L'artiste du désastre

'The Disaster Artist' has garnered comparisons with Tim Burton's 'Ed Wood'. Not surprisingly, both detailing of incompetent directors making infamously terrible films with big dreams and with their hearts in the right place.

In 'The Disaster Artist's' case, it looks at the life of Tommy Wiseau and the making of one of the worst films ever made 'The Room'. Some consider 'The Room' a cult classic while acknowledging that it isn't a good film but to me and others it's just inept film-making even when taking it for what it is. Like 'Ed Wood', a masterpiece and the better film, 'The Disaster Artist' is an infinitely better film than that that is the film's subject, actually being good. If you love 'The Room', you'll love 'The Disaster Artist' and how the film is treated affectionately rather than trashed. Even those who hate 'The Room', like me, are likely to find a lot to enjoy.

Not without its flaws certainly. Personally could have done without the concluding side by side comparisons, which didn't serve much point and on their own they were not as funny or clever as they could have been.

More pointless are some of the cameos, which were distracting and leaned towards the smug.

However, 'The Disaster Artist' is a triumph when it comes to the script and the storytelling. The script is witty and clever, with a lot of the frequent humorous moments and lines being hysterical. None of it is less than very amusing. Just as much a treat are the re-enacting scenes, which are far funnier than the actual product itself. Yet it's not just about the humour, there is also an immense likeability, pathos, heart and honesty.

Really loved the story execution. Tommy's hopes and struggles are relevant and relatable and his confidence and perseverance inspiring. The treatment of the subject matter is affectionate and also eccentric like Wiseau himself, something that one doesn't expect when they have knowledge of Wiseau and 'The Room'. One would think that the film would poke fun and trash them, but actually they're treated in a respectful and candid fashion, this definitely felt like a celebration. Especially well done is the central budding friendship, which was handled with warmth and sincerity and was truly heartfelt to watch.

Visually, 'The Disaster Artist' is certainly a more competent film while having some purposefully inept moments when re-enacting. The music is effective and fitting if not memorable or striking enough to get any rooting for awards. James Franco shows great confidence as a director and also gives a performance of a lifetime that shows him having the time of his life. It is easy to overlook his brother Dave, but he is not deserving of being because he gives every bit as good a performance while being more subtle. Seth Rogan is a riot and makes the most impression of the supporting cast.

Overall, very good and nearly great film, not disastrous in the slightest, misstepping only at the end and with some of the cameos. 8/10 Bethany Cox

It's quite ironic that one of the movies most talked about in award season would be the story of the making of The Room, widely considered to be one of the worst films ever. I don't know if I should be proud or ashamed, but I've actually seen The Room. It's terrible, it really is, but it's also kind of... good, in a way. Some of the worst lines (Among them "I did not hit her," "You're tearing me apart, Lisa," and that weird chicken scene) are very quotable and super easy to mock, but there's an undeniable passion put into it. The Disaster Artist, on the other hand, is about the man behind the movie, the enigmatic Tommy Wiseau. James Franco's portrayal of Tommy is one of the best of the decade. The way he nails Tommy's quirks, unusual mannerisms, his odd way of speaking, and that distinctive hair he had going is astounding. I didn't see James Franco. I saw Tommy Wiseau playing himself, in a movie about himself. Tommy is an interesting character, in the movie and in real life, because despite living in the age of the Internet, very little is actually known about him. But despite being a complete stranger to the whole world, he goes and makes himself known, and follows his dream of making a movie. Even though he's sometimes hostile toward others, he has his dream and sets on it, and not giving up on making the movie. It made The Room seem like a movie within a movie, that this was the real deal. Aside from the performance, Greg is an interesting protagonist, and his relationship with Tommy is well developed. The story is balanced in a way where the audience sees the perspectives of both Tommy and Greg, and how the perceptions of The Room vary between them. It's a great movie about following your dreams, no matter the outcome. For fans of Tommy Wiseau and The Room, it's an absolute must watch.

Struggling would-be actor Greg (Dave Franco) meets bizarre, mysterious Tommy Wiseau (James Franco) in an acting class, and the two develop an awkward friendship. The eccentric Tommy offers to move to Los Angeles with Greg to kick start their careers, but once there they find little success. However, one day they decide that, if Hollywood won't work with them, they'll just make their own movie, which leads to the production of one of the worst movies of all time, The Room.

The Room slowly developed a cult following after it's very limited release in 2003. By the end of the decade, it had become a cult item on par with Rocky Horror Picture Show, with raucous midnight screenings and the audience reciting dialogue along with the film. The real Greg Sistero, friend and sometime roommate of Tommy Wiseau, wrote a book about the making of the movie, and this film is an adaptation of that book, so it's told from Greg's point of view. The real Wiseau is a very odd, almost cartoonish figure, and James Franco does a terrific job of portraying him, from his bizarre nightclub-vampire look to his indefinable accent. James' real-life brother Dave Franco plays Greg, and he's a bit weaker, but maybe so is Greg. The rest of the cast is rounded out by many familiar faces from the comedy world of the past decade and a half or so, with a few surprises (Is that Sharon Stone and Melanie Griffith?). I have grown to love The Room for the "hilariocity" it is, and thus my appreciation of this behind-the-scenes look at its making may be greater than those who have not or who fail to see that colossal failure's charm. I found this movie funny and endearing. One of that year's best and look ma, no CGI.

