Ajouter une intrigue dans votre langueIn 1972, the patients and doctors at Stephens Sanitarium were brutally murdered. Over forty years later, the only known survivor returns only to find the ghosts of the past have not been res... Tout lireIn 1972, the patients and doctors at Stephens Sanitarium were brutally murdered. Over forty years later, the only known survivor returns only to find the ghosts of the past have not been resting in peace.In 1972, the patients and doctors at Stephens Sanitarium were brutally murdered. Over forty years later, the only known survivor returns only to find the ghosts of the past have not been resting in peace.
Arianne Martin
- Dr. Lucy Mills
- (as Arianne Margot)
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Belated 2015 sequel to 1973's Don't Look in the Basement. This one is directed by Tony Brownrigg (son of the late S. F. Brownrigg who directed the first). Nice to see that Brownrigg Jr managed to use the same building as the one featured in the first movie. The premise is that the one surviving patient from the first film, who has remained institutionalised elsewhere ever since, is returned to what was Stephen's Sanitarium (the reason for this is never made quite clear). However, his presence awakens the spirits of all those we saw killed at the climax of the first film, and who then start to possess the present-day staff and patients
This is obviously a labour of love for the director (it's touchingly dedicated 'for dad' at the end). The switch from the 'psycho biddy' horror of the first film to haunted house/possession is interesting. It's a shame that for the first half of the 1hr 28min runtime pretty much nothing happens. As with the first film the cast are all virtual unknowns, but they do okay (although there are two characters inserted as 'comic relief', whose presence and tone really jar with the rest of what's going on). When things finally get underway there are some nice ideas, and some cute callbacks to the original film, but it never really grabs you and the ending is a little flat. Only really worth checking out if you're a fan of the first. 5/10.
This is obviously a labour of love for the director (it's touchingly dedicated 'for dad' at the end). The switch from the 'psycho biddy' horror of the first film to haunted house/possession is interesting. It's a shame that for the first half of the 1hr 28min runtime pretty much nothing happens. As with the first film the cast are all virtual unknowns, but they do okay (although there are two characters inserted as 'comic relief', whose presence and tone really jar with the rest of what's going on). When things finally get underway there are some nice ideas, and some cute callbacks to the original film, but it never really grabs you and the ending is a little flat. Only really worth checking out if you're a fan of the first. 5/10.
Man. Was I harsh on the first one. Now, after seeing the follow-up, the original was an all-but masterpiece.
When I was a kid, like nine or so years old, I saw the original horror low-budget shockfest and I was scared to death. The low-budget of it all plus the "I'm not supposed to see this, but my parents are asleep and as long as I keep the volume low" aspect was what put me over the edge.
So, when I just now (about two years, too late) realized there was a sequel, I decided to spend my Friday night with a double feature of the two Don't Look in the Basements. Because it had such an impact on me, the original still sent shivers down my spine as I recalled how I felt when I was under 10 and seeing such carnage.
And then, I started the follow-up, close to 40 years after the original. And boy, this was bad.
It appears the new creators had no clue what the original was about. Either they only saw clips of the 1973 film, or they only read a synopsis, they made a completely different movie using some of the main characters from back then and morphed it into a literal comedy.
To give the synopsis, originally there was an isolated and experimental mental hospital that saw the attempted murder of the only doctor and a new nurse tricked by a patient into believing she was the new head doctor. Mayhem ensures and patient Sam murders everyone in order to save said new-nurse who escapes.
That was part one. Part two takes place in real time (approx. 40 years later) and Sam returns to a "new" mental hospital run by an enormously incompetent staff and the tone/genre completely shifts. Oh, and some murders happen with generic results.
While the actors involved give their all and the film was well shot, the movie couldn't have been more different than the original. It's like them making (another) sequel to Psycho 40 years later and making it a comedic spoof of Norman Bates tripping over the stairs leading from his mother's house to the motel.
