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Mainly because of Vincent Price's excellent and tongue-in-cheek narration, reading the celebrated Dickens story, this works better than it should, especially given the ridiculously over the top performance of Taylor Holmes as Scrooge, acting in a way one associates more with the worst excesses of silent cinema.

However, in twenty-five minutes this production does include a scene in Scrooge's office, Jacob Marley and all the three ghosts, as well as a glimpse at Scrooge's redemption and celebration of Christmas.

As an example of early television's attempts to film the classics, it is very good indeed. There are of course better adaptations of this tale, but this one is worth seeking out even if is just the once.

The version I watched is rather muddy picture-wise, but the sound is clear and understandable, and everyone has clear voices which serve Dickens' text well.

Andrea Dunbar wrote two plays before she died tragically young at the age of 29 - 'The Arbor', of which we see snatches and scenes here, and 'Rita, Sue and Bob, Too', which was made into a well-regarded film.

This drama-documentary is rather different to the usual type because not only does it use real interview and actual footage of Dunbar from her TV appearances, but uses real interviews with her family and friends which are then lip-synched (very well) by professional actors. This sounds like a gimmick, but we very quickly forget we are not watching the real people talking about their lives - when we do get jolted out of this by associations with other work (George Costigan 'plays' Dunbar's partner but also of course was 'Bob' in the aforementioned film), it still somehow works.

Dunbar's story was a tragic one, one of wasted talent and a toxic life, to some degree, although her children - mixed-race Lorraine and Lisa - have very different stories about their childhood and the impact their mother had on them. Lorraine's story is just as tragic in its way, and we follow that following the description of Andrea Dunbar's death.

A new and dynamic way of presenting real people's issues and problems, 'The Arbor' is very possibly something Dunbar could have created herself had she lived. As it is, it stands as an interesting memorial to her talent.

'The Nightmare Before Christmas' has hints of A Christmas Carol about it, with its tale of The Pumpkin King (Jack Skellington) and his attempts to hijack Christmas in true Grinch-style.

It's a musical animation, beautifully realised, first as Jack discovers Christmas, and then plans to destroy it ... but will be succeed? Some lovely set pieces including the flight over a Christmas Eve sky, the Bogeyman's gambling lair, and the Edward Scissorhands-like desolation of empty spaces, work well, alongside more obviously comic pieces involving Jack's dog Zero, with the red nose to light up the sleigh.

This being a tale in the true festive spirit it does have the inevitable character development and redemption we have come to expect from versions of Scrooge over the years. But the 'Nightmare' has charm and is very well-voiced and created.