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Awful movie. From the point of view of someone who wants to sit down and watch a good movie, this was a very dull 90 minutes. Poorly put together, lazy writing, littered the unnecessary f-words

I really enjoyed this movie, although I'll recognize it may not please everyone. Didn't feel as much as a hollywood commercial film as other Wall Street productions. Not many catch phrases. Indeed what I liked the most in this movie is how realistic it is. People would be surprised about how easily conversations like that happen. How easily people actually slide into ridiculous behaviour when under extreme pressure. Overall, good acting, nice pace, realistic scenarios and story.

It's a woman oriented financial film drama directed by a woman filmmaker. That makes it empowered by women. On the perspective it was my first experience, so I think it could be the only of its kind. It is not as bad as it looks, those who liked financial related films like 'Margin Call', 'The Big Short', 'Glengarry Glen Ross' et cetera would enjoy it as well. This film stayed true to its title, so that's what you are going to expect, but nothing a bit more than that.

There are unexpected turns in the narration. Particularly the characters, that too the females. It is about the commitment and trust in the colleagues. No matter what you do, the company always judges you by your result. The pace might look slow, but it gets better in the latter half. The film turned into kind of thriller and ended with a little drag, though satisfying.

Anna Gunn was so good and looks like we have here another talented woman director Meera Menon. This film did not get as popular as its counterpart on the same theme, I mean men's Wall Street thriller. But somewhat I liked it and seems a sequel is not a bad idea, after how this story had ended. Finally, this is for the selected viewers, so those who are from the outside of its bandwidth won't end watching it happy, hence the film will lose its rating, but not the quality.

6/10

Not sure why this movie was so bad. Perhaps the slow pace and the enforced slow dialogue. Perhaps the bad acting. In either or both cases this movie should be given a wide berth. I loved Anna Gunn in Breaking bad, in fact she was instrumental in it's popularity but I watched a different actress here. Her interpretation in this 'Wall St' type movie was simply awful. Totally unbelievable. I always turn off movies when the leading lady has either Botoxed lips or stupidly unreal white teeth, for some reason I can't take it serious from that point on. So many women in the industry feel the need to wreck their natural looks. Anyhow, back to the movie, I dare anyone to watch Gunn's on-screen divorced husband acting out a serious scene and avoid breaking out into laughter at his facial expressions. Again terrible acting. This movie could have been interesting but the casting director had lost his marbles. The writing was drawn out and laboured with far too many close up 'still life' moments. Take heed, it's valuable time you are wasting if you labour through this stuff.

Greetings again from the darkness. A film made by women in a male-dominated profession about women in a (different) male-dominated profession becomes the first female-centric Wall Street movie. Director Meera Menon (Farah Goes Bang) and writers Amy Fox, Sarah Megan Thomas and Alysia Reiner have a lot to say … maybe even more than they intended.

Anna Gunn ("Breaking Bad") delivers a strong lead performance as Naomi Bishop, a hard-driving and successful investment banker - a self-described "banker chick". She's coming off a failed client IPO – her biggest career failure. Naomi basically torments and disrespects her first assistant Erin (Sarah Megan Thomas), and she regularly sleeps with a co-worker and hedge fund manager Michael Connor (James Purefoy) for the benefits only. In other words, Naomi is much like the men we have seen in these roles over the years.

While pursuing her next IPO with a hotshot d-bag tech entrepreneur (Samuel Roukin as Ed) who claims to have a revolutionary impenetrable cyberware, Naomi is unwittingly (although it could be argued that she SHOULD have known) being played by multiple parties. One of these is a Justice Department investigator (Alysia Reiner as Samantha) who is trying to use their old college connection as a way to gather intel on Naomi's firm and Michael Connor. Adding complexity and turmoil are Craig Bierko as an egotistical investor who pressures Michael for insider info, Sophie von Hasselberg (Marin) who is a disgruntled programmer for Ed's company, and Tracie Thoms as Samantha's partner and co-parent of their kids.

Fractured relationships abound as all characters are driven by something other than the relationships. We are told "money is not a dirty word", but it sure seems like motivation for these folks is centered on power, ambition, and yes … money. The social issues and moral dilemmas come across as less important than the challenge of competing (rather than collaborating). Seamless backstabbing is a valued skill in this world, and always present are greed, desperation and paranoia. This is post-2008 Wall Street, but it looks pretty darned familiar.

Previous films have taken us inside this world. Wall Street (1987), Margin Call (2011), The Wolf of Wall Street (2013), and The Big Short (2015) each provided some lesson on this corrupt-to-the-core industry and helped us understand the dual meaning of the title, but this is the first to show us the women who fight the same fights. If there is a disappointment here, it's the apparent conclusion that putting women in the same high-stakes game as men means they will compete in much the same way, rather than finding a better, more graceful way. Gordon Gekko may not have been right when he said "greed is good", but it seems pretty clear that greed is prevalent. It's a lesson we evidently must be reminded of on a regular basis … and whatever you do, make sure to count the chocolate chips before giving that cookie to Naomi!