Normally, I would recommend even in the slightest for fans to see a follow-up to a movie they may have loved or deemed a "guilty pleasure," but in this case, stay away, stay far away. This "movie" was a waste. And especially for those who LOVED the original, which I'm starting to. You will see conclusions to the characters you initially rooted for end up being completely destroyed here.
Don't look in the basement and certainly, don't look this one up.
***
Final thoughts: Okay, here's where I give my own guilty pleasure. Fine, there was one aspect I loved. One of the orderlies, the bigger one, "Bishop" - played by Scott Tepperman, was a pleasure to look at. Sure, him and the other psycho orderly were obviously inserted as comic relief, I still couldn't keep my eyes off such a hunk. At least, in such a terrible misfire, I could find pleasure in such the bear.
When I was a kid, like nine or so years old, I saw the original horror low-budget shockfest and I was scared to death. The low-budget of it all plus the "I'm not supposed to see this, but my parents are asleep and as long as I keep the volume low" aspect was what put me over the edge.
So, when I just now (about two years, too late) realized there was a sequel, I decided to spend my Friday night with a double feature of the two Don't Look in the Basements. Because it had such an impact on me, the original still sent shivers down my spine as I recalled how I felt when I was under 10 and seeing such carnage.
And then, I started the follow-up, close to 40 years after the original. And boy, this was bad.
It appears the new creators had no clue what the original was about. Either they only saw clips of the 1973 film, or they only read a synopsis, they made a completely different movie using some of the main characters from back then and morphed it into a literal comedy.
To give the synopsis, originally there was an isolated and experimental mental hospital that saw the attempted murder of the only doctor and a new nurse tricked by a patient into believing she was the new head doctor. Mayhem ensures and patient Sam murders everyone in order to save said new-nurse who escapes.
That was part one. Part two takes place in real time (approx. 40 years later) and Sam returns to a "new" mental hospital run by an enormously incompetent staff and the tone/genre completely shifts. Oh, and some murders happen with generic results.
While the actors involved give their all and the film was well shot, the movie couldn't have been more different than the original. It's like them making (another) sequel to Psycho 40 years later and making it a comedic spoof of Norman Bates tripping over the stairs leading from his mother's house to the motel.
Normally, I would recommend even in the slightest for fans to see a follow-up to a movie they may have loved or deemed a "guilty pleasure," but in this case, stay away, stay far away. This "movie" was a waste. And especially for those who LOVED the original, which I'm starting to. You will see conclusions to the characters you initially rooted for end up being completely destroyed here.
Don't look in the basement and certainly, don't look this one up.
***
Final thoughts: Okay, here's where I give my own guilty pleasure. Fine, there was one aspect I loved. One of the orderlies, the bigger one, "Bishop" - played by Scott Tepperman, was a pleasure to look at. Sure, him and the other psycho orderly were obviously inserted as comic relief, I still couldn't keep my eyes off such a hunk. At least, in such a terrible misfire, I could find pleasure in such the bear.
10awy7734
This movie was exccelent,it had funny moments, and I just loved the entire movie ,watched it a couple times highly replayable, has the same feel as similar movies like session 9 and death tunnel, ,this movie was great I bought it and added it to my DVD collection, of out of print b movies fits great ,,,it's way better than part one and continues on with the story perfect, and the main cast of characters, all of them we're great ,this was really well done and over looked great story especiallly when your living it for real, hits home depending what your life experiences are great movie
Don't Look in the Basement 2 (2015)
** (out of 4)
A mental hospital is the setting as boss Emily (Camilla Carr) tells her crew that they've got a new patient coming. It turns out that Sam (Willie Minor) was in a sanitarium where he murdered eight people in 1972. Dr. William (Andrew Sensenig) is given his case and it doesn't take long for everyone to realize that something isn't right.
DON'T LOOK IN THE BASEMENT was a shocking hit back in 1972 even though it featured no stars or much of a budget. The film was directed by cult favorite S.F. Brownrigg and it remained popular throughout the last couple decades thanks to its public domain status, which meant people had easy access to it. This direct sequel took over thirty years to materialize and it was co-written and directed by Tony Brownrigg, the original director's son.
