Futsugô na kioku

In the end we were given the typical weak AF writing and directing known to man. What's up with the constant standing around wasting time these protagonist are forced to do? And especially in this film where she is now an android.

Oh and the typical falling and can't get up bull malarky, combined with the failure to fight back in a life or death situation, and always by the female actors when directed by morons without a original thought in their head.

I mean this had potential and it all went to waste completely with this contrived ending in which an android should have been without care/crying for bot being body slammed by the abusive husband. Just plain Face Palming Nonsense most likely due to writers block, or just weak writing skills.

I gave three stars for the actors who tried their best with what they were given.

I don't normally review, but after reading all the negative comments, I felt I had to. This movie was a pleasant surprise... solid acting, script, wardrobe, sets, and CGI-all up to Hollywood standard (but not quite summer blockbuster). This was a solid technology-infused thriller of the "she lost her memory and everything may not be what it seems" variety. It's slower than an action-adventure, but well-paced for this genre. It's really about the husband and I think the character they drew over the course of the movie was interesting and gave the movie some depth. The broad strokes are cliche, but I did not predict the exact nature of the ending and felt there were a couple of small twists that kept it interesting. Everything was explained and there were a lot of background details that really drew me in to the scenario. The only thing that I was left a bit unsure of was the very last scene and spoken line of the movie which seemed a bit tacked on and unnecessarily vague. I would think this would completely satisfy the average sci-fi/robot or domestic thriller fan. Better than typical Hollywood offerings, these days. Also, for those turned off by other Japanese shows, this is very mainstream North American-type content.

The film opens with a grand vision of space elevators and orbital space stations, and while the physicist in me can pick holes in the science, I'm impressed with the care and thought that has gone into it. Including coriolis effects is a delightful touch.

Man recreates dead wife is a familiar sci-fi trope in recent years, and this film combines it with the age old Moby Dick trope of destructive obsession. But these are played out in quite a subtle way, and the essential mystery of the past (and future present) is revealed

The final scene adds a subtle twist that resonates with the theme of human-android love.

The film presents a uniquely strange screenplay filled with numerous opportunities for story development, most of which are effectively utilized, though clarity sometimes falters. Set in the year 2200 A. D., the plot unfolds in a future where human migration to space and advanced technology allow for memory manipulation. Naoki and Mayumi reside in a luxurious floating home in space, appearing to be the perfect couple admired by all. Mayumi indulges in ceramics, while Naoki is deeply engrossed in his research. They embody an ideal, tranquil partnership, relishing elegant music, cooking, and dining together. However, beneath the surface lies Naoki's twisted love, as he seeks revenge on Mayumi, who once loved him during happier times. He repeatedly transforms her into an android in an attempt to recreate his ideal version of her.

According to the producer, this psychopathic suspense romance explores a "form of love" that could emerge in the near future, though one might question whether it truly qualifies as love. Many questions needed answers...

Set in space, where only the very wealthy can afford to live, Naoki loves Mayumi. Except Mayumi is an android. Naoki grew up in a violent home, and his father would extinguish cigars on Naoki's skin. This did not make him a nice person, and after marrying Mayumi, he became very abusive, but naturally apologized and promised not to do it again, until he did. One time, he winds up killing her. He had an android created to be like Mayumi, and could select how much of her memory he would create. It would be his perfect wife. But each time, there would always be some flaw in the memory, and he would destroy the android vowing to keep trying until he got his vision of what he thought Mayumi was. Sometimes she would know things that she shouldn't, based on when her memory was constructed. He thought he finally had it all figured out with Mayumi 3.0. Unfortunately, while one now gets more background to help fill in gaps, it also takes much too long to get there.