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Ajouter une intrigue dans votre langueThe final installment of the long-running Phantasm series.The final installment of the long-running Phantasm series.The final installment of the long-running Phantasm series.
- Prix
- 2 nominations au total
Kathy Lester
- Lady in Lavender
- (as Kat Lester)
Joe Jefferson
- Man in Hall
- (as Joseph Jefferson)
Kenneth V. Jones
- Caretaker
- (archive footage)
- (as Ken Jones)
Tyler O. Super
- Grave Digger
- (as Tyler O. Soper)
Avis en vedette
I'll start by saying that the Phantasm series is one of my all- time favorites. Each film progressively follows & continues the story line, but each film reflects upon the filmmaker, actors, crew, & time in which it was made. In that respect, Phantasm Ravager fits right in with the series. It has its own style, look, & feel, and, like the other sequels, it's trying something slightly new but with all the old gang in tow.
I've read a few reviews complaining about the budget & the effects, as well as the fact that nothing is really resolved. As far as the budget: no fan of the series would be looking for much else. This has been & will be a low budget series til the end. Ravager is a fairly ambitious story & it fairs just fine with what it has to work with. As for resolution: no true Phan would ever expect or want anything resolved in the series. Throughout the series, any potential answer always brings with it a multitude of new questions. Ravager does the same. To give any concrete answer would fly in the face of everything that is a Phantasm film. One negative online review claims the film spits in the face of the fans by presenting a definitive and disappointing denouement. Again, nothing could be further from the truth. You take away exactly what you choose to take away. There are multiple interpretations and, like the entire series, it all rests with viewer.
In the end, is the film as great as it could be? No. There can always be improvements to everything. It is not quite the grand finale I personally expected, yet I always depend on these films to stray from expectation. Am I happy that there is a new installment to endlessly analyze upon further viewings? Absolutely! The Phantasm series is something different to every Phan. Each Phan has there personal favorite, their personal theories, and their personal readings of the films. Phantasm morphs as the viewer does, remaining fluid, and forever changing. And like any good art, the Phantasm series, including Phantasm Ravager, remains open for infinite interpretation.
I've read a few reviews complaining about the budget & the effects, as well as the fact that nothing is really resolved. As far as the budget: no fan of the series would be looking for much else. This has been & will be a low budget series til the end. Ravager is a fairly ambitious story & it fairs just fine with what it has to work with. As for resolution: no true Phan would ever expect or want anything resolved in the series. Throughout the series, any potential answer always brings with it a multitude of new questions. Ravager does the same. To give any concrete answer would fly in the face of everything that is a Phantasm film. One negative online review claims the film spits in the face of the fans by presenting a definitive and disappointing denouement. Again, nothing could be further from the truth. You take away exactly what you choose to take away. There are multiple interpretations and, like the entire series, it all rests with viewer.
In the end, is the film as great as it could be? No. There can always be improvements to everything. It is not quite the grand finale I personally expected, yet I always depend on these films to stray from expectation. Am I happy that there is a new installment to endlessly analyze upon further viewings? Absolutely! The Phantasm series is something different to every Phan. Each Phan has there personal favorite, their personal theories, and their personal readings of the films. Phantasm morphs as the viewer does, remaining fluid, and forever changing. And like any good art, the Phantasm series, including Phantasm Ravager, remains open for infinite interpretation.
Having seen all the others films in this series, I felt this one was a big disappointment. The acting and effects are good but definitely not the script. Though it was a novelty having an entire cast stay together long enough to make this many movies, and seeing a montage in which they age, this, as the final film in the franchise, went out not with a band nor a whimper, but simply...went. With all the switches from one dimension to another, soon the audience is apt to soon be as confused as Reggie.
No explanation was ever given in any of the movies for why all this was happening and it isn't given here, the little speeches of "loyalty" which should really read "friendship" notwithstanding. Although the actors do a credible job, and the special effects are well-done, along with brief glimpses of black humor, the plot is a confusing mess leaving nothing but disappointment in its wake. This movie doesn't tie up any loose threads or offer any explanations. Technically, it's not even a final entry since the story merely stops...with an open ending which could conceivably herald another episode, if the "Tall Man" himself, Angus Scrimm, were going to be around. Once wonder if perhaps since this film was dedicated to his memory, everyone thought it would be too difficult to replace someone fitting that role so aptly.
Whatever the reasons, I felt it was time wasted and was left with the feeling the spirit as well as the fright of the original film had long since fled.
