Un astronaute se retrouve coincé sur Mars après que son équipe l'ait présumé mort, et doit compter sur son ingéniosité pour trouver un moyen de signaler à la Terre qu'il est vivant.Un astronaute se retrouve coincé sur Mars après que son équipe l'ait présumé mort, et doit compter sur son ingéniosité pour trouver un moyen de signaler à la Terre qu'il est vivant.Un astronaute se retrouve coincé sur Mars après que son équipe l'ait présumé mort, et doit compter sur son ingéniosité pour trouver un moyen de signaler à la Terre qu'il est vivant.
- Réalisation
- Scénaristes
- Vedettes
- Nommé pour 7 oscars
- 40 victoires et 199 nominations au total
8,0988.4K
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Sommaire
Reviewers say 'The Martian' is lauded for its engaging plot, Matt Damon's compelling performance, and its mix of humor and drama. The film is appreciated for its realistic space survival depiction and scientific accuracy. However, some find it overly optimistic and emotionally shallow, with underdeveloped characters. Pacing issues and reliance on convenient plot devices are noted criticisms. Despite these, 'The Martian' is widely seen as an entertaining and thought-provoking sci-fi film.
Avis en vedette
Insanely watchable
This 2015 film has so many great elements; top notch soundtrack, beautiful imagery, charismatic Matt Damon, realistic science and so much more.
This is why this film scores 10/10 for me. I'm always ready for a rewatch.
This is why this film scores 10/10 for me. I'm always ready for a rewatch.
Ridley proving himself once again
Strong, well-executed, moving. Classic Scott-style directing, with its fast pace, yet never leaving emotion behind, keeping you glued to the screen throughout the runtime. Reminiscent of the original Alien, yet clearly proving the director's overall increased maturity and experience. My thoughts on the cinematography are mixed, from the one hand side the movie features a particularly bland color palette, most sequences however are nice, vivid and well-balanced. What strikes me the most is the fact that they didn't account for the reduced gravity on Mars, however not only is the price cut behind this clear, but also you forget it surprisingly easily in the first 10 minutes or so, since everything else is so gripping. The visual effects are simply flawless, realistic to the maximum and beautiful at the same time. The story itself and the characters are simply masterful, not at all out-of-this-world, or should i say the way facts are presented combined with the pacing makes you believe it's all happening at the time you're watching the movie. Though i am probably not meant to make this comparison, it leaves (in my humble opinion) Nolan's "Interstellar", a great movie on its own, completely in the dust, simply proving the effect Scott's experience has had on his work. A must-watch.
The best of 2015...
The film is the finest examples of science fiction and science fiction embodies everything required. Matt Damon has given the right role until the end of the case. Besides the fact that one does not really need. All movies have moved on their own. We have seen examples of this, such as the Buried and 127 Hours of very good quality movies. The master Ridley Scott's science fiction after a long separation has made a great comeback with this film case. After this film, Ridley Scott disappointing those who say the sound was cut. Thank you for this wonderful film Ridley masters. Maybe the best in 2015, as I mentioned in the title.
This is a rare, light-hearted science fiction film.
This is a rare, light-hearted science fiction film that deliberately downplays the most common fears about the future and the unknown universe, focusing instead on human effort and the science that can save humanity.The film has a tech-geek's idiocy and optimism. (Matt Damon, of course, did it perfectly.)Even if the movie is a little bit stereotypical in its emotional setting, it can still touch the audience at crucial moments.
Entertaining and slick enough to make you go with it
I heard a lot about this film regarding its scientific validity as a piece of fiction. Perhaps as a result of this I assumed that the film would be a dry affair – an impression sort of confirmed by the longer than normal running time. As it happens, this is not the case at all because The Martian has much more in common with the entertaining blockbuster that the starry cast list and presentation suggest it will be. The story wears its science very much on its sleeve, but yet makes it accessible and fun – with the slick presentation making it so. As a result everything seems to be explained with everyday objects, and even the most complex principles are presented in simple terms (references to Iron Man for instance). As a result the film gets to have its cake and eat it – although the film is helped by the knowledge of a lot of this being possible (eg hitting a point near Pluto recently with very tight tolerances on a journey of years).
