Mononoke, le film: Un fantôme sous la pluie

Really don't understand the high reviews on this. Scenes and angles changes every 2 seconds. Gives you no time to admire any good art if any. Watching this will give you eyes seizure. Can't tell if it is night or day or where or what. Just super colorful and confusing. Will leave you feeling frustrated. Sometimes less is actually more.

The story continues with the hunting down of the malevolent mononoke spirits, this time in the Edo Castle of the servant women quarters during the feudal Japanese period. With two young women who have just joined, embroiled in the haunting madness.

What transpires is a hypnotic and surreal animation with strong rainbow pastel colours of psychedelic wonderment. Very dreamlike and nightmarish images that will have you tripping, along with an editing rhythm that is disjointed and askew, just like being in a dream. All this enough to put you under the dangerous spell of the mononoke, where hopefully the Medicine Seller will come and save you...

Call me superstitious for enjoying the detailed animation of the movie (oh wait, you can't. It's so detailed it's impossible to be counted as vain) but the movie had my heart in a chokehold. They took the very specific aesthetic and storytelling of mononoke and somehow, somehow, not only did they not mess it up, but they also improved upon it!

I can safely say that for me at least, the storyflow of the movie was a lot more comprehensible than the anime. But I also should probably rewatch the anime a few dozen times before I get a right to talk about it like that, so...

now, visual storytelling aside, as for the story itself, I have to say that I loved both the plot and the place it took place in. Even though the idea of a medicine seller and a "women/servants of the emperor" castle is, at this point, nothing new (lookng at you, apothecary diaries, Jewel in the palace, etc) with Mononoke's special touch and more importantly, it's ever present deep message in losing oneself, that is seen in every single 'mononoke' that gets exorcised (be it in the ayakashi horror tales, Mononoke (tv) or this movie) I find the setting to be exactly on point.

Short of it is this: this movie lived up to everything I wanted as a diehard 'Kusuriuri-san no' fan. It had high quality animation, high level of details, a worthy plot for a mononoke mystery, and just enough screentime of the nameless main character that it didn't compromise the story itself.

I'd have to say though, some opinions might be subject to change compared to what will be revealed in the next movie. The ending slapped a cliffhanger on the Medicine Seller's own story in the last 2 minutes and I certainly hope that more will be shown, and it will be shown soon. Or else I might just call that thrill-baiting...

This was my introduction to this series. It works as a stand alone piece since quite a bit of the mysticism of the show isn't really explained, but left to be inferred, as well as because this film lacks connecting characters, sort of. The "medicine seller" is one of several, so the character in the film is, in some ways, a bit softer than the one in the animated series.

That being said, the way in which the story is told, and some of the more esoteric and symbolic elements were completely lost on me. I came in with an open mind, and began to pick things up throughout, but I probably would have benefitted from having something to compare it to.

It's an absolutely gorgeous piece draped in the guise of a Japanese play but I feel like the important minutia visible in every still would have given David Lynch pause. For sure something you'll need to watch two or three times at least.

Fascinating textures and patterns. Sometimes a bit overwhelming. It is difficult to judge depth in some scenes due to the visual effects. As much as it can be appreciated, I found myself looking away at times due to pure overstimulation. The music is a fantastic mashup of traditional, natural Japanese vocals with eerie, techy synthetic sounds. A song by AiNA the END plays at the conclusion of the film and that is always a good thing. The story itself is nice, but not extremely well-rounded. A story of friendship, duty, and hierarchy. I found myself wishing to know the backstory of the two protagonists.