Commentaires de drakula2005
Cette page présente tous les commentaires rédigés par drakula2005, qui partagent ses impressions détaillées sur les films, les séries et bien plus encore.
34 commentaires
It probably goes without saying, but in my opinion "Still Alice" is right up there among this year's best pictures.
And what ultimately makes author Lisa Genova's debut bestselling novel so personal, yet so universal and identifiable in it's messages, are the performances. Alec Baldwin and Kristen Stewart are a part of a strong supporting cast, that will leave a lasting impression in your mind and it will be more than deserved. Both of their characters were so real - warm, supportive and earthly. And while both Baldwin and Stewart have taken the occasional misstep in their respective pasts, both of them once again showed without a doubt their acting abilities and scope, a word linguistics professor Dr. Alice Howland used, albeit with great difficulties, to describe her daughter Lydia (played by Stewart) in one point of the film.
And what a performance by Julianne Moore that was! She essentially made an already rich character in Alice, a frankly too young Alzheimer's disease patient, who also happens to be a renown linguistics professor, even more dimensional and rich. Moore's Alice is a strong, intelligent woman when we first meet her at her birthday at the beginning of the film. At that moment, Moore is confident and full of purpose. As she gets diagnosed with a rare form of Alzheimer's disease, that her children might have inherited from her, and time goes by, Alice becomes a shadow of herself, whose mental health deteriorates at an alarmingly fast rate. And that is the part that Moore portrayed with such skill and graceful pain, that the viewer can't help but get irreversibly emotionally involved with her character. We feel for her, we cry with her, we wish she would get better, although it is clear that is sadly not going to happen. And Moore's Alice knows it as well. And that makes the journey through her story even more challenging, difficult and painful for the viewer. Or as Beverly Beckham of The Boston Globe put it "This is Alice Howland's story, for as long as she can tell it".
The film was directed and adapted by Richard Glatzer and Wash Westmoreland, who share both the writing and directing duties on almost all of their projects to date. The two somehow complete each other and find the balance, that is needed to tell such a delicate story in a manner, which can do it proper justice.
I will probably be the only one saying this, but I thought the score was tremendous as well. Kudos goes to composer Ilan Eshkeri, who did an amazing job on the film. The music is often intense and minimalistic, it feels like it is just an addition to the already rich environment the characters find themselves in and I would love to see at least a nomination at the Oscars for Eshkeri, although I highly doubt it.
So, to wrap it up in a nutshell: Still Alice is a wonderful film, an intimate and fascinating study in the field of family drama, and one of the year's best. I definitely hope to see some awards buzz mainly around the cast - both Alec Baldwin and Kristen Stewart deserve it for their delicate and supportive portrayal of husband John and youngest daughter Lydia, respectively, who never gave up on Moore's Alice. And Julianne Moore - well, what can I say - her brutally sad and honest portrayal of Alice deserves to go down in the books of top-notch acting and she will reap the fruits of her work a long time from now (well, mostly, at the end of February, I hope).
So it is a nine out of ten stars from me, only because I felt there could have been more screen time for the other children in the Howland family, and therefore the film could have been at least 10-15 minutes longer.
But solely on Julianne Moore, Alec Baldwin and Kristen Stewart's impeccable acting, I say this film is among the very best in the subject and also among the best titles this year.
My grade: 9/10
And what ultimately makes author Lisa Genova's debut bestselling novel so personal, yet so universal and identifiable in it's messages, are the performances. Alec Baldwin and Kristen Stewart are a part of a strong supporting cast, that will leave a lasting impression in your mind and it will be more than deserved. Both of their characters were so real - warm, supportive and earthly. And while both Baldwin and Stewart have taken the occasional misstep in their respective pasts, both of them once again showed without a doubt their acting abilities and scope, a word linguistics professor Dr. Alice Howland used, albeit with great difficulties, to describe her daughter Lydia (played by Stewart) in one point of the film.
And what a performance by Julianne Moore that was! She essentially made an already rich character in Alice, a frankly too young Alzheimer's disease patient, who also happens to be a renown linguistics professor, even more dimensional and rich. Moore's Alice is a strong, intelligent woman when we first meet her at her birthday at the beginning of the film. At that moment, Moore is confident and full of purpose. As she gets diagnosed with a rare form of Alzheimer's disease, that her children might have inherited from her, and time goes by, Alice becomes a shadow of herself, whose mental health deteriorates at an alarmingly fast rate. And that is the part that Moore portrayed with such skill and graceful pain, that the viewer can't help but get irreversibly emotionally involved with her character. We feel for her, we cry with her, we wish she would get better, although it is clear that is sadly not going to happen. And Moore's Alice knows it as well. And that makes the journey through her story even more challenging, difficult and painful for the viewer. Or as Beverly Beckham of The Boston Globe put it "This is Alice Howland's story, for as long as she can tell it".
The film was directed and adapted by Richard Glatzer and Wash Westmoreland, who share both the writing and directing duties on almost all of their projects to date. The two somehow complete each other and find the balance, that is needed to tell such a delicate story in a manner, which can do it proper justice.
I will probably be the only one saying this, but I thought the score was tremendous as well. Kudos goes to composer Ilan Eshkeri, who did an amazing job on the film. The music is often intense and minimalistic, it feels like it is just an addition to the already rich environment the characters find themselves in and I would love to see at least a nomination at the Oscars for Eshkeri, although I highly doubt it.
So, to wrap it up in a nutshell: Still Alice is a wonderful film, an intimate and fascinating study in the field of family drama, and one of the year's best. I definitely hope to see some awards buzz mainly around the cast - both Alec Baldwin and Kristen Stewart deserve it for their delicate and supportive portrayal of husband John and youngest daughter Lydia, respectively, who never gave up on Moore's Alice. And Julianne Moore - well, what can I say - her brutally sad and honest portrayal of Alice deserves to go down in the books of top-notch acting and she will reap the fruits of her work a long time from now (well, mostly, at the end of February, I hope).
So it is a nine out of ten stars from me, only because I felt there could have been more screen time for the other children in the Howland family, and therefore the film could have been at least 10-15 minutes longer.
But solely on Julianne Moore, Alec Baldwin and Kristen Stewart's impeccable acting, I say this film is among the very best in the subject and also among the best titles this year.
My grade: 9/10
After seeing Damien Chazelle's Whiplash - a film the young up-and- coming director wished to do for some time now - being so beautifully realized and brought to life by everyone involved in the project, I was glad and relieved, mainly because I have seen the short film, which was pretty incredible.
I believe that among the most telling facts about a film's fortunes and qualities, is the ability to broaden it's public, but in the same time not forgetting that cinema is not all about commercial success and mass audiences.Or with other words - a film that is not just eye candy and booms and explosions, but also craft, soul, dedication and wits.
Those are some of the things not only the film itself possesses, but the people behind it have in abundance as well.
The upcoming Miles Teller plays the young and dedicated student Andrew Nieman, who has the drive, the ambition to succeed and to be great, which is fine, as long as it doesn't derail your personal life.A lesson the young drummer learns the hard way.
Blind ambition is the thing, that can describe our anti-hero of sorts, Terrence Fletcher a.k.a the brilliant J.K. Simmons, who has a thing for mindeffin' his students to the point of total physical and mental exhaustion and even depression.But he does it for a reason, for the sole purpose of finding the next big, even great, thing in jazz and in music as a whole.The next prodigy, the next "Yardbird" Charlie Parker that will be otherwise lost, if not being pushed to the very limit.
And boy, does J.K. Simmons nails it.Chazelle has done a masterful job in casting the two leads in Teller and Simmons.Their respective acts are full of purpose, full of tension and ultimately terrific.
Expect some awards going in the way of "Whiplash" and look out for Simmons in the Oscars shortlist, that's how good he is in it.And in his own words: "What a shame we wrapped it up in only 19 days".It must have been really fun playing a part like Terrence Fletcher and Simmons completely sold it.
