern take on storytelling. The effects are impressive, and the color saturation of the film is spot on, enhancing its overall aesthetic appeal. The cinematography is carefully crafted, creating a visually striking experience that perfectly complements the narrative. The pacing is steady and keeps you engaged without overwhelming you, which is a rarity in some Chinese productions. What's even more remarkable is how the film tackles its themes with subtlety and sophistication, proving that Chinese cinema is evolving in exciting ways. It's a step forward, showing that there's hope for Chinese films to break free from the clichés and compete on a global scale. This movie offers a perfect balance of style and substance, making it a must-watch for anyone who appreciates quality filmmaking. A truly promising example of how far Chinese cinema has come!