Champagne Problems
- 2025
- 1h 39m
Ajouter une intrigue dans votre langueAn executive travels to France to secure the acquisition of a renowned champagne brand before Christmas, but her plans are upended when she falls into a whirlwind romance with a charming Par... Tout lireAn executive travels to France to secure the acquisition of a renowned champagne brand before Christmas, but her plans are upended when she falls into a whirlwind romance with a charming Parisian - only to discover he's the founder's son.An executive travels to France to secure the acquisition of a renowned champagne brand before Christmas, but her plans are upended when she falls into a whirlwind romance with a charming Parisian - only to discover he's the founder's son.
- Réalisation
- Scénariste
- Vedettes
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A favourite already..
I love Christmas films but some can be over the top and have more cheese than a fondue, not this one, I thoroughly enjoyed this film from start to finish. Minka Kelly is incredible, she is beautiful, so very talented she exudes confidence and grace in every part she plays. I will definitely watch this one again, 'bubbles get rid of my troubles' the supporting cast were well cast and the love story between Sidney and Henri was brilliant, the chemistry was real and the scenery incredible. Highly recommend this film! Thank you for making this, it's definitely what we need and for those of us without kids it's refreshing.
Actually decent
I usually end up turning off these hallmark style Christmas movies about half way through, but this one was different. The characters were actually likable and believable, the setting was beautiful. It was actually quite funny too! I highly enjoyed watching this, it'll be added to my rotation of yearly Christmas movies!
Liked the filming and the actors, but not the writing...
Champagne Problems is beautiful to look at and the billionaire character is loads of fun, but the story is slow and cringe-worthy at times. The fast-forward button was put to good use while watching.
The biggest cringe is the portrayal of German Christmas culture. Many beautiful Christmas traditions come from Germany, yet this particular German character seems to not have gleaned any of them.
There were also several mistakes with the subtitles.
Hopefully future attempts will move a bit quicker and not be so demeaning. And hopefully they will keep the beautiful locations and filming.
The biggest cringe is the portrayal of German Christmas culture. Many beautiful Christmas traditions come from Germany, yet this particular German character seems to not have gleaned any of them.
There were also several mistakes with the subtitles.
Hopefully future attempts will move a bit quicker and not be so demeaning. And hopefully they will keep the beautiful locations and filming.
It's a very cute love story
"Champagne Problems" arrives as one of 2025's softer, Hallmark-leaning romances, and with Minka Kelly stepping into the lead role, the film immediately gains a warmth and grounded maturity it might not have achieved otherwise. Kelly, now in a stage of her career where her craft feels richer and more layered, brings a calm, lived-in charm to the story. She looks different, she feels different, and most importantly, she acts different-there's a polish and emotional clarity in her performance that elevates even the simplest scenes. From the first frame, she becomes the anchor that keeps the film steady, even when the screenplay wanders into familiar territory.
The movie follows every expected beat of a Hallmark-style love story, and for some audiences that's exactly the appeal. "Champagne Problems" knows its lane: soft lighting, small-town charm, romantic tension, and a cozy emotional payoff. Yet there's something undeniably sweet about the way the film leans into its tropes rather than trying to reinvent them. Even though the relationship forms unusually fast-faster than makes logical sense-Kelly adds enough emotional sincerity that you're willing to let realism slide. After all, classic Disney romances had characters falling in love after a single song; quick feelings are practically a genre tradition.
Still, the screenplay isn't perfect. There are noticeable plot holes, moments where motivations feel underexplored, and story points that could've been strengthened with just a bit more attention to detail. Certain scenes feel rushed, almost as if the film is afraid to linger too long on the emotional beats that needed more breathing room. But even with its structural flaws, the script carries a sweetness and charm that fits the aesthetic it's trying to embrace. It doesn't aspire to be groundbreaking-it aspires to be comforting-and in that regard, it succeeds.
The director deserves credit as well. Despite the film's modest ambitions, the directing choices help capture the blooming relationship with softness and intimacy. The chemistry between Minka Kelly and her co-star isn't the strongest pairing in recent romance films, but the director compensates with thoughtful framing, gentle pacing, and a clear desire to highlight Kelly's emotional beats. The romantic arc may not feel entirely solid, yet there's an effort to make each shared moment feel meaningful, even if the script doesn't always justify those leaps.