As I said, the best movies are those, that reach out to the most diverse and wide spectrum of audiences, not those, who can connect to a massive number of people, who are representatives of only one specific audience type.And Chazelle has achieved just that with "Whiplash" - a precise, tension-building film, full of beautifully staged pieces and above all else, a love towards music and the challenges it often represents if you want to get to the very top.
The film ended in a big round of applause from the packed theater and I am sure that will be the case a long time from now!
My grade: 9/10
I believe that among the most telling facts about a film's fortunes and qualities, is the ability to broaden it's public, but in the same time not forgetting that cinema is not all about commercial success and mass audiences.Or with other words - a film that is not just eye candy and booms and explosions, but also craft, soul, dedication and wits.
Those are some of the things not only the film itself possesses, but the people behind it have in abundance as well.
The upcoming Miles Teller plays the young and dedicated student Andrew Nieman, who has the drive, the ambition to succeed and to be great, which is fine, as long as it doesn't derail your personal life.A lesson the young drummer learns the hard way.
Blind ambition is the thing, that can describe our anti-hero of sorts, Terrence Fletcher a.k.a the brilliant J.K. Simmons, who has a thing for mindeffin' his students to the point of total physical and mental exhaustion and even depression.But he does it for a reason, for the sole purpose of finding the next big, even great, thing in jazz and in music as a whole.The next prodigy, the next "Yardbird" Charlie Parker that will be otherwise lost, if not being pushed to the very limit.
And boy, does J.K. Simmons nails it.Chazelle has done a masterful job in casting the two leads in Teller and Simmons.Their respective acts are full of purpose, full of tension and ultimately terrific.
Expect some awards going in the way of "Whiplash" and look out for Simmons in the Oscars shortlist, that's how good he is in it.And in his own words: "What a shame we wrapped it up in only 19 days".It must have been really fun playing a part like Terrence Fletcher and Simmons completely sold it.
As I said, the best movies are those, that reach out to the most diverse and wide spectrum of audiences, not those, who can connect to a massive number of people, who are representatives of only one specific audience type.And Chazelle has achieved just that with "Whiplash" - a precise, tension-building film, full of beautifully staged pieces and above all else, a love towards music and the challenges it often represents if you want to get to the very top.
The film ended in a big round of applause from the packed theater and I am sure that will be the case a long time from now!
My grade: 9/10
As a non Star Trek fan, i might say i found the film staying as far as possible from that universe, without spoiling all the joy to the followers.J.J. Abrams has a way of doing this and i'm sure he'll do it again with Star Wars, although it is a little strange for one person to be doing probably the most iconic sci-fi movies for two of the most devoted fractions of fan groups, despite the fact they don't like each other-the hardcore fans especially-not one bit.
So, on with the film-i must confess i found the first film to be nothing special.Yes, some special effects thrown into it were indeed, spectacular, but the story itself was quite linear and straightforward.No intensity, no tension, only technicalities and quite the strange unit to be honest.It definitely had more for the fans, since it was basically an origins story, and that bugged me as well, because all i wanted was action, clever twists, some wit in the mix, and last, but not least-a great villain (which, albeit an A-lister, Eric Bana sadly isn't).
But for god's sake-Benedict Cumberbatch is!
The story was quite interesting, more than the first time for sure, some clever writing was involved and finally we get to see Kirk (Pine) and Spock (Quinto) actually act, you know-with real emotions and tears in their eyes.This time the action was more and even more impressive, some of the scenes were real space opera, a poetry of Kubrickan proportions.The tie-ins, as one friend, who's quite the Trekkie said, were quite a few, but this time around more delicately added and that also put a smile on my face.I recommend it to everyone and anyone who loves a good space adventure, even if he/she is not a fan of the series-because of that sole reason alone.
Now, the script is more elaborate, more twists are involved and, ahem, John Harrison (Cumberbatch) is probably the best written villain of recent memory.Worthy of a mention are his scene-stealing appearances on the Enterprise as he was locked on the ship.Sherlock just makes acting look a child's play.
The film itself is darker as promised, and i will see it again, because so much is happening at once, because it has it's flaws (everyone are superhuman, for instance, jumping back and forth through outer space looks like i can do it tied-handed and blindfolded).But it's moral dilemmas are overwhelming, and some moments are, in that respect, quite unforgettable and special.And for a film who wants to achieve much, greatness even, i believe this is the most important part indeed.It is a)-special, b)- harder to forget and c)just look at Cumberbatch, seriously, look at him.They say good actors are those, who can stay stone cold in one scene, and weep in the next-but he does both things.At once.In a single shot.And also i cannot say i remember anything from Kirk and Spock's first outing back in 2009.Only the technicalities on their ship pre-flight, the multinational flight squad, Anton Yelchin speaking weird (he does it again, but not as irritating) and some scene with a giant fire ray coming over from a planet (which i think , no disrespect, was destroyed- it even might've been Spock's planet, but it made no difference whatsoever, because i was not feeling it, because they were not feeling it).That's all can remember.
But now they do, it all looks better emotional-wise and i'm grateful to all of the cast for that.
Because of that, this time around, i won't be having the trouble remembering at all!
An almost great, independent (from the old-school Star Trek universe) and original film.
My rate 8.2/10
So, on with the film-i must confess i found the first film to be nothing special.Yes, some special effects thrown into it were indeed, spectacular, but the story itself was quite linear and straightforward.No intensity, no tension, only technicalities and quite the strange unit to be honest.It definitely had more for the fans, since it was basically an origins story, and that bugged me as well, because all i wanted was action, clever twists, some wit in the mix, and last, but not least-a great villain (which, albeit an A-lister, Eric Bana sadly isn't).
But for god's sake-Benedict Cumberbatch is!
The story was quite interesting, more than the first time for sure, some clever writing was involved and finally we get to see Kirk (Pine) and Spock (Quinto) actually act, you know-with real emotions and tears in their eyes.This time the action was more and even more impressive, some of the scenes were real space opera, a poetry of Kubrickan proportions.The tie-ins, as one friend, who's quite the Trekkie said, were quite a few, but this time around more delicately added and that also put a smile on my face.I recommend it to everyone and anyone who loves a good space adventure, even if he/she is not a fan of the series-because of that sole reason alone.
Now, the script is more elaborate, more twists are involved and, ahem, John Harrison (Cumberbatch) is probably the best written villain of recent memory.Worthy of a mention are his scene-stealing appearances on the Enterprise as he was locked on the ship.Sherlock just makes acting look a child's play.
The film itself is darker as promised, and i will see it again, because so much is happening at once, because it has it's flaws (everyone are superhuman, for instance, jumping back and forth through outer space looks like i can do it tied-handed and blindfolded).But it's moral dilemmas are overwhelming, and some moments are, in that respect, quite unforgettable and special.And for a film who wants to achieve much, greatness even, i believe this is the most important part indeed.It is a)-special, b)- harder to forget and c)just look at Cumberbatch, seriously, look at him.They say good actors are those, who can stay stone cold in one scene, and weep in the next-but he does both things.At once.In a single shot.And also i cannot say i remember anything from Kirk and Spock's first outing back in 2009.Only the technicalities on their ship pre-flight, the multinational flight squad, Anton Yelchin speaking weird (he does it again, but not as irritating) and some scene with a giant fire ray coming over from a planet (which i think , no disrespect, was destroyed- it even might've been Spock's planet, but it made no difference whatsoever, because i was not feeling it, because they were not feeling it).That's all can remember.
But now they do, it all looks better emotional-wise and i'm grateful to all of the cast for that.
Because of that, this time around, i won't be having the trouble remembering at all!
An almost great, independent (from the old-school Star Trek universe) and original film.
My rate 8.2/10
.....and that is kicking us right in the nuts, from the first moment on, until the credits have rolled out...and long after.
Only, this time this isn't a good thing.
From the writer of the critically acclaimed "Kids" and the director of "Gummo", you just know, that it's going to be brutal, it's going to be sadistic, and most shockingly-it's always going to be real-just as the emotional overload Chloe Sevigny was going through in "Kids".
But here-unlike his previous works-it's all to blurry and sugary and colorful, and thus Korine is unable to send us the right message about nowadays teenagers and the sheer downfall some of them are experiencing, while nobody's keeping an eye on them.And just like Franco's character Oz....ooops, i mean Alien(after all he's kinda used to the situation, where he has 3 or more (w)itches at his disposal)the movie is nothing, but an alienating attempt at hitting the right social strings and giving the American audience the punches it needs, in order to change the dystopian societies youth creates for itself.Sadly, it all looks so stylish and so outlandish in the same time, that at the end one feels like he has witnessed a low-budget sci-fi movie set in the near future after a war or a plague of some sort-that's how otherworldly it feels at times.
And that's the script to blame-Korine has done a terrible job at portraying a world, for which one needs more than just inside information to portray-it all feels overloaded with color, rap, chicks, but most importantly-this world lacks the severity and the raw, serious nature of the typical world of a "Lord of War"-something that both Franco and his friend- turned-nemesis aren't.The cold-blooded nature of a person, who's willing to do everything and anything to stay alive just isn't present.
You would say that it wasn't an attempt at a crime movie, yet all of the components are here.So, the assumption that one could make after seeing this mess is that's it's actually pretty genre-less.And that, for me, is the worst place a movie can go.
Now, on a lighter note-movie, that has teen-queens Vanessa Hudgens and Selena Gomez (albeit marketing's done a good job to cover the fact Gomez is absent for a big chunk of the movie), should be fun, right?Right?
Wrong.First of all-the likes of Disney Channel princess Selena Gomez don't have a place in such a movie-either you go all the way, showing you are no longer a 10-year old's wet teen-dream, or go home, because you take the part of a person, who's willing to do a performance of Spartacus-proportions here.I'm not saying i wish to see her naked, i'm saying it is stupid to give the role to a teen, that does not even know what she wants to be associated with-being a good girl on Disney Channel, or a bad girl in adults-oriented movies.In Spring Breakers she does neither.And that's maybe why her character looks so oddly in place-because she really just didn't want to star in this movie, just as her character Faith does not want to be around Franco and his friends, therefore in the center of the events in the movie.And she has no reason to go bad-girl-she definitely has in mind her fans.But, sadly, most of them, don't know what a quality film means yet, so they certainly don't know what a low-budget, B-grade, R-rated movie is, as they fill the PG-13 quote(let's face it-Gomez's fans are essentially low-teen teens), in the best case-scenario.So, Gomez can't get her people to the theater, her cast is totally unneeded.And i probably won't end up talking so much about her in my life...again...
The more interesting subject here is Vanessa Hudgens-she is the right Disney Channel-cast and she's definitely up for a transition to adults-oriented cinema, as she showed with films such as Sucker Punch or Beastly.I actually think she has some potential to rise above her teen-star-wet-dream-status and no 13-year old would like her in the role of the twisted devil she plays in this movie, which is-in my opinion-a good thing.It's time for her to do the leap, and so far she has been bold enough doing it.
Now, back to Alien for a moment.I don't want to discuss Franco's performance any further, 'cause i find words even harder.As a Francophile, i'll just say that in any other day, i would crucified him, but in such a blunt, blank, train wreck of a movie, he would be the only memorable thing in mind after a few hours have passed...he and the 175 pairs of boobs of all kinds and shapes we get to see, mixed with the music Korine thinks young people listen to...well, do we not?
So, a couple of nice and stylishly-shot scenes and interesting soundscape don't make for an otherwise surprisingly dull and empty- shelled movie you'll have a hard time remembering in a few days.Voiced over, designed to be repulsive and thought-provoking with a certain social element to rise awareness of the problems of the youth system as a whole, this attempt at a movie feels empty on the subject and just falls short.
My grade:5/10
Only, this time this isn't a good thing.
From the writer of the critically acclaimed "Kids" and the director of "Gummo", you just know, that it's going to be brutal, it's going to be sadistic, and most shockingly-it's always going to be real-just as the emotional overload Chloe Sevigny was going through in "Kids".
But here-unlike his previous works-it's all to blurry and sugary and colorful, and thus Korine is unable to send us the right message about nowadays teenagers and the sheer downfall some of them are experiencing, while nobody's keeping an eye on them.And just like Franco's character Oz....ooops, i mean Alien(after all he's kinda used to the situation, where he has 3 or more (w)itches at his disposal)the movie is nothing, but an alienating attempt at hitting the right social strings and giving the American audience the punches it needs, in order to change the dystopian societies youth creates for itself.Sadly, it all looks so stylish and so outlandish in the same time, that at the end one feels like he has witnessed a low-budget sci-fi movie set in the near future after a war or a plague of some sort-that's how otherworldly it feels at times.
And that's the script to blame-Korine has done a terrible job at portraying a world, for which one needs more than just inside information to portray-it all feels overloaded with color, rap, chicks, but most importantly-this world lacks the severity and the raw, serious nature of the typical world of a "Lord of War"-something that both Franco and his friend- turned-nemesis aren't.The cold-blooded nature of a person, who's willing to do everything and anything to stay alive just isn't present.
You would say that it wasn't an attempt at a crime movie, yet all of the components are here.So, the assumption that one could make after seeing this mess is that's it's actually pretty genre-less.And that, for me, is the worst place a movie can go.
Now, on a lighter note-movie, that has teen-queens Vanessa Hudgens and Selena Gomez (albeit marketing's done a good job to cover the fact Gomez is absent for a big chunk of the movie), should be fun, right?Right?
Wrong.First of all-the likes of Disney Channel princess Selena Gomez don't have a place in such a movie-either you go all the way, showing you are no longer a 10-year old's wet teen-dream, or go home, because you take the part of a person, who's willing to do a performance of Spartacus-proportions here.I'm not saying i wish to see her naked, i'm saying it is stupid to give the role to a teen, that does not even know what she wants to be associated with-being a good girl on Disney Channel, or a bad girl in adults-oriented movies.In Spring Breakers she does neither.And that's maybe why her character looks so oddly in place-because she really just didn't want to star in this movie, just as her character Faith does not want to be around Franco and his friends, therefore in the center of the events in the movie.And she has no reason to go bad-girl-she definitely has in mind her fans.But, sadly, most of them, don't know what a quality film means yet, so they certainly don't know what a low-budget, B-grade, R-rated movie is, as they fill the PG-13 quote(let's face it-Gomez's fans are essentially low-teen teens), in the best case-scenario.So, Gomez can't get her people to the theater, her cast is totally unneeded.And i probably won't end up talking so much about her in my life...again...
The more interesting subject here is Vanessa Hudgens-she is the right Disney Channel-cast and she's definitely up for a transition to adults-oriented cinema, as she showed with films such as Sucker Punch or Beastly.I actually think she has some potential to rise above her teen-star-wet-dream-status and no 13-year old would like her in the role of the twisted devil she plays in this movie, which is-in my opinion-a good thing.It's time for her to do the leap, and so far she has been bold enough doing it.
Now, back to Alien for a moment.I don't want to discuss Franco's performance any further, 'cause i find words even harder.As a Francophile, i'll just say that in any other day, i would crucified him, but in such a blunt, blank, train wreck of a movie, he would be the only memorable thing in mind after a few hours have passed...he and the 175 pairs of boobs of all kinds and shapes we get to see, mixed with the music Korine thinks young people listen to...well, do we not?