The film itself doesn't really play up the drama in a heavy way, but rather does enough to invest the viewer in it without making it too much of a downer or serious. The soundtrack is hugely upbeat, the content is mostly light in tone, and the science is delivered in a very user-friendly fashion – essentially in the service of the tone and the entertainment value, nothing more than this. The starry cast add to this feeling, and use their screen presence well. Damon is consistently likable, which is just as well since he is alone in the vast majority of his scenes. The ensemble cast has a lot of depth to it, all of which are solidly watchable – Chastain, Wiig, Daniels, Eiofor, Peña, Bean, and so on. The Chinese aspects of the plot serves as another reminder that this film is a blockbuster out to make money, but it doesn't seem too out of place. Technically it looks great and it impressive how convincing the surface of Mars looks.
In the end we get to the fist-pumping mission control scenes that we all knew were coming, but along the way the film is slickly packaged and entertaining as a result; even if the oft-mentioned scientific validity of it all is not something it ever seems concerned with itself.
The film itself doesn't really play up the drama in a heavy way, but rather does enough to invest the viewer in it without making it too much of a downer or serious. The soundtrack is hugely upbeat, the content is mostly light in tone, and the science is delivered in a very user-friendly fashion – essentially in the service of the tone and the entertainment value, nothing more than this. The starry cast add to this feeling, and use their screen presence well. Damon is consistently likable, which is just as well since he is alone in the vast majority of his scenes. The ensemble cast has a lot of depth to it, all of which are solidly watchable – Chastain, Wiig, Daniels, Eiofor, Peña, Bean, and so on. The Chinese aspects of the plot serves as another reminder that this film is a blockbuster out to make money, but it doesn't seem too out of place. Technically it looks great and it impressive how convincing the surface of Mars looks.
In the end we get to the fist-pumping mission control scenes that we all knew were coming, but along the way the film is slickly packaged and entertaining as a result; even if the oft-mentioned scientific validity of it all is not something it ever seems concerned with itself.
Le saviez-vous
- AnecdotesRich Purnell slips and falls after he finds a way to rescue Mark Watney and tells his boss "I need more coffee." Donald Glover revealed in an interview that he slipped for real and just got up and continued to act, and the footage was retained in the final edits for the movie.
- GaffesThe film shows Watney following a parachute and shrouds to find the buried Pathfinder lander, but the Pathfinder used a unique airbag system that involved cutting the lander loose from the parachute and Rocket Assisted Deceleration System above the surface. The lander then bounced at least 15 times inside the airbag cocoon before coming to a rest, while the remaining rocket thrust carried the backshell and parachute away from the landing site.
- Citations
Mark Watney: I don't want to come off as arrogant here, but I'm the greatest botanist on this planet.
- Générique farfeluDisco music, which had been a running gag throughout the film, is played during the ending credits. Appropriately, the first song played is "I Will Survive," which features the lyric "And so you're back, from outer space."
- Autres versionsIn June of 2016, an extended cut was released on Blu-Ray and Ultra HD 4K Blu-Ray that adds 10 additional minutes of footage:
- Extended footage of Watney shortly after his abandonment, waking up in the habitat
- Additional moments when Watney charts a course for the rover and dozes off at the wheel, commenting on this to his vlog
- An additional scene after the NASA press conference confirming Watney survived, in which PR Director Annie warns director Vincent Kapoor not to use the phrase "bring him home alive", and also complains about her private life
- Additional moments while Watney and the Pathfinder team communicate, including more repartee between Kapoor and the young JPL technician, and Watney using an unusual insult when he hears his crew have not been told he is alive, followed by the reaction of NASA team members to this
- A short scene after Watney patches the hole in the habitat after the explosion using plastic sheets, in which he uses smoke currents to detect and patch holes with sealant
- Additional scenes showing Rich Purnell requiring the use of a supercomputer to deliver his Earth slingshot calculations
- A scene in which Watney completes the soil analysis started by his crewmates in order to complete their original mission before he leaves Mars
- A scene in which Watney inflates a pressurized tent to eat and clean his body outside the rover on his way to the Ares IV coordinates. He also leaves an apology to the Ares IV team for using their supply drop.
- A short moment in which Commander Lewis and Martinez discuss how many times their simulated rescue mission has resulted in Watney's death
- ConnexionsFeatured in Ares III: Farewell (2015)
- Bandes originalesHappy Days Theme
Written by Charles Fox and Norman Gimbel
Performed by Pratt and McClain (as Pratt & McClain)
Courtesy of Reprise Records
By arrangement with Warner Music Group Film & TV Licensing
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Détails
Box-office
- Budget
- 108 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 228 433 663 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 54 308 575 $ US
- 4 oct. 2015
- Brut – à l'échelle mondiale
- 630 621 406 $ US
- Durée
- 2h 24m(144 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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