Rage meurtrière

Basically it's a film that seems to rely on one jump scare scenario after another. The story is basic and not really intelligent. It's instantly forgettable. I have not seen the original so I am reviewing this as a stand alone film. If you want to watch this with your mates with a few beers it's perfect. The film is totally predictable and there is nothing new here. It serves a purpose for those who want a night in and stay up late because there is nothing else on. I don't get the 1 stars though as it's not that bad but it's never a 10. I think a 5 is fair and I would ignor the extreme reviews on either end of the scale. If you don't take horror to seriously then give it a go.

Detective Muldoon (Andrea Riseborough) moves to a small town in Pensylvannia with her son Burke (John J. Hansen) to work in the local Police Department. She is assigned to be partner of Detective Goodman (Demián Bichir), who has recently lost his partner Detective Wilson (William Sadler) that was obsessed by a murder case. When Muldoon and Goodman find the remains of a woman in a car in a closed road, Muldoon realizes that her address was the same of the murder case Wilson was investigating. She decides to investigate the house and soon she learns that there is a curse for those who enter in the house.

"The Grudge" (2020) is a horror movie based on the vengeful spirit from the excellent "Ju-on" (2002) and the American version "The Grudge" (2004). The cinematography is uncomfortable and the viewer startles in a couple of scenes and in the end, it is a reasonable entertainment. The conclusion is predictable. My vote is five.

Title (Brazil): "O Grito" ("The Scream")

This played out like a soft reboot, similar to Rings (sequel from The Ring, which ignored The Ring Two). It clearly exists in the same universe as the previous three American releases, but with time between them and other characters into the mix (plus new audiences watching), it kind of throws elements at you that the previous films had. Therein lies the problem.

Although this may be the slightly superior film to Rings, it also was a less necessary sequel. When you look back at what you saw, you ask yourself how the pitch meeting went to green-lighting this installment. I mean, what was the lure that got them to say this was worthy? Rings happened to evolve and modernize its story in a very sensical manner, but The Grudge didn't really breathe new life... and when it tried to, it fell a little flat on its face.

I don't know how much money was thrown at this, but it felt a little too produced. A lot of it had to do with the fact that it was brought to the States. I know that little Asian ghost girl horror was so two decades ago, but having that traditional Japanese setting that stemmed from the Ju-On series (shot on a taller frame and on film) gave the previous movies a bit of a rawer, grittier chill factor that this one loses. Not to mention the way they edit the jump scares this time around is Rings-cheesy. They are by far the worst parts of the movie, sadly enough. Props for the R-rating and I think that was excellently used, but I don't think the tone matched the maturer audience that was watching it... as it still had a PG-13 feel to the scares.

The thing that I liked most about this movie though was the nonlinear storytelling. They borrowed this from The Grudge 2, although that was kind of a twist in that film that you were jumping different timelines. I liked it so much from that one that you really had to work hard in what you were watching, and all it had to take from this movie was removing the big white lettering telling the year that it was in on shots. The timelessness feel kind of became a theme to the movie, and I think if they made the audience work a little harder at it then it would have a nice full circle feeling to it. But alas, you are always reminded where you are at in the film, so it's not quite as fun. Nevertheless, it was a cool ride to flash back and forward, though it was all exposition vomit anyway. I could have allowed them to stretch the film another 15-20 minutes for more present day substance if they could have found a way to fill it, but for what it did I'd say it was okay.

The movie whimpers out at the end for me though, and that was really where I wish it had something else to say about the franchise's evolution when it plainly couldn't. I think that's where it hits its weakest stride. I can imagine sequels to this happening, but they just won't be as fun or freaky unless they return to Tokyo again and have Kayako and Toshio again, throwing less money at it and making it raw and gritty if they're able to. This is a skipper, even for die-hard Grudgies.

One last note: This movie has the intentionally funniest scene transition since Napoleon Dynamite's "It's a sledgehammer" moment. That alone was actually worth the price of admission.

Why was this made? Why did they think it was a good idea to remake this? Why does it take the plot of the original film and throw it out the window? Why does it look like an uninspired, totally predictable, and an overall sorry excuse of a horror film?! It's 2020, people! A new decade is already here... STOP REMAKING STUFF THAT DOESN'T NEED TO BE REMADE!!

So get this: it's a remake of the film that is a remake of the Japanese Horror film: Ju-On: The Grudge (fantastic movie, BTW) and they took that and made it into one of the most predictable stupid films ever. And it's already 2020, and I thought unnecessary remakes were outlawed (they should be). I don't even see who is the target audience of this film, and I don't see who will watch this film a second time.

Weak Storyline, Bad Cinematography, and Unnecessary Jump Scares makes this film not worth your money. What a complete disaster! TERRIBLE film!!

So this movie is not Ju-On. Not even close to it.

The story places itself in it's universe, it uses it's known sound effect and the idea of the curse. That's all.

Otherwise, you are going to see terrible actors without character. There's is no character arc at all. The story is just a CHEAP (with big letters) ripoff...

It's all about weak jumpscares (you even know when to expect it as they turn the sound off to warn you) and plotholes ofc.

I would not make horror movies as it's not my style, but there was a scene in a wardrobe.. How an Earth did anyone on set thought that it was the right setup?

They missed everything that made Ju-On good and put their amateur thinking into this movie instead.

Not worth the money. (There were 2 people walking out of it.)

Btw, the cinematography, the editing, the acting, the directing (especially) was just awful.

I wouldn't recommend it to anyone even if you liked any of the Grudge movies.