The Last Race

This was all too real. It was far too real. Perhaps the most depressing metaphor for what we all face as we age. It's as good as doc's can achieve, but as eye-opening a film about aging and "development" as one can view.

This documentary on Riverhead Raceway, on Long Island, N.Y., brought back memories to me of going to Freeport Raceway on Long Island (one of 40 active stock car tracks at the time) as a kid with my family for a night of racing and excitement.

Alas, Riverhead is the only remaining track of its kind in the area and seemingly barely hanging on, with its aging but dedicated owners Barbara and Jim Cromarty, and land developers on all sides of the track impatiently waiting for them to sell so they can develop another strip mall or parking lot on the valuable land.

This is not your typical doc, with its emphasis on the atmospherics of the stock car venue and the often quirky drivers and characters who keep it running. The film often seems disjointed, as it skips from one scene to another seemingly randomly. Thus, it will most likely turn off some viewers who expect a more traditional and orderly movie.

Overall, I found this doc to illustrate a slice of Americana that's still active but that more often than not will fade from our history.

Look for raw language throughout with the film being only about 1 hr. and 15 mins. in length.

I have been watching racing for 50 years. This is by far the worst documentary I have ever seen. No information shared, the photography is useless. You could have told the story in three minutes. I have no idea who the people were, there back stories, the why, or anything. Terrible story telling and I am a huge fan of grass roots racing and cheesy shows and documentaries, but this is the worst I have ever seen. So sad. They asked about a Spoiler alert? There are none, nothing to spoil. The story is so bad, one scene is a stationary camera shot of the office and Jim it trying to open a package with his teeth. No dialogue, no explanation. NOTHING.

Another scene is from a race car, it passes every car and then the wall is shown for several laps. Then smoke, did it break, who is it, did he win? Again, nothing. So bad.

Let me start off by saying that I am a grassroots racing fan. Growing up, Saturday night was the night to go to the track with my dad and watch the asphalt gladiators do battle. I was fortunate enough to be able to race at my home track for a little while and will cherish those moments forever. Our track also went through owner changes, sitting dormant for a year and NASCAR affiliation coming and going. I saw this film advertised on Facebook, but unfortunately the trailer pretty much sums up the entire film. There are some real moments, such as the interview with the track owner towards the end of the film and the driver speaking of winning a race for his father after he had passed. The film does show what the track means to the racing community, especially being an area where so many tracks were prevalent during the birth of auto racing. That being said, this film is entirely too slow. The majority of the content is absolutely nothing. The opening scene set the tone for the film. I can appreciate the message that the film does loosely deliver, but it failed to deliver with any true excitement. There is some cool racing footage in the film, but most of it is just oddly misplaced here and there. Again, I can appreciate the people in the film and the message being made, but I feel it could've been portrayed in an entire different light.

You don't need to be a fan of stock car racing to appreciate "The Last Race," a beautiful portrait of a vanishing piece of Americana.

The film examines a small-town race track, the blue-collar players that inhabit it and the close-knit community that revolves around it. Throughout the film it's impossible to stay apathetic to the sight of local heroes (race car drivers), the elderly track owners and the characters that frequent the race track who might lose their beloved track to real-estate development greed.

The film is loaded with life-or-death stakes (even thought the film couldn't be further away from NASCAR's world), intimate camerawork and impressive sound design. Director Michael Dweck uses long takes and little talk, and lets the environment and visuals do all the explaining.

Dweck found beauty in an unusual place and has shared it with all who care to look at it.