Where "Champagne Problems" truly finds its stride is in its atmosphere. It's a warm, easy watch-the kind of movie you put on wrapped in a blanket, with a cup of cocoa, and no interest in challenging yourself. It's not trying to shock you, reinvent romance, or push stylistic boundaries. Instead, it succeeds by being exactly what it sets out to be: a feel-good, soft-hearted rom-com with likable characters and a cozy emotional payoff. Minka Kelly's presence alone makes it significantly more watchable, and her performance gives the film a sense of emotional legitimacy that it might otherwise lack.
In the end, "Champagne Problems" is a cute, flawed, undeniably charming film. It may not stand up to the scrutiny of harsher critics, but for viewers who enjoy Hallmark-esque romances-especially those elevated by strong lead performances-it's worth the time. I genuinely enjoyed it more than expected. Despite its imperfections, it has a sweetness that lingers, and Minka Kelly's performance makes it easy to recommend. If you're looking for a gentle, comforting love story that doesn't pretend to be anything more than what it is, this is one worth checking out.
The movie follows every expected beat of a Hallmark-style love story, and for some audiences that's exactly the appeal. "Champagne Problems" knows its lane: soft lighting, small-town charm, romantic tension, and a cozy emotional payoff. Yet there's something undeniably sweet about the way the film leans into its tropes rather than trying to reinvent them. Even though the relationship forms unusually fast-faster than makes logical sense-Kelly adds enough emotional sincerity that you're willing to let realism slide. After all, classic Disney romances had characters falling in love after a single song; quick feelings are practically a genre tradition.
Still, the screenplay isn't perfect. There are noticeable plot holes, moments where motivations feel underexplored, and story points that could've been strengthened with just a bit more attention to detail. Certain scenes feel rushed, almost as if the film is afraid to linger too long on the emotional beats that needed more breathing room. But even with its structural flaws, the script carries a sweetness and charm that fits the aesthetic it's trying to embrace. It doesn't aspire to be groundbreaking-it aspires to be comforting-and in that regard, it succeeds.
The director deserves credit as well. Despite the film's modest ambitions, the directing choices help capture the blooming relationship with softness and intimacy. The chemistry between Minka Kelly and her co-star isn't the strongest pairing in recent romance films, but the director compensates with thoughtful framing, gentle pacing, and a clear desire to highlight Kelly's emotional beats. The romantic arc may not feel entirely solid, yet there's an effort to make each shared moment feel meaningful, even if the script doesn't always justify those leaps.
Where "Champagne Problems" truly finds its stride is in its atmosphere. It's a warm, easy watch-the kind of movie you put on wrapped in a blanket, with a cup of cocoa, and no interest in challenging yourself. It's not trying to shock you, reinvent romance, or push stylistic boundaries. Instead, it succeeds by being exactly what it sets out to be: a feel-good, soft-hearted rom-com with likable characters and a cozy emotional payoff. Minka Kelly's presence alone makes it significantly more watchable, and her performance gives the film a sense of emotional legitimacy that it might otherwise lack.
In the end, "Champagne Problems" is a cute, flawed, undeniably charming film. It may not stand up to the scrutiny of harsher critics, but for viewers who enjoy Hallmark-esque romances-especially those elevated by strong lead performances-it's worth the time. I genuinely enjoyed it more than expected. Despite its imperfections, it has a sweetness that lingers, and Minka Kelly's performance makes it easy to recommend. If you're looking for a gentle, comforting love story that doesn't pretend to be anything more than what it is, this is one worth checking out.
taste the stars
Greetings again from the darkness. I'll begin by admitting two things. First, I don't watch many romantic-comedies. Second, I do understand why the genre is appealing to so many. That second point seems especially true around the holidays when emotions run high and the Hallmark channel peaks. Netflix is joining in the fun with this latest from writer-director Mark Steven Johnson, who in 2010 explored the genre with WHEN IN ROME. Not one to shy away from gorgeous settings, this time Johnson takes us to Paris, France.
Minka Kelly ("Titans") stars as Sydney Price, an ambitious executive whose boss is finally giving her an opportunity to close a big acquisition. Usually relegated to sourcing the deals, she views this as her chance to take the next step professionally. One added benefit is a trip to Paris, which leaves her sister Skyler (Maeve Courtier-Lilley) holding her to a pinky-swear to spend one night sightseeing, rather than working. Once at her gorgeous hotel, Sydney takes a walk to one of the iconic Paris bookstores. It's here where she gets her meet-cute with Henri (Tom Wozniczka, "Slow Horses").
