Pan

'I don't believe in bedtime stories' - Peter

Popcorn, M&Ms and a large drink... roll the film... The story of Peter Pan has been the source for a multitude of films. To know more about his past is an interesting proposition, but the trailers seem confusing. Is James T. Hook an ally or even a friend of Peter Pan?

Kid's Korner rating: 2.75 stars* Parent's Rating: 3 stars

Do you know the story of Peter Pan, the legendary tale from J.M. Barrie about Wendy, Tinkerbell, Captain Hook, Neverland and the boy who could fly? His story must have a beginning and is begging answers to the questions of where did he come from and how did he get introduced to all of these iconic characters on this magical island? Pan is the origins viewpoint of director Joe Wright (Atonement) of the boy who is perpetually 12-years-old and the defender of fairies and orphans. Peter (Levi Miller) is an orphan during World War II, who lives with the hope that his mother will come back to retrieve him. While living in the confines of the nightmarish orphanage, Peter and a multitude of other boys are inexplicably kidnapped by pirates and taken to the island that is controlled by the dreaded Blackbeard (Hugh Jackman). Peter must come to terms with a prophecy that has him at the heart of the deliverance of Neverland from this tyrannical pirate. He must partner with the local inhabitants and a strange ally named James T. Hook (Garrett Hedlund) to determine if Peter is really the saviour of this magical land.

Pan is a lesson in trying to do too much in a short period of time. The story is placed against a visually stunning backdrop of childhood dreams. Wright provides the magical land that would be expected of the J.M. Barrie story, but like Peter and James Hook in the film, the director seems to get lost along the way. There are so many elements and characters to take in and retrofit into the familiar children's fairy tale it becomes muddled in the delivery. The actors convey confusion of what type of film they are participating in and their performances do not capitalise on the talent that they represent. Also, with all that Wright is attempting to do with the film, the pacing of the film struggles under the weight of expectation and causes it to drag for the first half. Then he seems to attempt to make up for lost time in the second half and the journey comes in a rapid fire delivery that leads to confusion. Even though the visual cinematic experience is pleasurable, the overall experience is inevitably perplexing, which will lead to a multitude of questions from little ones during or after the film. Children and parents can enjoy the film together, but an explanatory discussion will be in order in the car ride home afterwards.

As an origins story, The writers were not original in where they pulled their source material for Pan, which is not a bad thing. There is no masking of who Peter Pan represents in Neverland. See if any of this storyline sounds familiar, a prophecy says that the son of Mary will one day come and be the messiah for the people of this land. Once Peter is fully aware of his role, he will have three days to rise to the challenge and save Neverland. Even though the overall story is a bit confusing at times, this film production paves the way for many discussions on who Peter is meant to represent and who the true Saviour of the world is for all of us.

Dad asked the question on the ride home, 'What did we think of the film?' What was up with the Nirvana song in the introduction of Blackbeard. Weird! It was fun, but a bit confusing at times. Overall we liked it, but it was not as magical as it could have been.

Reel Dialogue: What are the bigger questions to consider from this film? 1. What does the Bible say about orphans? (Isaiah 1:17, John 14:18) 2. Why is family important? (Matthew 22:36-40, Romans 15:2) 3. Who is the real Messiah? (The Gospel of Luke)

Kid's Korner are shorter reviews written by Russell Matthews's kids perspective and based on a five star rating system @ Russelling Reviews #russellingreviews #panthemovie

Like the recent "The Force Awakens," this is a movie that should really only be seen in 3D on a 100-foot screen and all-around loudspeakers. Why? Because where it excels is in its visual and audio presentation, which is simply superlative. As a viewer, you need to be captivated by this aspect of the cinematography because, in all other respects, it's a so-so film.

To be fair, it's decently acted, although perhaps not outstandingly so. None of the acting performances stank, but the actors weren't given a lot to work with so far as character depth was concerned. Some of the parts were played for laughs which, of course, is fair enough in a film of this genre. The part of Hook was ambiguous -- we all know that Hook turns out to be a villain, so it isn't clear why he's a good guy (and a rather insipid one) here. Still, perhaps the film-makers are already planning a sequel that will do for Hook with "Revenge of the Sith" did for Darth Vader?

In the end, what lets Pan down is the storytelling. If this were a children's book, rather than a blockbuster movie, by about page ten you'd be wondering what the heck was going on. So much of the plot makes no sense. Why is it such a big deal that Peter can fly? What does it prove if he can? The fantasy world is full of ships that fly about with no visible means of support, so clearly magical flight is unremarkable. Why do the characters keep bursting into song? It's not a musical, right? The characters in the original book have a certain amount of depth, and as a reader you can't help wondering what their back-stories are (which, of course, is a hallmark of great character writing). Pan ought to answer that question, but it doesn't -- we don't really learn anything about why Peter, Tiger Lily, Smee, et al., are who they are.

You can have the original Peter Pan performed on a packing-crate stage by high school kids, and it can still be magical. But if you take all the high-tech whizzbangery away from Pan, I wonder what is left? Not a great deal, I suspect.

For all that, worth watching in the right environment.

I took my nephew and niece to see this movie this past week, and one thing was clearly noticeable. The movie is a bit to overwhelming for small kids.

However, if you don't go to this movie to see a funny and uplifting 'Hook' remake, but instead go to see a more deep and thrilling retelling of a childhood tale, you will be most pleasantly surprised. The movie, from this point of view, is fantastic.

I feel bad that it has received such harsh reviews from parents that apparently took their small kids to a movie without first at least watching the trailer. Its a bit darker then its predecessors, but is clearly shown that way through the trailer.

Let me put it this way, if the trailer looks like a movie you want to see, you will not be disappointed here.

I won tickets to the movie premiere in London. The movie is good. But I am glad I had free tickets, because I would not have wanted to pay so much to see it (movie tickets in London are generally quite expensive, around £14 per ticket)! But if you're in America and can get a ticket for $5, then I would probably do that, otherwise I'd wait to rent it on a rainy day.

Hugh Jackman was amazing as Captain Blackbeard, he's a great actor. Even the kid who plays Pan, Levi Miller, did a very good job (he was a better actor in Pan than Daniel Radcliffe was in the early Harry Potter movies, if that comparison helps). Garrett Hedlund's acting seemed a bit over-the-top, but I am not sure if that's what he was aiming for because he thought that it fit with the character's personality? Or if that's just his acting style? His acting reminded me of Brendan Fraser's acting in The Mummy. Rooney Mara was believable as Tiger Lilly.

Plot was good, cinematography and movie sets were great. But the action sequences at times felt a bit too long and drawn out. Didn't find many of the jokes funny at all, but perhaps kids would enjoy them. All in all, a nice family movie that's good to rent on a rainy day.

Pan bears a lot of similarities to other adventure films, family animation and even role-playing games. It packs myriad of visual antics across the journey of self-discovery. However, it's also painfully one dimensional and predictable, using the "chosen one" plot to a fault. While it's admittedly aesthetically pleasing, this is not the innovative origin story it's advertised to be.

In a world tormented by pirates, one child must discover his destiny. You've seen this before. Some angles have been changed, but this is typical Peter's adventure to Neverland. It's so overused, one might find half the script in Final Fantasy games. Not to mention it's riddled with fantasy genre cliché and uninspiring romance subplot.

To their credit, the actors do a fine job. Hugh Jackman as Blackbeard is a good antagonist, he looks the part by carrying the character with ominous charisma, either it's by his flamboyant dialogues or even timely singing. He can appear funny yet still threatening. Well, as threatening as a villain in family flick can be.

While Blackbeard looks fit for Hook's replacement, Hook himself is played by Garrett Hedlund, who ironically tries too hard to be young Hugh Jackman. His delivery is forced to create a suave persona, but most of the times he just looks out of place. Levi Miller as Peter handles himself pretty well. The story focuses heavily on this boy's fate, and although he can seem rough at some scenes, he brings a commendable performance as the lead.

Graphical prowess plays important role, almost too much, and on its better parts Pan definitely has the stylish charm of fantasy vista. Setting is filled with colorful designs and details, although CGI takes the helm on most cases. Its soundtracks are splendid, it simply doesn't let go. From subtle chimes, loud symphony and even shanty version of popular songs, the audio is brilliant.

Pan would've been great if it didn't copy so many elements from other movies. In nearly every scene, there's a hint of Pirates of Caribbean, Mad Max and multitude of classic Disney flicks. The straightforward plot doesn't help either, it's tedious to see the predictable developments ahead. Ancient prophecies, letter from the past and hidden power manifestation are tired gimmicks. Please, you know he's gonna fly at some point.

For a movie that looks so appealing, Pan never really takes flight. One might find happy thoughts on the visual and songs, but the CGI charm and adventure gimmicks will not last through its boring plot.