No explanation was ever given in any of the movies for why all this was happening and it isn't given here, the little speeches of "loyalty" which should really read "friendship" notwithstanding. Although the actors do a credible job, and the special effects are well-done, along with brief glimpses of black humor, the plot is a confusing mess leaving nothing but disappointment in its wake. This movie doesn't tie up any loose threads or offer any explanations. Technically, it's not even a final entry since the story merely stops...with an open ending which could conceivably herald another episode, if the "Tall Man" himself, Angus Scrimm, were going to be around. Once wonder if perhaps since this film was dedicated to his memory, everyone thought it would be too difficult to replace someone fitting that role so aptly.
Whatever the reasons, I felt it was time wasted and was left with the feeling the spirit as well as the fright of the original film had long since fled.
The people who watch this film are the hard core fans who were entranced by the disorientating chilling imaginative world of the First Phantasm Movie. Most likely viewed multiple times at late night triple features in actual cinemas, like me. So when the franchise lays this confusing mess in your lap it is with sadness we view the results rather than dismissively as consumers of media. This was the last chance Angus Scrimm got to play his iconic Tall Man roll, and he totally delivered on his lines yet again, creepy, with a plan we can't understand, everything we could ever want from him. But how those nuggets fitted into an overlaying story, well, really they don't. There was nothing there for them to slot into, for them to make sense in. Granted, part of the original movies charm was how sense was tossed out the window; but everything in the original movie fitted within the universe of Phantasm; everything had a point, and a result to that point.
In this 5th installment most things that happened went nowhere; were smoke and mirrors; a collection of disconnected setups; some with style; many executed with cringe-worthy cheesiness; naff effects, and an edge of unintended sadness, as they chipped away at the legacy of the original.
What was it all about? I don't really know and it gives the feeling that no one, particularly the director did. It didn't make any sense, and not in a good way, just looping round some vague concept of "is Reggie dreaming, or is it real"?, but it's done so poorly the end result is a wasted opportunity to do something solid with an all-original-cast back together to pay tribute to a legendary movie franchise.
Reggie was OK as a disposable side man, but it was the 2 brothers that were the interest factor in the original. To be honest, it was kind of boring,....
.... of note, the music was a reasonably decent reworking of the original catchy score orchestrated excellently, although the original did use non classic orchestra sounds and rock instruments well, so it deviated from that innovation. The only jarring thorn in an otherwise stellar soundtrack was the cringe-worthy Ravenger rap over the score as the credits rolled. Utterly awful.
Either the director has no understanding of what was good about the original , or Coscarelli totally 'George Lucas'd' his own series, and also didn't understand what he got right in the original.
Farewell Phantasm. I wish you could have had a better send off than this. Thanks for the original though. A true iconic milestone in disorientating creepy cinema.
In this 5th installment most things that happened went nowhere; were smoke and mirrors; a collection of disconnected setups; some with style; many executed with cringe-worthy cheesiness; naff effects, and an edge of unintended sadness, as they chipped away at the legacy of the original.
What was it all about? I don't really know and it gives the feeling that no one, particularly the director did. It didn't make any sense, and not in a good way, just looping round some vague concept of "is Reggie dreaming, or is it real"?, but it's done so poorly the end result is a wasted opportunity to do something solid with an all-original-cast back together to pay tribute to a legendary movie franchise.
Reggie was OK as a disposable side man, but it was the 2 brothers that were the interest factor in the original. To be honest, it was kind of boring,....
.... of note, the music was a reasonably decent reworking of the original catchy score orchestrated excellently, although the original did use non classic orchestra sounds and rock instruments well, so it deviated from that innovation. The only jarring thorn in an otherwise stellar soundtrack was the cringe-worthy Ravenger rap over the score as the credits rolled. Utterly awful.
Either the director has no understanding of what was good about the original , or Coscarelli totally 'George Lucas'd' his own series, and also didn't understand what he got right in the original.
Farewell Phantasm. I wish you could have had a better send off than this. Thanks for the original though. A true iconic milestone in disorientating creepy cinema.
I'm happy to admit that I find the story lines to the Phantasm films a bit of a challenge to follow, their freewheeling, anything goes, dream-logic approach not being the easiest thing to grasp. But then that's all part of the series' charm, creator Don Coscarelli having forged an intriguing franchise that writes (and rewrites) its own rules and which constantly surprises.
Ravager, the first Phantasm film not to be directed by Coscarelli (David Hartman takes the reins), fits the mould perfectly with a bizarre narrative that sees its unlikely hero Reggie (Reggie Bannister) flip-flopping between several distinctly different realities, the film never letting on which of these, if any, is his genuine existence. In one reality, Reggie is wandering the desert searching for long lost friend Mike (A. Michael Baldwin) when he encounters a woman called Dawn (Dawn Cody); in another, he is in hospital suffering from early onset dementia, suggesting that the Tall Man and his minions are a figment of his deteriorating mental state; Reggie also finds himself in a version of Earth where the Tall Man and his spheres are in control and where Mike is leading a desperate band of freedom fighters.
