La marche

This movie surely exceeded my expectations, let me start by saying this is one of the best well-made movies I have seen this year. The technique, cinematography, music, ... are all top notch. Most of us already know the story, and some of us saw other movies about the same man, but this one definitely has the highest production values. What I like most about "The Walk" is what I think differentiates it from the other movies, you feel the importance and grandeur of the twin towers, for a moment there you feel they are the stars of the movie, an integral part of the story that Robert Zemeckis did a great job capturing their character and presence. I felt this movie was more of a tribute to the towers than of Philip's, it sheds a different light on the walk that will give you a warm feeling by the end. You realize that they weren't just any two buildings, they attracted a young man from across the Atlantic and changed his life forever.

What did you expect from the director of Back to the Future and Forrest Gump? Robert Zameckis has another thoroughly enjoyable film, The Walk, about Philippe Petit's (Joseph Gordon-Levitt) high-wire walk between the World trade Center's twin towers in 1974. It's as romantic as Gump and addictive as Future with the added interest of a biopic that is true to its history.

From the first moment we meet Petit talking to us from the top of the Statue of Liberty, and this story is about freedom if nothing else, we know we are in the presence of a man who has followed his dream and achieved it. To co-writers Zameckis and Christopher Browne must go praise for giving the Frenchmen poetic English in small doses, just enough to elevate the proceedings from nuts and bolts to heady ambition.

Those 15 minutes on the wire are as suspenseful as possible—a mark of the true auteur, who can make us worry for our hero even though we know he will survive (he does narrate after all, and some audience will remember Man on a Wire, the excellent doc from 2008). Because Zameckis knows his special effects, I was mesmerized by the shots from atop the towers to the street below. Although I don't like heights anyway, I had to look down every time in wonder at the scope of the danger to Petit.

While the Walk is about this extraordinary man, it is also a romantic eulogy to the towers, which arguably became favorites of New Yorkers after Petit's stunt. The "forever" pass to the top of the towers he receives as a reward from the city is painfully ironic considering 9/11. Because his feat was once in a lifetime, perhaps the passing of the towers reminds us that nothing lasts "forever."

To learn about and understand the life of French high-wire artist Philippe Petit, who illegally performed a high-wire walk between the World Trade Center's Twin Towers in 1974, one might be better off with the 2008 James Marsh-directed documentary "Man on Wire". However, "The Walk" is a worthy experience about a dreamer who risked everything to achieve the impossible, and gave the people something beautiful, pure and hopeful.

The film is interspersed with scenes of Phillippe Petit (Joseph Gordon-Levitt) talking directly to the audience, narrating his life story and the events that led up to his high-wire stunt, or as he calls it – "le coup". This certainly takes away the potential emotional and cinematic impact longer, narration-free scenes would've had on audiences but it served the purpose of moving the story forward swiftly. The first half feels crammed even though it is pretty much by-the-books: we skim through Petit's life leading up to the event without going in-depth. Which is understandable for a reasonable running time as there is a lot of ground to cover.

The unbearably intense second half surely makes up for this. It's taut with thrills and sequences boasting miraculous visual effects. The 30-minute finale is a immersive, transporting and even physical (as evidenced by my sweaty palms) experience that's one-of-a-kind. In fact, I would go so far as to say that there's no point watching the film anywhere else other than at a cinema.

Levitt's passionate performance is commendable and definitely contributes to a sufficiently emotionally satisfying third act. The film also makes it clear that this wasn't a one-man-show by highlighting Petit and his allies' team spirit. With "The Walk", Robert Zemeckis has given us another crowd-pleasing piece of popcorn entertainment.

The Walk (2015)

*** (out of 4)

The incredible true story of high-wire walker Philippe Petit (Joseph Gordon-Levitt) who got to live his dream of crossing the Twin Towers in 1974.

THE WALK was first brought to the screen in the Oscar-winning documentary MAN ON WIRE but obviously director Robert Zemeckis saw something in the story that made him want to turn it into a feature. THE WALK was released to Luke warm reviews and it ended up dying a rather painful death at the box office but I'm going to guess that it won't be forgotten but instead fine a good cult audience somewhere down the road.

The story itself is something of complete wonder and there's no question that the documentary did a much better job at telling it. With that said, even thought the documentary is the better of the two films, this feature still offers up some impressive visuals and performances that makes it worth seeing. I didn't get to see the film in 3D so I can't comment on that but I thought Zemeckis did a wonderful job at making the viewer see and feel how high up Petit was.

The scenes certainly have a very claustrophobic feel to them and you can't help but panic yourself just wondering what you would do in a situation like that. Just reading or hearing about the story will make you wonder how a human could do it but this film gives you a great feel and idea of the terror that it would cause in most people. Gordon-Levitt gives a very good performance in the role of Petit and I especially liked how the movie didn't back down from him at times not being so likable. I thought the actor did a remarkable job getting into the role and you had no problem believing that he was the real guy.

