Duobeje

The film is good and it's good again! I wonder what kind of intelligence people have been ziurejo who are commenting here that this is the worst Lithuanian film. Apparently only those who are deceived by the dumb Lithuanians comedies , where there is no morality, no context, no acting. And that's all there is. There's a detail that could have been done better- the better camera movement, the corners, the second-rate actor's acting sloppy, but overall, both the idea and the stint were pleasantly surprised. Tension holds until the last minutes. Truth be told, I'm even so tired a little bit because it's certainly been almost all the time. I hope that the film will be noticed by the foreign audience, because apparently according to the rating such films are not for the Lithuanians.

Not much to say here, but movie which was supposed to bring intensity, fear and everything associated with survival movies made me laugh throughout entire film.

Random story line, casuall rascism, r*pe ( which was super not needed (as 80% of characters in the film).

Logical issues, terrible acting from most of the actors except the main actor Ainis Storpirstis.

Movie had no idea, it lacked some sort of action about the main character ( who btw was doing everything except trying to survive).

Movie was so bad that most people in the cinema started laughing, cringing and talking because the director of this move had no idea how to captivate audience.

Terrible move 1/10.

There's not much to say here, but a film that was meant to evoke intensity, fear, and the essence of survival ended up being unintentionally funny from start to finish.

The plot felt random, with unnecessary elements like casual racism and an out-of-place assault scene (which, like 80% of the characters, served no purpose).

The film was filled with logical inconsistencies, and most of the acting was subpar, with the exception of the lead actor, Ainis Storpirstis, who stood out.

The movie lacked direction, failing to focus on the main character's survival journey (ironically, he did everything except try to survive).

It was so poorly executed that people in the theater began laughing, cringing, and talking, as it became clear that the director had no grasp on how to engage the audience.

I never thought I would start a review by addressing legal threats, but here we are. The makers of *Duobeje* have reportedly resorted to intimidation tactics, threatening to sue critics who dare write a negative review. But, after watching this movie, it's clear why they'd feel the need to silence criticism-*Duobeje* is a mess from start to finish.

The film suffers from a confused plot, paper-thin characters, and laughably bad dialogue. It feels like a rushed, half-baked attempt to string together disjointed scenes in the hope that something sticks. The pacing is all over the place, leaving audiences either bored to tears or bewildered by the sudden shifts in tone.

Performances range from wooden to over-the-top, with none of the cast able to breathe life into their characters. The direction is equally lacking, with awkward camera angles and poor editing choices that make the film a chore to sit through.

Visually, *Duobeje* doesn't fare much better. The cinematography is bland, the special effects amateurish, and the overall production quality feels cheap. Even the soundtrack, which should have added some emotional depth or tension, only serves as a distraction with its generic, uninspired score.

Threatening critics won't change the fact that *Duobeje* is a cinematic misfire. If anything, it only highlights the filmmakers' desperation to control the narrative surrounding a movie that just doesn't work. Instead of wasting time on legal battles, the creators should focus on producing a film worth watching next time.

Duobeje is an ambitious movie that succeeds in creating an atmospheric experience but struggles to deliver a fully satisfying narrative. The cinematography is undeniably stunning-each frame feels meticulously crafted, with moody lighting and symbolic imagery that pull you into its melancholic world.

The performances are solid, particularly from the lead actors, who bring subtle emotion to roles that often feel underwritten. The film explores themes of isolation and identity, but its pacing can be slow, and at times it leans too heavily on ambiguity without offering enough payoff.

While Duobeje is admirable for its artistic intent and aesthetic, it left me wanting more in terms of character development and emotional connection. It's the kind of film that may resonate deeply with some viewers, but for others, it might feel more like a beautiful puzzle missing a few crucial pieces.