ÉVALUATION IMDb
6,4/10
3,4 k
MA NOTE
Pendant plusieurs mois en 1978 et 1979, les habitants de l'Oise vivent dans la peur et la terreur alors qu'un tueur en série sévit.Pendant plusieurs mois en 1978 et 1979, les habitants de l'Oise vivent dans la peur et la terreur alors qu'un tueur en série sévit.Pendant plusieurs mois en 1978 et 1979, les habitants de l'Oise vivent dans la peur et la terreur alors qu'un tueur en série sévit.
- Director
- Writers
- Stars
- Prix
- 5 nominations au total
Avis en vedette
Original French title for this film is "La prochaine fois je viserai le coeur". It is based upon the real events that took place in 1978 - 79 in Oise County in France. A serial killer just starts killing young women and dumping their bodies. He then sends taunting letters to both the Police and their Gendarme cousins (separate departments). That is when the hunt is on. We know from pretty early on who the culprit is and so this is more of an examination of who this man was and what were his motives as well as a recreation of what took place.
The film plays out in a linear fashion with no back story and the makers have said they have had to use a lot of imagination and even supposition to fill those blanks in. So it is a work of fiction. Guillaume Canet ('Tell No-one') as the exemplar Gendarme with sociological issues is both chilling and convincing. The period detail is rather good but the eagle eyed amongst you will spot the same cars being used in different scenes (keep an eye out for a Triumph Herald) and as plot goes this does not hang about. As all thrillers need to be it is fast paced, there is an air of tension and the violence is both effective and at the same time done in an understated way.
All in all a very good French film - the subs could have been better - but that is generally the case these days. That said even at 111 minutes this felt like a much shorter film and as such it is one I would recommend.
The film plays out in a linear fashion with no back story and the makers have said they have had to use a lot of imagination and even supposition to fill those blanks in. So it is a work of fiction. Guillaume Canet ('Tell No-one') as the exemplar Gendarme with sociological issues is both chilling and convincing. The period detail is rather good but the eagle eyed amongst you will spot the same cars being used in different scenes (keep an eye out for a Triumph Herald) and as plot goes this does not hang about. As all thrillers need to be it is fast paced, there is an air of tension and the violence is both effective and at the same time done in an understated way.
All in all a very good French film - the subs could have been better - but that is generally the case these days. That said even at 111 minutes this felt like a much shorter film and as such it is one I would recommend.
This French serial killer movie is based on fact but an intertitle at the start tells us that it is also a work of 'imagination'. It's the kind of film the Americans do better but it has a clammy quality nevertheless and revealing the killer in the opening minutes actually adds to the tension and it's well acted and it's well directed by Cedric Anger. For reasons that will become clear very early on it concentrates very much on the police investigation while at the same time giving us a good, detailed psychological portrait of the killer. Unfortunately the film doesn't appear to have had much of a distribution so it's very possible it passed you by.
NEXT TIME I AIM HEART is the perfect example of what could have been a very good movie: one emphasize at first the narrative pulled by a "true story" then one tells the tale with showing the murders with the at least strange behavior of the killer, a french cop in real life - military side. Exactly thus like a TV documentary which does not possess a point of view, the director tells everything whereas the spectator's guessing facts...
What then ? Why this movie would be better that any rag paper as" The New Detective? There is, regrettably, no reason for it because the mechanism of the pathos is played with the regularity of a Swiss clock of one vulgar funny gag of Naked Gun's movie. Not to mention the music which is only re-underlining the drama of the story, in case to we would have understood nothing at all !
Nevertheless in spite of these heavy and dumb brass instruments, the performance of Canet is rather good, and does not suffer by any lack of realism, as well as some ones wrote it in the press critics. And then some sequences add curiously to the suspense of the movie climax - for example the scene of pursuit in Peugeot 604. Nevertheless the movie quotes in forest are worth the manual of a perfect boy scout, but on the other hand, are suffering from giant clichés but hold more or less the road, especially if you have already read Baden Powell back in your life: easy to understand, it is all quite black or all quite white exactly like a suburban sky.
So, cut off the sound and you'll be feeling in the end watching yourself a giallo more or less made in the 70's, sent only straight to video. And I know what I'm talking about...
What then ? Why this movie would be better that any rag paper as" The New Detective? There is, regrettably, no reason for it because the mechanism of the pathos is played with the regularity of a Swiss clock of one vulgar funny gag of Naked Gun's movie. Not to mention the music which is only re-underlining the drama of the story, in case to we would have understood nothing at all !
Nevertheless in spite of these heavy and dumb brass instruments, the performance of Canet is rather good, and does not suffer by any lack of realism, as well as some ones wrote it in the press critics. And then some sequences add curiously to the suspense of the movie climax - for example the scene of pursuit in Peugeot 604. Nevertheless the movie quotes in forest are worth the manual of a perfect boy scout, but on the other hand, are suffering from giant clichés but hold more or less the road, especially if you have already read Baden Powell back in your life: easy to understand, it is all quite black or all quite white exactly like a suburban sky.
So, cut off the sound and you'll be feeling in the end watching yourself a giallo more or less made in the 70's, sent only straight to video. And I know what I'm talking about...
Intelligent, pretty cold character study of a French serial killer of young girls that, unfortunately, only took stabs at the surface without digging deeper into the meaningful material. The casting is excellent with Guillaume Canet's performance as the exemplar Gendarme with sociological issues is both chilling and convincing.
This french film about a serial killer manages to take the viewer inside his disturbed and tormented mind. It really is shocking to watch, and observe his tragic life, and the horrible things he does. The film is based on true events, and the film captures the environment the events took place in a very good way. The film is made in a credible manner. All though we get to know the killer well, it is impossible to predict what he will do. This makes the film nerve wracking to watch.
The casting is excellent by the way. Strong and convincingly performances.
This film is one of the best I have seen of french films.
The casting is excellent by the way. Strong and convincingly performances.
This film is one of the best I have seen of french films.
Le saviez-vous
- AnecdotesThe film takes place from 1978 to 1979.
- ConnexionsFeatures The River (1928)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Next Time I'll Aim for the Heart
- Lieux de tournage
- Place de la République, Lens, Pas-de-Calais, France(abandoned car)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 100 000 € (estimation)
- Brut – États-Unis et Canada
- 815 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 310 $ US
- 3 avr. 2016
- Brut – à l'échelle mondiale
- 3 418 213 $ US
- Durée
- 1h 51m(111 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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