So, a couple of nice and stylishly-shot scenes and interesting soundscape don't make for an otherwise surprisingly dull and empty- shelled movie you'll have a hard time remembering in a few days.Voiced over, designed to be repulsive and thought-provoking with a certain social element to rise awareness of the problems of the youth system as a whole, this attempt at a movie feels empty on the subject and just falls short.
My grade:5/10
This review may be coming a little bit late, considering i saw the movie back in November, but i wanted to check one or two things before i write it.I wanted to see whether or not the movie will receive any Academy awards buzz from the the Golden Globes and the various Guild awards.I wanted to wait, because i could not believe the hype surrounding it.I saw it, and i was not that impressed at all.So after some amount of time has passed and the seven Academy nominations have been announced, i thought it was time for a second viewing, in order to try and change my mind about the movie, but-no.
First of all, i enjoyed Gone Baby Gone and The Town of Affleck's repertoire much more than i did with Argo.I would even recommend Zero Dark Thirty (Bigelow's recent take on historical events, that are important to American society)ahead of Argo.That being said, Affleck's based-on-true-story-sci-fi-flick has it's strenghts.
The fact that the movie is solid enough and that a thorough enough background-check on the events depicted in it, are made, admittedly do the movie some justice.It's well and accurately written, but a nomination is as far as it can stretch itself.Never mind the fact that Affleck is still weaker in front of the camera, than he is behind it, this is clearly visible.One might even wonder how he has that experience as an actor and as a director and be so far ahead with the material when at the helm of a movie.
So, the era is accurately depicted, even the jokes, sets, clothing, music-all fits the bill, although Led Zeppelin's When the Levee Breaks is probably 10-12 years earlier, thus not from this period.But i'm willing to close my eyes on this one, considering the love i have towards Plant&co.On that subject, Aerosmith and Dream On were more accurately chosen, although only for the trailer.
The technical part of the movie was almost excellent, i mean there isn't any breakout aspect to put in the running for some awards (although some people obviously think there is), all in all everything was good enough.Maybe only William Goldenberg can get a nod over the others, but he'll have stiff competition from his other movie, Zero Dark Thirty and himself.As this is pretty evident by now, he has two nominations in one category for two different movies.So, it will be pretty interesting to see which movie do the critics hold in higher regard-this category will tell.For me, that should be "Zero".
So, technically good, historically accurate, even a little tense, so what's the matter, you might ask.Very simple.Contrary to popular belief, that has been planted in most people's minds, there actually was no acting in this movie.Not a single part was properly played by nobody, including you, Mr. Arkin.I can't understand where did this nomination come from, but in my eyes it is totally undeserved.Arkin and Goodman were of course fine, fun to watch, but the parts they played, others have played so long ago and to a better extend.When we start off with Sunset Blvd. and stop at present-day Hank Moody, there are people much more prepared to the challenges of playing a movie guy.Arkin was fine, but for 10 minutes of screen time you just can't receive that kind of reception and you just can't make this big of an impact.It is not normal.Not that they are, those awards and guild-members.
So, if i have to sum it up in a nutshell-the screenplay was good enough, the directing was decent as well, the acting was stiff at best (i'm looking at you, Ben), the era was pretty impressively(although inaccurately story-wise) depicted (still looking at you, Ben), the technical part was top-notch (William Goldberg), but all in all this does not make up for the "masterpiece" many of you claimed it to be.
If i had to recommend it, i would, simply because of it's must-see- based-on-true-story(although if we have to go there, discussing how accurate it really is, we'd be in for a long night) factor.But, as i said earlier, i'm not that impressed and there is nothing all that much to be impressed with.And Best Picture?No way!!
My rate: 6.5/10
First of all, i enjoyed Gone Baby Gone and The Town of Affleck's repertoire much more than i did with Argo.I would even recommend Zero Dark Thirty (Bigelow's recent take on historical events, that are important to American society)ahead of Argo.That being said, Affleck's based-on-true-story-sci-fi-flick has it's strenghts.
The fact that the movie is solid enough and that a thorough enough background-check on the events depicted in it, are made, admittedly do the movie some justice.It's well and accurately written, but a nomination is as far as it can stretch itself.Never mind the fact that Affleck is still weaker in front of the camera, than he is behind it, this is clearly visible.One might even wonder how he has that experience as an actor and as a director and be so far ahead with the material when at the helm of a movie.
So, the era is accurately depicted, even the jokes, sets, clothing, music-all fits the bill, although Led Zeppelin's When the Levee Breaks is probably 10-12 years earlier, thus not from this period.But i'm willing to close my eyes on this one, considering the love i have towards Plant&co.On that subject, Aerosmith and Dream On were more accurately chosen, although only for the trailer.
The technical part of the movie was almost excellent, i mean there isn't any breakout aspect to put in the running for some awards (although some people obviously think there is), all in all everything was good enough.Maybe only William Goldenberg can get a nod over the others, but he'll have stiff competition from his other movie, Zero Dark Thirty and himself.As this is pretty evident by now, he has two nominations in one category for two different movies.So, it will be pretty interesting to see which movie do the critics hold in higher regard-this category will tell.For me, that should be "Zero".
So, technically good, historically accurate, even a little tense, so what's the matter, you might ask.Very simple.Contrary to popular belief, that has been planted in most people's minds, there actually was no acting in this movie.Not a single part was properly played by nobody, including you, Mr. Arkin.I can't understand where did this nomination come from, but in my eyes it is totally undeserved.Arkin and Goodman were of course fine, fun to watch, but the parts they played, others have played so long ago and to a better extend.When we start off with Sunset Blvd. and stop at present-day Hank Moody, there are people much more prepared to the challenges of playing a movie guy.Arkin was fine, but for 10 minutes of screen time you just can't receive that kind of reception and you just can't make this big of an impact.It is not normal.Not that they are, those awards and guild-members.
So, if i have to sum it up in a nutshell-the screenplay was good enough, the directing was decent as well, the acting was stiff at best (i'm looking at you, Ben), the era was pretty impressively(although inaccurately story-wise) depicted (still looking at you, Ben), the technical part was top-notch (William Goldberg), but all in all this does not make up for the "masterpiece" many of you claimed it to be.
If i had to recommend it, i would, simply because of it's must-see- based-on-true-story(although if we have to go there, discussing how accurate it really is, we'd be in for a long night) factor.But, as i said earlier, i'm not that impressed and there is nothing all that much to be impressed with.And Best Picture?No way!!
My rate: 6.5/10
Do not get me wrong, the movie is not that good when you get the lovely, energetic, fascinating and brutally honest portrayal of Chastain's CIA agent Maya out of the picture.It would've still be solid, controversial and updated with events, but the X-particle would have been missing.That's what the actress brought to the movie.
The cast is fine-a solid, convincing ensemble, that did their respective jobs very well.I can see why people like Mark Strong and James Gandolfini got some roles in the movie.It's always good to work with a so-called red-hot director at the helm of her so-called favourite turf- war movies.Their cameos, especially Gandolfini's (because Mark Strong was under the spotlights for a little longer) made a refreshing break from the main tone of the movie midway through it, at the moment we needed something different the most.Overall, the cast was an improvement over Bigelow's last effort in the genre.
With "The Locker" i wasn't impressed at all, i was actually on the other end of emotions-i did not understand what all the people saw in it.Overlong and flat, you' be left wondering why so many strange sequences occurred in the movie.And if you are still awake, that is.But Bigelow has improved in those few years.She has a better eye for the cinematic, her cast is stronger, she changes paste effortlessly and now has a sense of jumping in one scene after another almost flawlessly.Those things, in my humble opinion, were not that visible in "The Locker" as mostly critics screamed they were.But the movie ended being the biggest Oscar contender and winner without being the best movie that same year, so what do i know.The only department "The Locker" still overshadows "Zero Dark Thirty" is the tension.No that it wasn't evident here, but more than enough was provided by Bigelow in her last effort.Well, frankly, the nature of the movie was different and couldn't have hurt it.
