Blå ögon

This is your typical low budget Swedish Noir series that is now being churned out by SVT to met the growing need for this genre. Unfortunately, it uses the same recycled actors and actresses from what must be a very small pool. The cast is heavily stereotyped as they must have a database to draw from to cast the same actors in the same types of roles over and over. Sooner or later, viewers can see through this charade and it distracts from the series. It's almost like amateur theater productions at community level by the same actors.

Common to the genre now is the opportunity that the very strange form of government in Sweden gives film makers. Many parties seem to make up the government and the dynamics between them all is fertile ground for story telling. Add to that the unchecked migration that has occurred to that region and the challenge to adapt to multiculturalism, and one has a never ending supply of the same type of stories.

The holes in the plot are huge, events occurring without logic. This makes the viewer wonder if the writers use a story board for continuity or just make up something new every day at work, without regard for what's happened before. The stunts are poorly done and they could also use some advanced techniques in the make up department where foundation is slathered on to the point where the actors look almost ghost like.

Again, common to many of the low budget Swedish series, everything is rushed into place during the last episode. I guess they never know if they'll receive funding for a second series so they try to wrap up things but leave the ending a bit ambiguous in case the funding does come through. Guess it did not in this case! More productions like this and the genre will go into decline. Watch it without analyzing it, just go with the flow and pretend not to see the holes in the plot!

I can imagine it is difficult to create a political series approaching wide audience, but yet versatile and not simplistic narration. The Danish Borgen or the UK and US House of Cards are fine respective examples, but I can easily say that Blå ögon is on their heels... Well, the pace is sometimes uneven, some characters are static and the authors have taken sides (letting understood that rightism is worse than leftism), but some witty turns, intertwining events/characters and solid performances (particularly female ones) make the 10 episodes of an hour each pass with interest and understanding. Perhaps the events in the last episode came with a certain rush and let many things open (and a hint for a next season), but no news of it so far - I would be definitely interested to follow.

Being a fan of Scandinavian series, I try not to pay attention that there are same actors and actresses performing in most series (the more famous tend to spend more time on screen, so if the script lets you guess whether their characters vanish or die, so the chances are they do not:) ), but what the heck... Even mediocre Scandinavian series tend to me more interesting and realistic that good US ones.

Wow, was a complex story to follow. Good acting, nice performances. Storyline had a few holes in it, but artistic license is a good excuse, and there were only a couple or so. There was some glossy stylised terrorism scenes, they do add to the tension, but those can be ignored if it isn't your bag. Something that cant be ignored is the violence. Not that there is too much of it, but it i designed to pull you in emotionally and it certainly does do that. By the end of it I found myself both liking the main terrorist char, but also hating him. And the series does that all the way through with most of the characters,they are quite complicated chars.

Overall a little lightweight compared to The Bridge (9/10 for me), but weightier than Borgen (7/10)

Strange ending considering there isn't a 2nd series and nothing is planned.

See for yourself, worth spending your time on though,

I can usually handle some brutality and violence (in context), but I was squirming for far too much in this series. The Millennium trilogy and The Killing had some graphic violence but this tops them both. Despite some really solid acting and a few interesting political storylines, there was just such an overwhelming sense of foreboding, nastiness and just plain negativity that it was hard to focus on what was happening. Scandinavian dramas and shows are mostly far superior to most comparable series and movies out there, but this one has gone too far for me. There were some interesting relationships and social commentary and the 'noir' aspect of this genre certainly played out, but you will have a hard time finding it 'enjoyable'. Unless you like horror films. A pretty bleak representation of the racism, political back-stabbing and general malaise of Swedish society. At least Wallander had a bit of levity now and then. It's got a good pace and is definitely a 'thriller' but not for late night viewing I'd say.

Tragi-drama that sees an abused young mother and her doting younger brother pushed into a world of terrorism, working for neo-nazis and terminating the lives of hostages.

Their feeble life choices arise from the dreadful killing of their politician mother and the fake sympathy of a handsome, charismatic young fascist who exerts a powerful influence.

Never lacking in suspense, the story even conjures an occasional surprise as matters unfold. The character flaws and motives of some of the cast do however stretch the bounds of credibility. 7.3/10