Série d'anthologie basée sur « The Girlfriend Experience » de Steven Soderbergh.Série d'anthologie basée sur « The Girlfriend Experience » de Steven Soderbergh.Série d'anthologie basée sur « The Girlfriend Experience » de Steven Soderbergh.
- Prix
- 3 victoires et 14 nominations au total
Parcourir les épisodes
Avis en vedette
Season 1 had a lot of sex, even too much sex to the point that it got repetitive. But what it had was an intriguing probably sociopathic character who tries out being an escort and getting a little more than money from it. Interesting, complex character study, with an actual plot with good secondary characters as well. 7 or sometimes 8 out of 10 for me.
Season 2 is split into two parts with two completely different stories and to be honest I just sped through the first part and didn't watch the second. Still, a lot of sexually explicit scenes and this time more variance with a bisexual escort and her lesbian lover. Gorgeous clothes but rather empty otherwise and not much plot. Still, an attempt was made to explore something psychological between the two lesbian lovers about love and infatuation and power. So 6/10 for first part only.
Season 3 has nearly no sex until you get to like the second half of the show. This is a strategy that could have been refreshing and different, but it exposed some of the weaknesses of the show that we would have been distracted from had there been more sex. Such as a weak plot, one-note acting and lack of overall emotional warmth that a terminally sick parent can't make up for and that increasingly gaudy fashion can't disguise. The pilot gave a strong start and lots of potential in the protagonist's acting ability, but unfortunately her character didn't really develop much farther from there. Or it did, and somehow the writing didn't take us on that journey from novice to expert escort that we needed to be a part of to invest in the protagonist's character. 6/10
While a cold and passionless show in a story about the ultimate form of passion, sex, The Girlfriend Experience does overall offer something unique and I think it's worth checking out even if you have to speed through some repetitive scenes or weak plot. There is something insightful in odd moments.
Season 2 is split into two parts with two completely different stories and to be honest I just sped through the first part and didn't watch the second. Still, a lot of sexually explicit scenes and this time more variance with a bisexual escort and her lesbian lover. Gorgeous clothes but rather empty otherwise and not much plot. Still, an attempt was made to explore something psychological between the two lesbian lovers about love and infatuation and power. So 6/10 for first part only.
Season 3 has nearly no sex until you get to like the second half of the show. This is a strategy that could have been refreshing and different, but it exposed some of the weaknesses of the show that we would have been distracted from had there been more sex. Such as a weak plot, one-note acting and lack of overall emotional warmth that a terminally sick parent can't make up for and that increasingly gaudy fashion can't disguise. The pilot gave a strong start and lots of potential in the protagonist's acting ability, but unfortunately her character didn't really develop much farther from there. Or it did, and somehow the writing didn't take us on that journey from novice to expert escort that we needed to be a part of to invest in the protagonist's character. 6/10
While a cold and passionless show in a story about the ultimate form of passion, sex, The Girlfriend Experience does overall offer something unique and I think it's worth checking out even if you have to speed through some repetitive scenes or weak plot. There is something insightful in odd moments.
When I first came across 'The Girlfriend Experience' I didn't know what to expect, I hadn't seen the movie, and reviews were very mixed, some calling it a great show, others commenting on its apparent blandness and cold feel.
When i finally came around to watching it, it really intrigued me, I really enjoyed shows like house of cards, and I thought Paul sparks (who was also in HoC) was great is his role, his cold, more absent way of presenting himself was in my opinion great for his role.
The same goes for Riley Keough, while a lot of others seem to dislike her cold, detached personality as Christine, I found it rather fitting. Someone who gets extremely intimate with strangers would have to be like this in my opinion. Because of this the show is quite realistic, and the admittedly rather lacking story, (there is one, but its not as well developed as it could be) fits with this genre. It really isn't a regular TV- show story, but a look at a life, a life that ís cold and impersonal.
The grey-ish lighting and set design also really works with this detached feel, and the music (or lack thereof) really helps sell the seriousness and loveless acts and conversations.
I really enjoyed watching the show, and although I haven't seen the ending yet, thus far I have really enjoyed the realistic approach to this girls life.
It gave me a feeling comparable to the later seasons of house of cards, or maybe even Mr. Robot, the same dawning, almost depressing, but realistic approach, that, although not everything goes well and ends positively, creates a situation where one can really understand and feel the position the character is in.
When i finally came around to watching it, it really intrigued me, I really enjoyed shows like house of cards, and I thought Paul sparks (who was also in HoC) was great is his role, his cold, more absent way of presenting himself was in my opinion great for his role.
The same goes for Riley Keough, while a lot of others seem to dislike her cold, detached personality as Christine, I found it rather fitting. Someone who gets extremely intimate with strangers would have to be like this in my opinion. Because of this the show is quite realistic, and the admittedly rather lacking story, (there is one, but its not as well developed as it could be) fits with this genre. It really isn't a regular TV- show story, but a look at a life, a life that ís cold and impersonal.
The grey-ish lighting and set design also really works with this detached feel, and the music (or lack thereof) really helps sell the seriousness and loveless acts and conversations.
I really enjoyed watching the show, and although I haven't seen the ending yet, thus far I have really enjoyed the realistic approach to this girls life.
It gave me a feeling comparable to the later seasons of house of cards, or maybe even Mr. Robot, the same dawning, almost depressing, but realistic approach, that, although not everything goes well and ends positively, creates a situation where one can really understand and feel the position the character is in.
While many may hate this series for politically correct reasons or because they are not used to adult pacing (as opposed to juvenile comic book-style movies full of flashy editing), I was taken in by it ... but mostly because of Riley Keough, who is a very natural, subtle actress. The series features a little titillation here and there, but it's tasteful, artfully photographed, and looks great.