So, with all that being said, with the beautiful performance by Chastain, who is becoming a real power on the horizon with every single movie she takes, with a haunting performance from Reda Kateb's Ammar in the beginning, where one might feel heartbroken for the guy, what's the problem with the movie, You might ask.
The script!This thing that has been nominated out of sheer patriotism is worth nothing.Some of the lines Boal wrote were sheer ridiculousness at it's finest.No one screams words like "motherfucker" in the CIA director's face at a high-level terrorist-related meeting, even if there is no profane context hidden behind it and even if the CIA boss's role has been handled by the almighty Tony Soprano.Jessica Chastain was actually so good and mesmerizing throughout the course of the movie, that she handled this particular scene with calm and confidence.She was the one screaming it, if it is not yet crystal-clear.And she's been forgiven, she's not to blame at all.Continuing with Boal's outrageous screen writing we find ourselves in the middle of a mission, where the SEALs (who behaved like total children throughout their limited number of scenes, shame on you, Edgerton, i'm looking at you, because one would expect this from Chris Pratt) enter a suspect's house and begin to quietly repeat every single inhabitant's name until, like rabbits, they all come out and they all get shot.A totally unneeded and distracting scene, which took off a lot from the sheer brilliancy and tension off the last sequence of the movie.And even if there were some documented evidence speaking that it was all true, i don't believe that a clever off-the-grid person will be so stupid to get out and check who is calling him by name in the middle of a SEALs mission in his home.I repeat, even if it were true, for the sake of the film itself, leave it out, do not go there!!That's why i think the final act was less suspenseful than Bigelow's last warfare effort.Besides the fact we all now how it ends, of course.And, once again, thank God Jessica Chastain is around to save the day and bring some humanity and emotion to the movie.:But what the heck, let's give a 100/100 to the movie, because we love America".That's the reception right now, as it was with "Argo"...and once again, thank the cinematic Gods for Jessica Chastain's true, emotional, fascinating, electrifying performance!!
At the very end she showed that even in a job well done and even in the years spend doing nothing but this particular job, there is no consolation, there are no smiles, nor happiness.Only a 12-years long hole of emptiness that's being left there.Like a homecoming soldier, who still lives with his brothers in arms, Jessica Chastain's Maya-has a tough way ahead of her.A way filled with new strives and challenges, dreams even.But a long and tough way back to ordinary life, life as it was.This sense of nostalgia is brought in absolutely uncompromising way to the screen by Chastain.
The movie itself would have been a 6/10 without Chastain to say the least, with Boal it falls even steeper, but this new actress (by Hollywood laws that is), makes this whole ride unforgettable in the coming awards-season.
Two thumbs up for a lovely Chastain and hopefully an Oscar this time around!!
My rate:9/10
The cast is fine-a solid, convincing ensemble, that did their respective jobs very well.I can see why people like Mark Strong and James Gandolfini got some roles in the movie.It's always good to work with a so-called red-hot director at the helm of her so-called favourite turf- war movies.Their cameos, especially Gandolfini's (because Mark Strong was under the spotlights for a little longer) made a refreshing break from the main tone of the movie midway through it, at the moment we needed something different the most.Overall, the cast was an improvement over Bigelow's last effort in the genre.
With "The Locker" i wasn't impressed at all, i was actually on the other end of emotions-i did not understand what all the people saw in it.Overlong and flat, you' be left wondering why so many strange sequences occurred in the movie.And if you are still awake, that is.But Bigelow has improved in those few years.She has a better eye for the cinematic, her cast is stronger, she changes paste effortlessly and now has a sense of jumping in one scene after another almost flawlessly.Those things, in my humble opinion, were not that visible in "The Locker" as mostly critics screamed they were.But the movie ended being the biggest Oscar contender and winner without being the best movie that same year, so what do i know.The only department "The Locker" still overshadows "Zero Dark Thirty" is the tension.No that it wasn't evident here, but more than enough was provided by Bigelow in her last effort.Well, frankly, the nature of the movie was different and couldn't have hurt it.
So, with all that being said, with the beautiful performance by Chastain, who is becoming a real power on the horizon with every single movie she takes, with a haunting performance from Reda Kateb's Ammar in the beginning, where one might feel heartbroken for the guy, what's the problem with the movie, You might ask.
The script!This thing that has been nominated out of sheer patriotism is worth nothing.Some of the lines Boal wrote were sheer ridiculousness at it's finest.No one screams words like "motherfucker" in the CIA director's face at a high-level terrorist-related meeting, even if there is no profane context hidden behind it and even if the CIA boss's role has been handled by the almighty Tony Soprano.Jessica Chastain was actually so good and mesmerizing throughout the course of the movie, that she handled this particular scene with calm and confidence.She was the one screaming it, if it is not yet crystal-clear.And she's been forgiven, she's not to blame at all.Continuing with Boal's outrageous screen writing we find ourselves in the middle of a mission, where the SEALs (who behaved like total children throughout their limited number of scenes, shame on you, Edgerton, i'm looking at you, because one would expect this from Chris Pratt) enter a suspect's house and begin to quietly repeat every single inhabitant's name until, like rabbits, they all come out and they all get shot.A totally unneeded and distracting scene, which took off a lot from the sheer brilliancy and tension off the last sequence of the movie.And even if there were some documented evidence speaking that it was all true, i don't believe that a clever off-the-grid person will be so stupid to get out and check who is calling him by name in the middle of a SEALs mission in his home.I repeat, even if it were true, for the sake of the film itself, leave it out, do not go there!!That's why i think the final act was less suspenseful than Bigelow's last warfare effort.Besides the fact we all now how it ends, of course.And, once again, thank God Jessica Chastain is around to save the day and bring some humanity and emotion to the movie.:But what the heck, let's give a 100/100 to the movie, because we love America".That's the reception right now, as it was with "Argo"...and once again, thank the cinematic Gods for Jessica Chastain's true, emotional, fascinating, electrifying performance!!
At the very end she showed that even in a job well done and even in the years spend doing nothing but this particular job, there is no consolation, there are no smiles, nor happiness.Only a 12-years long hole of emptiness that's being left there.Like a homecoming soldier, who still lives with his brothers in arms, Jessica Chastain's Maya-has a tough way ahead of her.A way filled with new strives and challenges, dreams even.But a long and tough way back to ordinary life, life as it was.This sense of nostalgia is brought in absolutely uncompromising way to the screen by Chastain.
The movie itself would have been a 6/10 without Chastain to say the least, with Boal it falls even steeper, but this new actress (by Hollywood laws that is), makes this whole ride unforgettable in the coming awards-season.
Two thumbs up for a lovely Chastain and hopefully an Oscar this time around!!
My rate:9/10
The Transformers series are a very strange and curious trilogy.The first was interesting, a little longer than the plot was capable of handling, but nonetheless enjoyable for what it is.
Then, the second one came around with initial reviews claiming it was a loud-explosion mess of a movie.Yes, i left the theatre deaf as a post, but i still accepted it for what it was-a brainless, one-liner, visual effects driven non-plot having extravaganza, that can take your ears to the grave.Yes, it was a little sub par on plot and substance, but i enjoyed it for what it is-a summer Michael Bay movie.
Now, with the third coming, i must say, that all of you, who were left unhappy, deaf and unsatisfied, you must forget it and see the third part as a reincarnation in a Sci-Fi classic, just like the likes of the nowadays Inception, or District 9 and so on, but with more effects, less inappropriate noise and featuring one of the most breathtaking scenery of giant robots fighting on 3-D.The technical part of the movie is done better than ever, on par up there with Avatar (yes, it's getting a cliché, but it's nevertheless true)and there is a believable plot, considering the flops they used to call stories in the first two movies (again, compared with this, of course).