THE WALK does contain some flaws and that includes it running on a bit too much. Everyone going into the movie knows the story so there's a rush to get to the actual walk in the movie. I thought the early stuff dragged on a bit too much and I think some editing probably would have helped things. However, once we actually get to the walk itself there's no question that the magic takes over and that alone makes the film worth sitting through.

As a small boy, this reviewer read with excitement about the exploits of the great French 19th century tight-rope walker Charles Blondin who crossed the 1,100ft Niagara Gorge, many times in fact. Growing up, I followed the exploits of the eponymous Lt. Theo Kojak patrolling the mean streets of Manhattan South in the 1970's TV cop series. In the late-1990s I was able to visit New York City.

There is much romance surrounding the Empire State building. In 1957 it was the setting for the romantic film 'An Affair to Remember' starring Cary Grant and Deborah Kerr. The 1993 film 'Sleepless in Seattle' starring Tom Hanks and Meg Ryan, is in truth, really little more than a reworking of that older film. Getting to the top of the building is hard work and takes a long time, and that is with using the series of lifts to get you there. At the top you discover that even a famous horse was there too.

By contrast the Twin Towers of the World Trade Center seemed a let down. Sure, they were an iconic sight, briefly seen in many movies such as 'Working Girl' (1988), and even functioning as a prop in 'Escape from New York' (1981). But the large, fast, and functional lifts, shot you up to the top of the building in no time at all. This all changed for me on Tuesday 11th September 2001. Watching live on the TV, I found the scenes almost impossible to believe. For many months it was difficult to accept the reality of what had happened. Now I am always happy to see a shot of the towers, such as in the opening sequence of HBO's TV series 'The Sopranos' (1999-2007), and would have preferred it to have been retained.

In this new film, 'The Walk' (2015), Director Robert Zemeckis, has penned a screenplay from the book 'To Reach the Clouds', that tells a true story of the early days of the Twin Towers. The story could be considered unbelievable, but this film is in fact a true representation of this astonishing story.

The film is narrated, thus giving us the audience the needed exposition. The early part of the film is set in Paris, France, and is cleverly filmed in a distinctive French-style. Innovative use is made of black-and white photography, subtitles and French-mime to help tell the story of a young street performer working the streets of Paris who uses mime and his juggling skills. His name is Philippe Petit, and in this film he is played by Joseph Gordon-Levitt. The era is the late-sixties, and this is shown well. Philippe himself is a self-proclaimed anarchist. He also has an ambitious dream which is accurately and authentically captured in this film. In 1968, at the age of 17, he reads about the building of the Twin Towers and resolves to walk from one tower to another on a tightrope stretched across the top of the towers.

Before that though we have a nice romance between Philippe and Annie, played by Charlotte Le Bon. We have too, in this film, Ben Kingsley playing the role of an old high-wire performer, teaching his protégé the ropes. We get believable and thoughtful performances from the star and the supporting actors. Philippe, in 1971, walks between the towers of the cathedral of Notre Dame, shown in this film, and in 1973, did a walk at the Sydney Harbour Bridge in Australia, though this is not in the film.

Now Philippe resolves to carry out his ambition at the Twin Towers of the World Trade Center in New York City in the USA. This is where the rest of the film is located. Philippe recruits his supporters and they plan their coup. There is a time-element here, as the Towers are nearing completion. Detailed planning is also required and equipment is needed too. It is determined that a 450LB cable will be required as well as a specially made 55LB 26ft balancing pole. The gap between the towers was 200ft, the height above ground 1,368ft. The coup was planned for 7th of August 1974, one week before Philippe's 25th birthday.

While the acting is good, and the contrast between Paris and New York is shown authentically, and cleverly, by the different styles of filming, it is the special-effects that make this film. This reviewer saw the 3D version of this film. It was one of the main draws of the film and it must be doubted that this film could have been made as authentically before now. The camera shoots up and down the Twin Towers as well as across the wire. It looks down at the wire, and then swoops down to the ground. The effect is truly breathtaking. The tension is there throughout the latter part of the film. There too, are you, on the wire, looking up, and down.

It is clear how dangerous and foolhardy was this coup that Philippe Petit attempted. Nowadays, he would be declared an adrenalin junkie. No doubt he was that. This attempt can now never be replicated. I had thought that the WTC should not have been built on. I was wrong. It is right that something bigger and better should be built. The human spirit should always strive to go onwards and upwards.

The Twin Towers of the World Trade Center remain, always, an iconic vision of New York City, as well as the indomitable symbol of soaring ambition, vision, and the spirit of humanity throughout the world. Now Philippe Petit and Robert Zemeckis have given it it's own magic and romance too.

Breathtaking! 10/10.