The show works in that -- even though the protagonist is a person of questionable moral values, she's surrounded by all these far more horrible, reptilian people (lawyers and other wretched/inhuman scum). So, by comparison, she comes off as the most empathetic person on the whole show; you end up bonding with her because you hate everyone else. (As Robert McKee often says: "Empathy ... is absolute, while sympathy is optional." Meaning empathy is enough ... to keep us engaged. We empathize with the main character, but we don't necessarily sympathize with her. )
I also like the protagonist's rebellious streak and admired her discipline and focus. As the actress herself said about the character: "she's driven." (Driven to a fault, actually.) There's also something terribly sad about her too. We can sense her loneliness as, obviously, she has no friends. In fact, there's an existential quality about the whole show, which is emphasized with the Cliff Martinez-like ambient music underscoring many scenes.
But this show is all about the actress, Riley Keough. Having said this, I didn't care for the final show of the season, which was a bit much (maybe a bad idea stretched out for the whole episode). I would love to see this show continue -- but only with same actress. I've already watched some episodes more than once, and I'm sure I'll watch the whole season again. It's worth owning.
Bottom line: Check it out. And kudos to Riley Keough for her sophisticated, subtle performance.
The show works in that -- even though the protagonist is a person of questionable moral values, she's surrounded by all these far more horrible, reptilian people (lawyers and other wretched/inhuman scum). So, by comparison, she comes off as the most empathetic person on the whole show; you end up bonding with her because you hate everyone else. (As Robert McKee often says: "Empathy ... is absolute, while sympathy is optional." Meaning empathy is enough ... to keep us engaged. We empathize with the main character, but we don't necessarily sympathize with her. )
I also like the protagonist's rebellious streak and admired her discipline and focus. As the actress herself said about the character: "she's driven." (Driven to a fault, actually.) There's also something terribly sad about her too. We can sense her loneliness as, obviously, she has no friends. In fact, there's an existential quality about the whole show, which is emphasized with the Cliff Martinez-like ambient music underscoring many scenes.
But this show is all about the actress, Riley Keough. Having said this, I didn't care for the final show of the season, which was a bit much (maybe a bad idea stretched out for the whole episode). I would love to see this show continue -- but only with same actress. I've already watched some episodes more than once, and I'm sure I'll watch the whole season again. It's worth owning.
Bottom line: Check it out. And kudos to Riley Keough for her sophisticated, subtle performance.
It's not going to be for everyone. Challenging viewing at times, probably easier to watch alone, as it pushes ones voyeuristic spectrum to the max. I hope that there is a little more story development in future seasons as if it was more of the same I'd probably be switching off but I enjoyed season 1. If you like the movie Shame it's very similar in terms of tone and pace. So it's now up to where they decide to take this.. is there going to be more point or is it just going to be a through the looking glass exercise. Let's see.
The show is delivered in a cold, unemotional manner that sets the tone. It seems similar to Mr. Robot and American Psycho in a lot of ways. People going through motions of life but mainly pretending. There is no intro for the show - the episodes start and eventually the title of the show displays on screen.
Christine is a law student and dresses in boring and mundane business attire, has basic professional hair, and seems pretty boring. You can tell she is intelligent however.
From the first sex scene we see the lead character's need and desire for control. Control of men, control of situations, and control of opportunity. What follows is the delving into the world of sex for hire, and beyond that a "Girlfriend" experience. Christine dives into this secretive world with both feet and develops an persona named "Chelsea". Chelsea is beautiful with long flowing hair, is feminine, attractive, well dressed, and poised; almost a counterpart to her day to day self. Her clients get to feel that they are important and cared for in her presence. For her it is an act. She is always on top; in the bedroom and in the relationship. She takes notes to remember small details of her clients, she edits her words and reactions to her client's wishes.
We see the main character position herself to always profit in some way in her interactions. In reality she is cold, distant, and calculating. How far will she go? How deep will she sink to get what she wants? What will the ultimate price be?
I've only seen 4 episodes of the season but it shows great promise. It may not live up to expectations in the end but I hope it does.
Christine is a law student and dresses in boring and mundane business attire, has basic professional hair, and seems pretty boring. You can tell she is intelligent however.
From the first sex scene we see the lead character's need and desire for control. Control of men, control of situations, and control of opportunity. What follows is the delving into the world of sex for hire, and beyond that a "Girlfriend" experience. Christine dives into this secretive world with both feet and develops an persona named "Chelsea". Chelsea is beautiful with long flowing hair, is feminine, attractive, well dressed, and poised; almost a counterpart to her day to day self. Her clients get to feel that they are important and cared for in her presence. For her it is an act. She is always on top; in the bedroom and in the relationship. She takes notes to remember small details of her clients, she edits her words and reactions to her client's wishes.
We see the main character position herself to always profit in some way in her interactions. In reality she is cold, distant, and calculating. How far will she go? How deep will she sink to get what she wants? What will the ultimate price be?
I've only seen 4 episodes of the season but it shows great promise. It may not live up to expectations in the end but I hope it does.
Le saviez-vous
- AnecdotesProducer Steven Soderbergh, who also directed the movie of which the show is inspired, wanted to approach the making of the show as a creative experiment, so he proposed a male/female filmmaker duo which hadn't worked together before, in this case Lodge Kerrigan and Amy Seimetz, to write and direct season 1. Both Kerrigan and Seimetz talked later about the difficulty of the experience, so it wasn't a surprise when season 2 presented a two-story structure where said stories were completely independent, each one written and directed by the directors on their own. For season 3, however, which was greenlit a year and a half after the finale of season 2, Soderbergh seemed to have forgone the experiment approach, because he just hired Anja Marquardt to do 10 episodes.
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
- How many seasons does The Girlfriend Experience have?Propulsé par Alexa
Détails
- Durée
- 30m
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant