Après avoir été contraint de travailler pour un patron du crime, un jeune chauffeur se retrouve impliqué dans un cambriolage voué à l'échec.Après avoir été contraint de travailler pour un patron du crime, un jeune chauffeur se retrouve impliqué dans un cambriolage voué à l'échec.Après avoir été contraint de travailler pour un patron du crime, un jeune chauffeur se retrouve impliqué dans un cambriolage voué à l'échec.
- Réalisation
- Scénariste
- Vedettes
- Nommé pour 3 oscars
- 43 victoires et 66 nominations au total
7,5669.2K
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Avis en vedette
Great music that some how grooves well with Action sequence
I somehow felt love and hate sort of feeling for Baby Driver. The movie started off on nice note but then somehow slows down and eventually picks up too much pace in second half. It's pretty hard to keep the interest alive all the time. I really loved the song selection and even noticed me nodding to few beats as well. The car action sequence were well shot too. But then the second half of the movie was so fast that it feels like they just wanted to end this but still wanted to keep it alive. Don't think if there was any need of few gruesome sequences.
The story had so much potential and having some good cast along, it could have gone to great heights. But it disappoints in this area and turns out to be just another mindless action drama for light viewing.
The story had so much potential and having some good cast along, it could have gone to great heights. But it disappoints in this area and turns out to be just another mindless action drama for light viewing.
Technical brilliance overshadowed by poor story and characters!
Edgar Wright deals with the technical aspects very well, be it camera work, cinematography, editing or soundtrack. But in pursuit of the style, he forgot to write good characters. There is absolutely no conviction. You don't feel for any character. Their actions are confusing (like Kevin Spacey in the end). It tells you a lot when I say that the most interesting character was an 8-year old boy with barely 3-4 minutes of screentime. The dialogues didn't help either. No one is interested in the comparison between weapons and different body parts of a pig.
In short, the writing is abysmal and keeps you from enjoying what could have been a very fun watch. Perhaps they could have fed some more lines from Monsters Inc.
In short, the writing is abysmal and keeps you from enjoying what could have been a very fun watch. Perhaps they could have fed some more lines from Monsters Inc.
The Coolest & Most Unique Film This Year
Edgar Wright remains one of my all-time favourite directors. Why? Because each and every film he crafts reeks of originality, he takes a few similar traits, throws them together, delves down a completely unexpected route and forms something unique, something masterful. From 'Shaun of the Dead' to 'Hot Fuzz' and so on and so forth, each film feels like something you think you've witnessed before, but on a whole new level, something fresh, something alluring, packed with adrenaline... and of course, 'Baby Driver' followed suit.
'Baby Driver' is an utterly engrossing caper-comedy that is (in my personal opinion) the finest film to face 2017 so far, I couldn't help but smile throughout, from the stunningly executed action scenes and stunts, through to the soundtrack (with an abundance of classic rock and soul tracks) and finally the heavily relatable characters. The lack of disappointment in Edgar Wright's work continues with this masterful film, which is ultimately also one of the coolest films of the past decade or so.
Many of the heist films of recent years have been rather disappointing when it comes to both story and technical achievement, however when something like 'Baby Driver' makes an appearance, it's refreshing to know that indie films are still taking this planet by storm and shunting the blockbusters out of the limelight. To know that certain production companies still trust the creativity of a director over the monetary expectations, and by doing so, unleashing a flurry of fantastic independently "driven" films.
I'm gonna finish with this (partially odd) statement / testimonial... when I went to sleep last night, I had odd dreams of car chases and stunt driving to rock classics, and that is thanks to this film, the fact that it stuck with me even when I wasn't fully conscious. That's how much of a damn cool film 'Baby Driver' is... just go watch it, just throw away your tickets to 'Transformers' and 'The Mummy' etc, and go see this instead.
'Baby Driver' is an utterly engrossing caper-comedy that is (in my personal opinion) the finest film to face 2017 so far, I couldn't help but smile throughout, from the stunningly executed action scenes and stunts, through to the soundtrack (with an abundance of classic rock and soul tracks) and finally the heavily relatable characters. The lack of disappointment in Edgar Wright's work continues with this masterful film, which is ultimately also one of the coolest films of the past decade or so.