Of course, we all know the formula. He's charming and handsome. They flirt. Will they or won't they? He turns out to have a surprise identity. They have their ups and downs, including a couple of misunderstandings. All of this happens concurrently with Sydney competing for the purchase of the champagne company owned by Hugo Cassell (Thibault de Montalembert, ALL QUIET ON THE WESTERN FRONT, 2022). The fun really begins when Hugo invites Sydney and the other bidders to his stunning Chateau Cassell. The others are fronted by French local Brigitte (Astrid Whettnail, "The Missing"), German Otto (Flula Borg, THE SUICIDE SQUAD, 2021), and wildcard Roberto (Sean Amsing, "Parked"). Brigitte is conniving, while Otto is stiff and calculated (and believes DIE HARD is a tragedy since Hans Gruber dies), and Roberto is a party animal and son of a billionaire ... and provides most of the film's comic relief.
Sydney and Henri get a flirty, sparkling evening ride on the giant Ferris wheel, as well as a light show under the Eiffel Tower. The setting and sights are breathtaking - both Paris and the Chateau. Despite the formulaic approach and lack of any real suspense, the film serves its purpose by delivering a love story with some laughs in an incredibly romantic and stunning setting. Just remember that "Champagne isn't just a drink, it's a celebration", so "taste the stars" (and don't dig too deep).
Premieres on Netflix on November 19, 2025.
Minka Kelly ("Titans") stars as Sydney Price, an ambitious executive whose boss is finally giving her an opportunity to close a big acquisition. Usually relegated to sourcing the deals, she views this as her chance to take the next step professionally. One added benefit is a trip to Paris, which leaves her sister Skyler (Maeve Courtier-Lilley) holding her to a pinky-swear to spend one night sightseeing, rather than working. Once at her gorgeous hotel, Sydney takes a walk to one of the iconic Paris bookstores. It's here where she gets her meet-cute with Henri (Tom Wozniczka, "Slow Horses").
Of course, we all know the formula. He's charming and handsome. They flirt. Will they or won't they? He turns out to have a surprise identity. They have their ups and downs, including a couple of misunderstandings. All of this happens concurrently with Sydney competing for the purchase of the champagne company owned by Hugo Cassell (Thibault de Montalembert, ALL QUIET ON THE WESTERN FRONT, 2022). The fun really begins when Hugo invites Sydney and the other bidders to his stunning Chateau Cassell. The others are fronted by French local Brigitte (Astrid Whettnail, "The Missing"), German Otto (Flula Borg, THE SUICIDE SQUAD, 2021), and wildcard Roberto (Sean Amsing, "Parked"). Brigitte is conniving, while Otto is stiff and calculated (and believes DIE HARD is a tragedy since Hans Gruber dies), and Roberto is a party animal and son of a billionaire ... and provides most of the film's comic relief.
Sydney and Henri get a flirty, sparkling evening ride on the giant Ferris wheel, as well as a light show under the Eiffel Tower. The setting and sights are breathtaking - both Paris and the Chateau. Despite the formulaic approach and lack of any real suspense, the film serves its purpose by delivering a love story with some laughs in an incredibly romantic and stunning setting. Just remember that "Champagne isn't just a drink, it's a celebration", so "taste the stars" (and don't dig too deep).
Premieres on Netflix on November 19, 2025.
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Le saviez-vous
- GaffesWhile they are having champagne tasting at evening dinner table: Brigitte holds her glass around the base of the bowl- if she was the wine-champagne expert her character claimed to be she would NEVER hold the glass so improperly, as it would alter the wine. To a connoisseur, that is a cardinal sin. Rather she would hold it by the stem.
- ConnexionsReferences Piège de cristal (1988)
- Bandes originalesThe Night They Invented Champagne
written by Alan Jay Lerner and Frederick Loewe
performed by The Marauders Five
courtesy of: The Math Club
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November 2025 TV and Streaming Premiere Dates
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Détails
- Durée
- 1h 39m(99 min)
- Couleur
- Rapport de forme
- 2.39:1
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