Ajouter une intrigue dans votre langueSTEVIE D is a humorous crime drama about a Los Angeles construction magnate whose only son has accidentally killed a connected man. A sinister plan is hatched that sends the son into hiding ... Tout lireSTEVIE D is a humorous crime drama about a Los Angeles construction magnate whose only son has accidentally killed a connected man. A sinister plan is hatched that sends the son into hiding while an unsuccessful actor is hired to fill his shoes and unknowingly take the hit.STEVIE D is a humorous crime drama about a Los Angeles construction magnate whose only son has accidentally killed a connected man. A sinister plan is hatched that sends the son into hiding while an unsuccessful actor is hired to fill his shoes and unknowingly take the hit.
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I liked the story. It was actually original, although some of the relationships were strained and unexplainable (for instance, a cold to hot leading lady just did not cut it, nor several other relationships).
Seeing Hal Linden as one of the minor support characters was a shear delight. Another reviewer here noted that there seemed to be a remarkable rift between the quality of the young and old actors on this film - and I would agree.
The two best things I can say about this film is that I watched it all the way through - and for me that's saying something. I don't tolerate bad films for any length of time. Also, the music was the very best thing about this film. It was jazzy, professional, fully integrated into the story and the scenes, and way ahead of the rest of the flawed story/acting/scenes.
One other complaint was the cinematography and staging. It was amateur. Again, I may be a bit harsh here, but the camera was often too focused, without the wide sweeps that tell part of the story, from strip clubs, to restaurants, to hotel rooms, and even a golf club. If you have good equipment, use it.
This movie...seems to be an actual representation of that view. Sure when you see a movie that is a lower budget you will find that 1 lone guy usually is the movies only draw, that he/she carries it. It reminds me of how many BAD MOVIES were bearable, to me at least, if Luke Goss played the main roll.
This is NOT one of those films.
In the movie, hand to heart, everyone UNDER 40 sucked per acting and delivery and everyone OVER 50 owned each specific role. I have to ponder a reality where geriatric actors are able to "own" a role, even if it is a bit part with 30 seconds of screen time, yet the lead actor and the co-lead struggle to deliver ANYTHING that can be compared to genuine.
I assume it is simple experience....except I can hardly, for the life of me, think of an actor that was BAD in his late 20's and early 30's, that morphed into a PARAGON OF ACTING SKILL !
So, either you have it or you don't. Bad writing can only cover so many of the excuses before it falls onto the actors.
There ARE some WELL acted scenes in this movie....but NONE of them relate to anyone who is not of Social Security.
The rating, at the time of this writing, is a LOADED and FIXED 8.5. I assume a "family and friends" rating :) The movie is to comedy fans what a low budget zombie flick is to zombie fans. Bearable but leaving them trying to explain to other's why they should have enjoyed it......
Solid acting and delivery from Hal Linden,Al Sapienza, John Aprea...sadly they were NOT the focus of the movie and only allowed this to move from a potential 2 to a 4.
Good acting can only fix so much as well :)
The only thing that I do agree with from the critics is the length. I do think it was a tad bit long for the plot to not be so complex, but with that being said every scene flowed together nicely, there wasn't anything that looked out of order or out of place.
All in all I thought that this was a great film to watch, it's in the mix of a romcom but not quite haha. 7/10 Stars
Le saviez-vous
- ConnexionsReferences State Department: File 649 (1949)
- Bandes originalesMeet Me In Cognito
Music by Giacomo Gates
Lyrics by Tom Robbins (from his novel "Villa Incognito")
Performed by Giacomo Gates (vocals), Ted Howe (piano), Chris Colangelo (bass), Joe LaBarbera (drums)
Recorded and mixed by Talley Sherwood at Tritone Recording, Glendale, CA
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Détails
- Durée1 heure 59 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1