L'assassinat

Solid performances all round (Jason Clarke is excellent!) However, movie should have fleshed out the Heydrich / Butcher of Prague story more rather than re-telling the post death aftermath - an angle already covered by the Cillian Murphy/Jamie Doran movie (Antripoid). Their (brilliant) movie told from the perspective of the Czech Assasins.

If you really want to see a movie about Heydrich (and the lead up to the "Final Solution of the Jewish Question"), watch "Conspiracy", the Kenneth Brannagh/Stanley Tucci TV movie. SHOCKING!

This film tells the story of the man who was in charge of hideous war crimes, i.e. The Extermination program, in Nazi Germany. A group of Czechoslovakian people try to rebel and attempt to assassinate him.

The first hour of the film is all about Reinhard, as he climbs up to the top with the most terrible policy. The film shows that many people are brutally murdered for no reason, and Reinhard has no passion or compassion for the victims. In fact, he has no feelings at all, even towards his wife. The story is engaging up to this point, and Rosamund Pike is great a well. However, in the second part of the film, the story is derailed to tell the story of the resistance force. I may have missed why the resistance fighters decide to stand up and fight, and indeed their background story. I don't feel any connection to them at all, and the sudden shift in the spotlight to the resistance fighter appear to be a distraction to me. The final scene at the church crypt is touching though.

This movie feels like someone shot two separate movies - one being Heydrich's biography, second being action thriller about his assassination - cut the run time of each one to half and merged them together. The first half follows Reinhard Heydrich on his rise to power, orchestrated by his wife Lina. It's not exactly a thrilling spectacle, but both Jason Clarke and Rosamunde Pike deliver solid performances (although Clarke is far from the brilliance of Ralph Fiennes in Schindler's list). The problem is that the story line seems absurdly rushed, many important events are left out or shown through short collages with voice-over and music playing and it just feels incomplete. I would love to see a full 2 hours long Heydrich's biography that would dig deeper into Heydrich's relationship with his wife, his rise to power and his work and status in the Nazi regime.

Unfortunately, after one hour of this rushed biography, the movie almost completely abandons Heydrich and his wife (both have literally minutes of screen time in the second half, most of it together) and shifts focus to Czechoslovak paratroopers in Prague. Since then, it feels like Jimenez just took the movie Anthropoid (2016), cast new actors, re-shot the movie shot by shot and cut out half of the scenes. If you have seen Anthropoid, you can skip the second half in its entirety and you won't miss anything. The fact that Jack O'Connel and Jack Reynor look alike to the point it's easy to confuse their actions doesn't help either. The only upside of the second half is Mia Wasikovska who does much better job than Ana Geislerova in Anthropoid. HHhH (or The Man with the Iron Heart) is not a bad movie per se, it's just oddly structured, rushed and given the existence of Anthropoid, feels a bit redundant.

"HHhH" ("The Man with the Iron Heart") is a decent historical war drama. It scores high marks for authenticity regarding locations, costumes, mores and props; however, with the exception of a few bare breasts, feels like a television movie. Although several thousand people are brutally murdered, the violence feels antiseptic, with a few spurts of blood and red stains on costumes, but no sense of either physical or emotional trauma. The nearly universal use of jiggly-cam shots serves as a constant distracting reminder that somebody is holding a camera, preventing the audience from ever fully suspending disbelief. Performances are good, but seem repressed, even when Reinhard tears up a room in frustration.

At the end, the viewer is left wondering what it all means. Tremendous risks were taken, resulting in terrible consequences. The filmmakers offer no interpretation or moral and insufficient perspective for the audience to make their own judgment.

Having read and loved Laurent Binet's superb HHhH, I've been eagerly awaiting this film. Alas, it was hardly worth the wait. The earlier released Anthropoid was a far superior adaptation (or was, at least, a better depiction of the events of Heydrich's assassination).

Other reviewers here have done a nice job detailing the problems this film has as a 'film' so I will only mention two more. Most importantly, Jason Clarke is simply not 'pretty' enough to play Heydrich. Indeed, part of history's fascination with Heydrich is because, physically, he was the perfect Aryan: blonde, tall, sculpted if not chiselled physiognomy, etc. Other than his blonde hair, Clarke's marked and jowled features are completely dissimilar to Heydrich's and served only to distract. Clarke's miscasting is only slightly more jarring than the use of Stephen Graham to play Himmler. Unable or unwilling to project Himmler's menace, Graham comes across more avuncular than sinister. No one would cower in the presence of Graham's pudgy Himmler.

I was also disappointed by the movie's many historical inaccuracies and omissions. Einsatzgruppen executions are shown repeatedly as being by a bullet to the torso, whereas a shot in the nape of the neck was their trademark. The boy being tortured is shown to be around 10-years-old when he fact the real 'boy' was actually a mature 17 years, already engaged to be married. Likewise what got him to talk was having his mother's head placed in his lap (others say it was placed in a fish bowel) but not by having to watch the torture of someone else as is depicted here. And, where was Hitler at Heydrich's funeral? For some reason the writer's chose to pretend he didn't attend, but of course he attended and delivered an inflammatory eulogy while he was there. There are many more such errors. Admittedly these are small details but their cumulative effect was to take me out of the film. They also made me wonder what other, perhaps more important facts the movie had botched.