"The Disaster Artist" (2017 release; 103 min.) brings the real-life story of how the 2003 cult movie "The Room" got made. As the movie opens, a number of current day movie stars, including Kirsten Bell, Adam Scott. J.J. Abrams and others gush about the virtues of this "so bad, that it's so good" movie. We then shift to "San Francisco, July 13, 1998" when Tommy Wiseau and Greg Sestero meet at an acting class and strike up a friendship. Later that year, they decide on w him to move to Los Angeles, where Tommy somehow has kept an apartment. Tommy and Greg pursue their dream of becoming an actor (inspired by James Dean, among others), but when it's becoming clear that nobody wants to do anything with them, they decide to make their own film... At this point, we are 15 min. into the movie, but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this movie is a labor of love primarily by James Franco, who directs, co-produces, and stars as Tommy. His brother Dave co-stars as Greg. The real life story is so beyond anything believable that if this were a work of fiction, it would immediately be dismissed as just that. Let me state upfront that I have not seen "The Room" (although I see it frequently listed as a midnight listing at my local art-house theater). From everything we witness in "The Disaster Artist", Tommy is so incredibly inapt yet convinced of his own talent, it reminds me of those American Idol auditions back in the day where certain contestants think they are super good yet they were horrible. Another similarity is the Meryl Streep movie "Florence Foster Jenkins" (about a real life wealthy NY socialite who thinks she sings well and nobody dares to contradict her, leading to a notorious Carnegie Hall concert). James Franco does an outstanding job in the lead role, and I'm going to predict that he will get a number of nominations in the upcoming awards season. It isn't until the very end of the movie (when scenes from the original "The Room" are played in parallel with the recreated scenes for "The Disaster Artist") that one gets a sense how incredibly meticulous Franco has been in recreating them down to the last detail. Absolutely amazing. Last but certainly not least, the movie features a bunch of other well-known performers, some of them in very noticeable roles (such as Seth Rogen and Alison Brie), and others in "blink and you'll miss it" roles (such as Sharon Stone, Zoey Deutch, Zac Efron, etc.). In an early scene of the movie, when Tommy and Greg become unlikely friends, they head over to Tommy's place, and Greg notices a prominent sign on the apartment's wall: "I Do Not Choose To Be a Common Man". Whatever you think of Tommy, he certainly is not your "common man"!

"The Disaster Artist" opened this weekend at my local art-house theater here in Cincinnati on not one, but two screens (a rarity). The Friday evening screening where i saw this at was attended very nicely, I;'m happy to report. The audience roared with laughter on many occasions. The positive word-of-mouth this movie surely will generate makes it likely to have long legs at the box office (at least within the art-house theater circuit). If you are in the mood for something truly different, I encourage you to check out "The Disaster Artist", be it in the theater, on VOD, or eventually on DVD/Blu-ray.

So yeah, The Room is pretty well-known by now, becoming just about the most popular 'so bad it's good' film of all time over the last six or seven years, as has the story behind it- as detailed in Greg Sestero's book, The Disaster Artist.

So being a fan of both, I had a good idea of what I was in for, approaching the James Franco directed The Disaster Artist, but I'm pleased to say the film ended up meeting my expectations and then some.

First things first: James Franco's performance in this is incredible. His accent and mannerisms are a spot-on imitation of Wiseau's, and he manages to make you feel sympathy towards the character too. It's one thing to so directly portray such a unique individual and make doing so incredibly funny, but it's another thing entirely to make him feel (almost) like a real person, and to make you genuinely care for him. I'm not exaggerating when I say that I truly think this performance is worth an Academy Award nomination (fingers crossed).

Everyone else was good too. Dave Franco had a less flashy role than his brother's, sure, playing Greg Sestero, but he did a good job as the more grounded, 'straight man' type character. And some of the casting was genius too- I could list almost everybody, but special mention should go to Josh Hutcherson, Zac Efron, and Jacki Weaver.

Also worth mentioning is how well the cast and crew recreated the look of the original The Room- the mannerisms of the actors, the set design, the lighting, the camera-work- it's all perfect. It makes the film an impressive technical achievement in many regards; not simply a funny film with inspired casting and good performances.

As for downsides? There aren't a whole bunch. Perhaps the most significant is that this may not have a great deal of appeal beyond those who've watched and loved The Room already. I'm sure it would still function as a good film, but it might lack something for those who aren't already indoctrinated into the cult of The Room. Other nitpicks I could think of may be that the film is fairly conventional in terms of plot- not a ton of surprises here (other than maybe a few cameos throughout). And it feels a tiny bit longer than just over 100 minutes- but again, that's a nitpick. I am more or less struggling to think of too much that I personally didn't like with this film.

So as a long time fan of The Room, this is about as good as I hoped it could be. I hope I'm wrong in my views that the audience for this will be limited, and that it does have appeal beyond hardcore fans of The Room. And hey, if there's enough buzz behind it to allow for James Franco to earn an Oscar nomination, then that would be fantastic.

And deserved (in my opinion).

This is one of the most pleasant surprises of the film year so far, and second only to Tim Burton's Ed Wood in the (admittedly probably non-existent) sub-genre of films about making terrible movies.

If you've ever watched The Room, or even just watched some of its scenes on Youtube, make sure you don't miss this one.