Many of the heist films of recent years have been rather disappointing when it comes to both story and technical achievement, however when something like 'Baby Driver' makes an appearance, it's refreshing to know that indie films are still taking this planet by storm and shunting the blockbusters out of the limelight. To know that certain production companies still trust the creativity of a director over the monetary expectations, and by doing so, unleashing a flurry of fantastic independently "driven" films.
I'm gonna finish with this (partially odd) statement / testimonial... when I went to sleep last night, I had odd dreams of car chases and stunt driving to rock classics, and that is thanks to this film, the fact that it stuck with me even when I wasn't fully conscious. That's how much of a damn cool film 'Baby Driver' is... just go watch it, just throw away your tickets to 'Transformers' and 'The Mummy' etc, and go see this instead.
There's no doubt some impressive work here, some cleverly designed sequences and some tasty long takes with some lively dynamism.
However Edgar Wright is a director that seems to get more immature as opposed to maturing with his audience as his films go on.
Baby Driver, a film idea that was, no doubt, pulled from a drawer of high concept, high-school ideas from Mr. Wright, has that sort of aged 90's Tarantino vibe, from the musical OTT dialogue, attention to soundtrack, and the Natural Born Killers style star-crossed main characters. Unfortunately that makes the idea very dated and the promise of a musical car-chase movie a bit of misdirection. It's more of a 90's gangster film with a painful hipster hand guiding it, interspersed with music videos made of car chases.
There's some humour, neat little ideas, satisfying and creative moments, but they're unpleasantly jammed in to a a few moulds that don't do some of the core concepts justice. Lily James is a delight but her character is shortchanged, the idea of replacing core characters for each job is nonsensical probably to get rid of actors to other commitments. And the less said about the two dimensional Darling and Kevin Spacey the better.
Baby Driver, a film idea that was, no doubt, pulled from a drawer of high concept, high-school ideas from Mr. Wright, has that sort of aged 90's Tarantino vibe, from the musical OTT dialogue, attention to soundtrack, and the Natural Born Killers style star-crossed main characters. Unfortunately that makes the idea very dated and the promise of a musical car-chase movie a bit of misdirection. It's more of a 90's gangster film with a painful hipster hand guiding it, interspersed with music videos made of car chases.
There's some humour, neat little ideas, satisfying and creative moments, but they're unpleasantly jammed in to a a few moulds that don't do some of the core concepts justice. Lily James is a delight but her character is shortchanged, the idea of replacing core characters for each job is nonsensical probably to get rid of actors to other commitments. And the less said about the two dimensional Darling and Kevin Spacey the better.
Edgar Wright has done it again,but this time it's his best!
Baby Driver is one hell of a film,I was lucky enough to go to preview of this film and it was worth it.This film uses music the way no other film has ever, It's stylish and has a cast that bring it to life especially Ansel Elgort,Jamie Foxx,Jon Hamm and Kevin Spacey bring a performance that almost tops all their others.The film has exciting car chases and intense moments that leave you on the edge of your seat just acing to know what happens,the final act is probably where Baby Driver shines in all it's glory.Period. Overall this film is a film for everyone,it has music that makes you want to get up and dance right there in the theater.I give Baby Driver a 10/10,go and see it now.
Le saviez-vous
- AnecdotesDirector Edgar Wright once parked his car in a parking garage, only to realise that, by complete coincidence, the car next to him had a stylised "BABY ON BOARD" sign, with Baby's (Ansel Elgort) face taken from the film's poster. Wright left a note on the car's windshield that read, "From the director of Baby Driver, I approve!!!", complete with his signature.
- GaffesDarling is shot in the right arm. Minutes later when she's eating in the diner, her right arm has no blood on it, and her jacket has no hole in it where she was just shot.
- Générique farfeluThe "ding" in the opening Sony logo turns into the sound of Baby's tinnitus.
- ConnexionsFeatured in Chris Stuckmann Movie Reviews: Baby Driver (2017)
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Détails
Box-office
- Budget
- 34 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 107 825 862 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 20 553 320 $ US
- 2 juill. 2017
- Brut – à l'échelle mondiale
- 226 945 087 $ US
- Durée
- 1h 53m(113 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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