The acting isn't great, but it's an improvement, considering the movie's improvement in any other department as well.Even Rosie looks a little better than Megan Fox.Shia LaBeouf is the running man again, and with some additions such as Patrick Dempsey, John Malkovich and even the twist in Turturro's character, Transformers 3 looks fresher than ever.
With good reviews coming from literary everywhere right now, i do hope people will believe, because this movie does not deserve to be in the box office shade of it's predecessors, because it is so much better.
So, i'll leave you with this-go see it not because you still have faith in the franchise, but see it because as it looks to you, the movie is really different from the other two (which Bay also claimed to be "dark"), and last but not least, see it for the mind-blowing SFX's, which have not been seen since December 2009...
A great summer movie, a modern action, Sci-Fi movie, which will wind up in many movie collections over the years to come!
Ny note:10/10
Then, the second one came around with initial reviews claiming it was a loud-explosion mess of a movie.Yes, i left the theatre deaf as a post, but i still accepted it for what it was-a brainless, one-liner, visual effects driven non-plot having extravaganza, that can take your ears to the grave.Yes, it was a little sub par on plot and substance, but i enjoyed it for what it is-a summer Michael Bay movie.
Now, with the third coming, i must say, that all of you, who were left unhappy, deaf and unsatisfied, you must forget it and see the third part as a reincarnation in a Sci-Fi classic, just like the likes of the nowadays Inception, or District 9 and so on, but with more effects, less inappropriate noise and featuring one of the most breathtaking scenery of giant robots fighting on 3-D.The technical part of the movie is done better than ever, on par up there with Avatar (yes, it's getting a cliché, but it's nevertheless true)and there is a believable plot, considering the flops they used to call stories in the first two movies (again, compared with this, of course).
The acting isn't great, but it's an improvement, considering the movie's improvement in any other department as well.Even Rosie looks a little better than Megan Fox.Shia LaBeouf is the running man again, and with some additions such as Patrick Dempsey, John Malkovich and even the twist in Turturro's character, Transformers 3 looks fresher than ever.
With good reviews coming from literary everywhere right now, i do hope people will believe, because this movie does not deserve to be in the box office shade of it's predecessors, because it is so much better.
So, i'll leave you with this-go see it not because you still have faith in the franchise, but see it because as it looks to you, the movie is really different from the other two (which Bay also claimed to be "dark"), and last but not least, see it for the mind-blowing SFX's, which have not been seen since December 2009...
A great summer movie, a modern action, Sci-Fi movie, which will wind up in many movie collections over the years to come!
Ny note:10/10
Listening to Emily Browning's adaptation of Eurythmics's Sweet Dreams, i must say i found some decisions in the movie-making process very bizarre, decisions made mainly by Zack Snyder, coming right out of the blue.
For example, he wrote the script directly as a PG-13 movie, something very untypical for him.In an interview, he stated, that the movie was already to cruel and the story itself was too hard on viewers for him to make it an R-rated movie.So he did it directly for PG-13.When does that ever stopped him to do it.In Watchmen, there were some pretty intense and gross, so to say, scenes, that it was hard to bear.And in Sucker Punch, the opening scene was intense, full of emotions, so was the ending as well, but that's not a reason for Zack no to do what he's best at.So that was a sucker punch for the audience, and as well a reason for the movie not to fit in to the frame of most Zack Snyder movies.Even his remake of Romero's Dawn of the Dead was performing better at the domestic box office in it's start, not to mention Watchmen and 300.
Besides that, there are some plot holes to be seen here or there, acting to be improved and some other details, that need to be touched to be perfect.
So saying all that, i shall explain why i'll rather give the movie the full note than apply those weaknesses to the note.Zack Snyder has those skills, i personally think no other director has.He has the ability to speak to the audience with his style with what we see on screen, combined with the powerful soundtracks and songs he and Tyler Bates, the composer, use.He lets his visually rich and upgraded style speak for himself, and that's very unique for him and for the movies he make.There literary is no dialogue in the first few minutes of the movie, he allows the viewer to see and be a part of the experience, of those frames.The feeling in the viewer is stronger when it's all shown, rather than spoken of.Actions are stronger than words.And Zack Snyder knows that.With him words are not necessary for the strenght of a movie.And that he makes perfect good use of.That's what's impressive with his work, and that's why i'll give the full note to the movie, as i did to 300 and Watchmen despite some flaws and holes.
Otherwise, the CGI was great, the movie as a whole is a visual masterpiece and people will see that a lot of effort and commitment is sacrificed for the quality, the movie has.The crystal clear shots, made a little 60s like, are great and the fight sequences and than the train and castle sequences in the imaginary world, that Babydoll's in are great.So there can't be any complaints about that.
The acting was something that could've been up a little bit.Emily Browning is very lovable and convincing in her role as Babydoll, a young girl, who experienced the death of her mother and sister, and her stepfather, involved in it.He institutionalizes her and she reprises this part of her role almost perfect.She has the needed experience from her last movie, The Uninvited, where the role is very similar to this one, at least most of it.Shid did a perfect job with the other part of her role as well, being a somewhat silent but very skillful and good looking deadly warrior, killing everything in her way to survive in the imaginary world she creates, in the brothel and in the mental institution she's at.Abbie Cornish was also solid in her role as one of the girls in the facility.Vera Gorski and Blue Jones, played by Carla Gugino and Oscar Isaac were good as well, although his role is very unpleasant so to say.
So the acting was good and it's obvious, that the cast had a great time together.That's mainly because of another great choice Zack Snyder and Tyler Bates've made.They let Emily Browning, who, aside from her acting skills, is obviously a talented singer as well, perform some of the songs, for example Sweet Dreams and Asleep, both of witch were reprised and remade perfectly for the film.The voices of the other actresses can be heard in the background of the songs.So that made a great bond between the actors and what helped to improve the movie.
So with some great decisions from the team and some great performances from the cast (mainly Emily Browning pulling the movie forward), the movie ended up as a very entertaining movie-going experience, sad and intense at moments, breathtaking and cool in others.All in all, it could've been better but i liked it like that as well and in order to get some things straight, i'm ready to see it once more.
I liked it, one of the first movies a really liked this year, and although this wasn't Zack Snyder's best effort financially, the movie definitely has it's fans, and so it marks the true beginning of the movie season.
Not Zack Snyder's best, but i'll give it the full note anyway.Bring on Superman:Man of Steel!
10/10
P.S.There are tributes to some classics in the movie, classics such as LOTR, i'm sure you'll notice them :)
For example, he wrote the script directly as a PG-13 movie, something very untypical for him.In an interview, he stated, that the movie was already to cruel and the story itself was too hard on viewers for him to make it an R-rated movie.So he did it directly for PG-13.When does that ever stopped him to do it.In Watchmen, there were some pretty intense and gross, so to say, scenes, that it was hard to bear.And in Sucker Punch, the opening scene was intense, full of emotions, so was the ending as well, but that's not a reason for Zack no to do what he's best at.So that was a sucker punch for the audience, and as well a reason for the movie not to fit in to the frame of most Zack Snyder movies.Even his remake of Romero's Dawn of the Dead was performing better at the domestic box office in it's start, not to mention Watchmen and 300.
Besides that, there are some plot holes to be seen here or there, acting to be improved and some other details, that need to be touched to be perfect.
So saying all that, i shall explain why i'll rather give the movie the full note than apply those weaknesses to the note.Zack Snyder has those skills, i personally think no other director has.He has the ability to speak to the audience with his style with what we see on screen, combined with the powerful soundtracks and songs he and Tyler Bates, the composer, use.He lets his visually rich and upgraded style speak for himself, and that's very unique for him and for the movies he make.There literary is no dialogue in the first few minutes of the movie, he allows the viewer to see and be a part of the experience, of those frames.The feeling in the viewer is stronger when it's all shown, rather than spoken of.Actions are stronger than words.And Zack Snyder knows that.With him words are not necessary for the strenght of a movie.And that he makes perfect good use of.That's what's impressive with his work, and that's why i'll give the full note to the movie, as i did to 300 and Watchmen despite some flaws and holes.