It seems doing sequels to these older movies is something that is catching on because another 70s favorite, SILENT NIGHT BLOODY NIGHT also got the sequel treatment. I went into this expecting something quite awful and was shocked not to get that. In fact, I was rather amazed at the technical quality of the picture because you'd never know that you were watching a low-budget movie. The cinematography by Chuck Hatcher makes this seem like a Hollywood picture because of how great it is. The editing, the score and one of the songs played throughout were also extremely good.
Another shock was the fact that all of the performances were extremely good and believable, which is something I rarely say for a film like this. If you're familiar with the first film then you'll remember Carr and it was great getting to see her return here. Brownrigg does a very good job in the director's chair but I must say that the only disappointing thing was the actual screenplay. There's simply not enough going on here to keep you glued to the screen for the rather short 82 minutes.
I really wish that a better or fuller story had been done. Everything is here for a good movie but it falls just short because there's way too much talking going on and there's needed to be a bit more plot development. Still, DON'T LOOK IN THE BASEMENT 2 was a shocking surprise and manages to be better than the first film.
** (out of 4)
A mental hospital is the setting as boss Emily (Camilla Carr) tells her crew that they've got a new patient coming. It turns out that Sam (Willie Minor) was in a sanitarium where he murdered eight people in 1972. Dr. William (Andrew Sensenig) is given his case and it doesn't take long for everyone to realize that something isn't right.
DON'T LOOK IN THE BASEMENT was a shocking hit back in 1972 even though it featured no stars or much of a budget. The film was directed by cult favorite S.F. Brownrigg and it remained popular throughout the last couple decades thanks to its public domain status, which meant people had easy access to it. This direct sequel took over thirty years to materialize and it was co-written and directed by Tony Brownrigg, the original director's son.
It seems doing sequels to these older movies is something that is catching on because another 70s favorite, SILENT NIGHT BLOODY NIGHT also got the sequel treatment. I went into this expecting something quite awful and was shocked not to get that. In fact, I was rather amazed at the technical quality of the picture because you'd never know that you were watching a low-budget movie. The cinematography by Chuck Hatcher makes this seem like a Hollywood picture because of how great it is. The editing, the score and one of the songs played throughout were also extremely good.
Another shock was the fact that all of the performances were extremely good and believable, which is something I rarely say for a film like this. If you're familiar with the first film then you'll remember Carr and it was great getting to see her return here. Brownrigg does a very good job in the director's chair but I must say that the only disappointing thing was the actual screenplay. There's simply not enough going on here to keep you glued to the screen for the rather short 82 minutes.
I really wish that a better or fuller story had been done. Everything is here for a good movie but it falls just short because there's way too much talking going on and there's needed to be a bit more plot development. Still, DON'T LOOK IN THE BASEMENT 2 was a shocking surprise and manages to be better than the first film.
The original 1973 movie found itself banned in Britain as a Video Nasty, I haven't watched it for some time but I recall it being fairly good. Pity the same thing can't be said for its 2015 sequel. The movie starts off slowly but reasonably interesting, sadly the second half descends into a confusing mess. Several characters ask "What's going on?", I only wish I knew! I could watch it again to try and make sense of it but frankly I have better things to do with my time. The acting is generally passable and there are a few gory moments, but it's not enough to save this dross. Beware some dubious reviews!
Le saviez-vous
- AnecdotesA direct sequel to director S.F. Brownrigg's The Forgotten (1973), better known as "Don't Look in the Basement", directed by Brownrigg's son Tony Brownrigg.
- Générique farfeluAfter the end credits, it reads "for dad".
- ConnexionsEdited from The Forgotten (1973)
- Bandes originalesMozart Piano Concerto 23 Adagio
Written by Wolfgang Amadeus Mozart (uncredited)
Performed by Samuel Smythe
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Не заглядывайте в подвал 2
- Lieux de tournage
- Tehuacana, Texas, États-Unis(Trinity Institute)
- Consultez plus de crédits d'entreprise sur IMDbPro
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