Not a lot of this makes much sense, and little is really resolved by the end of the movie, but the fun is in seeing much-loved characters returning for one last adventure, in watching the silver spheres causing more bloody mayhem (in this chapter, a horse gets drilled, and an exploding spiky sphere blows someone's head apart!), and in seeing just how bonkers it all gets. Ravager has a gun-toting dwarf, sees Reggie out-driving some spheres while blasting at them with a hand cannon, and features spheres the height of skyscrapers, but it could have done with a bit more gore in the second half for my liking. Still, it's not a bad way to spend some time and should keep most avid Phans reasonably happy for the duration.
Ravager, the first Phantasm film not to be directed by Coscarelli (David Hartman takes the reins), fits the mould perfectly with a bizarre narrative that sees its unlikely hero Reggie (Reggie Bannister) flip-flopping between several distinctly different realities, the film never letting on which of these, if any, is his genuine existence. In one reality, Reggie is wandering the desert searching for long lost friend Mike (A. Michael Baldwin) when he encounters a woman called Dawn (Dawn Cody); in another, he is in hospital suffering from early onset dementia, suggesting that the Tall Man and his minions are a figment of his deteriorating mental state; Reggie also finds himself in a version of Earth where the Tall Man and his spheres are in control and where Mike is leading a desperate band of freedom fighters.
Not a lot of this makes much sense, and little is really resolved by the end of the movie, but the fun is in seeing much-loved characters returning for one last adventure, in watching the silver spheres causing more bloody mayhem (in this chapter, a horse gets drilled, and an exploding spiky sphere blows someone's head apart!), and in seeing just how bonkers it all gets. Ravager has a gun-toting dwarf, sees Reggie out-driving some spheres while blasting at them with a hand cannon, and features spheres the height of skyscrapers, but it could have done with a bit more gore in the second half for my liking. Still, it's not a bad way to spend some time and should keep most avid Phans reasonably happy for the duration.
With so much time between movies, I hardly remember anything from Phantasm, but I do recall I liked some of the films enough to watch this fifth and probably final part of the series. But it was completely disappointing.
The movie is more like a collection of shorts that blend into each other as Reggie is either in a mental asylum, or a on his death bed or in a house trying to score with a redhead or in a hellish world taken over by Tall Man. Since it retains that dream quality of the previous movies, you never know what is real, especially since some of the scenes seem to be previously recorded but unreleased footage. Some extras are brought for no good reason and Angus has just a few scenes. The actor died this year, so RIP for him and probably for the series.
The problem laid with the lack of emotional impact for any of these scenes with disjointed action and characters that never develop and one barely remembers from previous films. Frankly, a waste of time for everyone involved.
The movie is more like a collection of shorts that blend into each other as Reggie is either in a mental asylum, or a on his death bed or in a house trying to score with a redhead or in a hellish world taken over by Tall Man. Since it retains that dream quality of the previous movies, you never know what is real, especially since some of the scenes seem to be previously recorded but unreleased footage. Some extras are brought for no good reason and Angus has just a few scenes. The actor died this year, so RIP for him and probably for the series.
The problem laid with the lack of emotional impact for any of these scenes with disjointed action and characters that never develop and one barely remembers from previous films. Frankly, a waste of time for everyone involved.
Le saviez-vous
- Anecdotes(at around 21 mins) The hospital bed scene alongside Reggie Bannister was the last scene Angus Scrimm filmed as the character The Tall Man.
- GaffesNear the halfway mark, when Reggie transports to the mausoleum corridor, every time they show him from the front, he is shown in what looks like a tight space, able to touch both sides at once with his arms, but when he is shown from the back, the sides seem much further apart, and he would be unable to do this.
- Générique farfeluCopyright notice: "This motion picture photoplay is protected pursuant to the provisions of the laws of the United States of America and other countries. Any unauthorized duplication, copying, distribution, exhibition or any other use of any kind may result in civil liability, and/or criminal prosecution and the enduring wrath of the Tall Man."
- ConnexionsEdited into Phantasm V: Ravager - Deleted Scenes (2016)
- Bandes originalesIn a Mountain Cabin
Music and Lyrics by Reggie Bannister
Performed by Reggie Bannister
Courtesy of Ya Doggie Music (BMI)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Phantasm V: Ravager
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 25m(85 min)
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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