Otherwise, the CGI was great, the movie as a whole is a visual masterpiece and people will see that a lot of effort and commitment is sacrificed for the quality, the movie has.The crystal clear shots, made a little 60s like, are great and the fight sequences and than the train and castle sequences in the imaginary world, that Babydoll's in are great.So there can't be any complaints about that.
The acting was something that could've been up a little bit.Emily Browning is very lovable and convincing in her role as Babydoll, a young girl, who experienced the death of her mother and sister, and her stepfather, involved in it.He institutionalizes her and she reprises this part of her role almost perfect.She has the needed experience from her last movie, The Uninvited, where the role is very similar to this one, at least most of it.Shid did a perfect job with the other part of her role as well, being a somewhat silent but very skillful and good looking deadly warrior, killing everything in her way to survive in the imaginary world she creates, in the brothel and in the mental institution she's at.Abbie Cornish was also solid in her role as one of the girls in the facility.Vera Gorski and Blue Jones, played by Carla Gugino and Oscar Isaac were good as well, although his role is very unpleasant so to say.
So the acting was good and it's obvious, that the cast had a great time together.That's mainly because of another great choice Zack Snyder and Tyler Bates've made.They let Emily Browning, who, aside from her acting skills, is obviously a talented singer as well, perform some of the songs, for example Sweet Dreams and Asleep, both of witch were reprised and remade perfectly for the film.The voices of the other actresses can be heard in the background of the songs.So that made a great bond between the actors and what helped to improve the movie.
So with some great decisions from the team and some great performances from the cast (mainly Emily Browning pulling the movie forward), the movie ended up as a very entertaining movie-going experience, sad and intense at moments, breathtaking and cool in others.All in all, it could've been better but i liked it like that as well and in order to get some things straight, i'm ready to see it once more.
I liked it, one of the first movies a really liked this year, and although this wasn't Zack Snyder's best effort financially, the movie definitely has it's fans, and so it marks the true beginning of the movie season.
Not Zack Snyder's best, but i'll give it the full note anyway.Bring on Superman:Man of Steel!
10/10
P.S.There are tributes to some classics in the movie, classics such as LOTR, i'm sure you'll notice them :)
Not many animations like Rio come around these days.When i first saw the trailer and the team behind this very anticipated animation, the Ice Age team, i knew it will be very enjoyable and fun to watch.Seeing a TV spot right now, i remember that it was all those things, but much more as well.The quality of the animation was unique-only two or three movies can still compete with this and those are Tangled, Up and How to Train Your Dragon.But still, there was so much going on in Rio, the birds, the colors, the non-stopping stream of movement, lights, music and songs, around the carnival in Rio or in the opening and closing scenes with the singing and dancing of the birds in the forests around the city.So much was going on and with such quality, that no animation has matched.And those epic proportions of the animation are its strongest qualities.Something one can't see every day.
The character development was very good, beginning with a little background of the macaw bird Blu's life, with his owner Linda in Minnesota.Maybe, the other macaw, Jewel, was a little underdeveloped as a character, but with positive reviews coming, there might be a sequel coming on the way as well.Then, Jewel's background might be better developed.
With an animation of such proportions, some box office power along with a few Oscar noms will surely be along the way and the fact that it takes place in Rio alone, will act as an audience magnet, given that Rio's one of the most popular and non-stopping cities in the world.This magical feeling stays all along the movie.You just can't forget you're in Rio.
Rio is as well another example of an animation, worth the time and money of both young and grown-ups.That's what catches the eye.20-th Century Fox has made a great animation and with the possible box-office power of the movie, a sequel might as well be on the works.
So, a great animation, very epic and visually stunning, Rio will keep everyone mesmerized and captivated long after the end, and personally for me is one of the best, if not the bast animation i've seen.
I definitely hope for a sequel and i'll definitely see it again, at the movies.
10/10 for this stunning, colorful, heartwarming and breathtaking experience, named Rio!
P.S.The one thing i thought was missing, was Bellini's Samba De Janeiro- this song can make the mood of every crowd in the world :)
The character development was very good, beginning with a little background of the macaw bird Blu's life, with his owner Linda in Minnesota.Maybe, the other macaw, Jewel, was a little underdeveloped as a character, but with positive reviews coming, there might be a sequel coming on the way as well.Then, Jewel's background might be better developed.
With an animation of such proportions, some box office power along with a few Oscar noms will surely be along the way and the fact that it takes place in Rio alone, will act as an audience magnet, given that Rio's one of the most popular and non-stopping cities in the world.This magical feeling stays all along the movie.You just can't forget you're in Rio.
Rio is as well another example of an animation, worth the time and money of both young and grown-ups.That's what catches the eye.20-th Century Fox has made a great animation and with the possible box-office power of the movie, a sequel might as well be on the works.
So, a great animation, very epic and visually stunning, Rio will keep everyone mesmerized and captivated long after the end, and personally for me is one of the best, if not the bast animation i've seen.
I definitely hope for a sequel and i'll definitely see it again, at the movies.
10/10 for this stunning, colorful, heartwarming and breathtaking experience, named Rio!
P.S.The one thing i thought was missing, was Bellini's Samba De Janeiro- this song can make the mood of every crowd in the world :)
I must begin with the explanation of why i'm giving the full note to the movie-i wasn't the biggest fan of the original Tron (1982) when i saw it, and even though i didn't expect much from the sequel, i was eager to see it, because i am a fan, a huge admirer of Olivia Wilde's and because the timeframe reminded me of another movie, i wasn't so keen to see, last year.A movie, which then turned out to be one of the fullest movies of the year-full of both heart and soul.I even saw it the same day-on the 19-th last year.And i said to myself, there were too many things alike, such as the fact i saw Legacy's trailer at the teather, just before the beginning of Avatar-too many things to throw away such an opportunity.
So today i went, and i was totally blown away by, by almost everything.I guess that's what happens when you see a movie you didn't expect to be something special, but that wasn't the case.The experience itself was special-and not in terms in time and date and likeness but in terms of quality.The costumes, the effects, the music, the tone of the movie were special.
The actors were the thing i actually wanted to be a little better.I always felt strange, seeing a Jeff Bridges movie-he clearly can act and is a great actor, but i don't like his style very much.I quite expected he would be the show-stealing actor, but i was wrong.It was the beautiful and stunning Olivia Wilde.I am a fan of hers and i always knew she is a great actress with huge potential, but was sad, so to say, by the fact she was great in TV-shows mostly-in House or the O.C. she's great, and now she put that passion in a big project so her talent can be visible for audiences around the world.She has great looks and is a skillfull actress.Only by the look of her eyes i felt what she feels, and that's very important.The bond, the connection with the people, ordinary people in the audience like me was so real and was what left us wanting for more even from other movies.She did that, a thing only a handful of people can do.That's what makes her such important for the movie.I know it sounds cliché but she is really the only woman for this role.No one else could've done it better.Garrett Hedlund, or Sam, was also interesting to see-a fact, i didn't see from the trailers-he has potential and he showed that in the movie.And i forgot to check who played Zuse, but i'm sure it was Michael Sheen, because only he is so crazy and unique in his style.He brought brilliancy and sheer entertainment in his role, it was something great to see.
When we talk about the people behind the movie, we must pay a huge credit of the rookie director Joseph Kosinski.Disney made another brilliant gambling move, that's paying off.The man knows what he's doing and the studio was aware of that fact.I'm paying a huge debt to him for the effects as well, because he works with computer generated imagery, also a specialty of his.It will be an interesting thing, to follow his upcoming career moves and projects-he'll become a big face, i'm sure of that.
All in all production and effects were great, some fresh faces were introduced and some-rediscovered in this one-hell-of-a-ride sequel, which will stand in mind for a long time to come.Avatar and Tron formed a Christmas movie-going tradition, that one only could hope continues the next year and the one afterwards(a little bit like Saw & PA's Halloween traditions).We, moviegoers, can only hope for things to continue in this direction, because you've brought warmth to this moviegoer's heart during winter-time.I hope people like Joseph Kosinski and Garrett Hedlund continue develop, Jeff Bridges to keep making strange, but otherwise captivating roles, and last but not least, Olivia Wilde to progress, because, she's not just another beautiful face, but a mesmerizing actress as well, who can heaten up a fan's heart and a woman with such skills, suitable for both the big screen and TV-such diversity is rare to see these days.She's something special.I know i'm not objective, but this must and is visible for many people i know and is now visible for everyone.So, all the best for her, and all the cast and crew behind the movie.
Because you made one hell of a movie.The new Christmas movie-going tradition is here.And cheers for it.Cheers for "Tron : Legacy"
My grade:A deserved 10/10
So today i went, and i was totally blown away by, by almost everything.I guess that's what happens when you see a movie you didn't expect to be something special, but that wasn't the case.The experience itself was special-and not in terms in time and date and likeness but in terms of quality.The costumes, the effects, the music, the tone of the movie were special.
The actors were the thing i actually wanted to be a little better.I always felt strange, seeing a Jeff Bridges movie-he clearly can act and is a great actor, but i don't like his style very much.I quite expected he would be the show-stealing actor, but i was wrong.It was the beautiful and stunning Olivia Wilde.I am a fan of hers and i always knew she is a great actress with huge potential, but was sad, so to say, by the fact she was great in TV-shows mostly-in House or the O.C. she's great, and now she put that passion in a big project so her talent can be visible for audiences around the world.She has great looks and is a skillfull actress.Only by the look of her eyes i felt what she feels, and that's very important.The bond, the connection with the people, ordinary people in the audience like me was so real and was what left us wanting for more even from other movies.She did that, a thing only a handful of people can do.That's what makes her such important for the movie.I know it sounds cliché but she is really the only woman for this role.No one else could've done it better.Garrett Hedlund, or Sam, was also interesting to see-a fact, i didn't see from the trailers-he has potential and he showed that in the movie.And i forgot to check who played Zuse, but i'm sure it was Michael Sheen, because only he is so crazy and unique in his style.He brought brilliancy and sheer entertainment in his role, it was something great to see.
When we talk about the people behind the movie, we must pay a huge credit of the rookie director Joseph Kosinski.Disney made another brilliant gambling move, that's paying off.The man knows what he's doing and the studio was aware of that fact.I'm paying a huge debt to him for the effects as well, because he works with computer generated imagery, also a specialty of his.It will be an interesting thing, to follow his upcoming career moves and projects-he'll become a big face, i'm sure of that.
All in all production and effects were great, some fresh faces were introduced and some-rediscovered in this one-hell-of-a-ride sequel, which will stand in mind for a long time to come.Avatar and Tron formed a Christmas movie-going tradition, that one only could hope continues the next year and the one afterwards(a little bit like Saw & PA's Halloween traditions).We, moviegoers, can only hope for things to continue in this direction, because you've brought warmth to this moviegoer's heart during winter-time.I hope people like Joseph Kosinski and Garrett Hedlund continue develop, Jeff Bridges to keep making strange, but otherwise captivating roles, and last but not least, Olivia Wilde to progress, because, she's not just another beautiful face, but a mesmerizing actress as well, who can heaten up a fan's heart and a woman with such skills, suitable for both the big screen and TV-such diversity is rare to see these days.She's something special.I know i'm not objective, but this must and is visible for many people i know and is now visible for everyone.So, all the best for her, and all the cast and crew behind the movie.
Because you made one hell of a movie.The new Christmas movie-going tradition is here.And cheers for it.Cheers for "Tron : Legacy"
My grade:A deserved 10/10
Attending a screening of the movie "Monsters" earlier this evening, i knew a little about the movie itself, only reading that people compare it to Cloverfield and District 9.Someone even told me, that it had similarities with Stephen King/Frank Darabont's The Mist, and that's understandable as well.I agree with the people, claiming the movie looked a lot like D9, but in aspects, different from the plot.Well, the big idea is the same, but as the movie progresses and the picture unfolds, you'll see that the only thing incommon was the quality of both movies...and well, the aliens.
On the other hand, the difference for me is sky high, and, although i liked D9, i lowered the rate, because of some over gored scenes and mindless action at some moments.There were no emotions as well.
And those things i liked in Monsters-there was friendship growing into romance, growing into love, there was intensity and a little bit of action too, and the sets and SFX's were just amazing and brilliantly crafted as well, considering the fact the budget was around 15 000 $ .And that's the most amazing part-the movie had the effects and quality of a movie, at least 1000 times more expensive.That's why some people claim, that Gareth Edwards is the new Neill Blomkamp.The atmosphere is very real, convincing, pulling you in the story, the sets were breathtaking as well.I don't know how he did those things, but that's an incredible achievement.
And talking about achievements, i must say, the cast in the sight of the two leads, was just amazing.Such actors are real treasures, because they don't wait for a million dollars to hit them, and then, maybe, start acting.They did the job perfectly, even though the scale of the project was small...at first.They were very convincing and built up an incredible atmosphere.The chemistry was obvious here.You begin to care about them, so all the guts and gore (like in D9) become unnecessary, because you feel bounded to them and whenever they're in trouble and a dangerous situation occurs, you feel the tension rising, and when you care about them, all the explosions and gore in the world won't be needed and in fact, that's not even the spirit of the movie.It's a tension build up, one step at a time.And that's what's giving the actors the freedom they need, to show their talent and acting skills.And Whitney Able and Scoot McNairy were the prefect actors for the on-screen leading couple.A bigger actor just wouldn't fit in to the situation.For example, try picturing Ali Larter or Brendan Fraser, or, whoever you want in this.It just wouldn't be good enough and fitting enough.That's why i give such a credit to the leads.They were unique.
And last, but not least, i must pay attention to the other strengths and weaknesses of the movie.Although obvious, the plot kept throwing new obstacles at the leads and at the viewers, making the ride even more entertaining.The title is good but the ones, who are going in for the Sci-Fi action and gore-that's not the movie for you.The title may be misleading for some, but seeing the trailers or at least a poster, one'll know what is needed, before seeing it.The editing, sound, cinematography were all top-notch and i hope some nominations may come on the path of the movie.
Overall, high quality, good directed, and shot low-budget movie, led by two incredibly well fitting actors and you have a masterpiece out of nowhere!!!
Highly recommended! See it at the movies or buy the DVD when it comes out.
I give the movie the full grade, considering i liked it more than D9 and D9 was almost great.
My grade: 10/10
Edit: The last scene was very strong and a little upsetting, especially for the main characters...but i won't ruin it for you.You can choose what you want to believe in...
On the other hand, the difference for me is sky high, and, although i liked D9, i lowered the rate, because of some over gored scenes and mindless action at some moments.There were no emotions as well.
And those things i liked in Monsters-there was friendship growing into romance, growing into love, there was intensity and a little bit of action too, and the sets and SFX's were just amazing and brilliantly crafted as well, considering the fact the budget was around 15 000 $ .And that's the most amazing part-the movie had the effects and quality of a movie, at least 1000 times more expensive.That's why some people claim, that Gareth Edwards is the new Neill Blomkamp.The atmosphere is very real, convincing, pulling you in the story, the sets were breathtaking as well.I don't know how he did those things, but that's an incredible achievement.
And talking about achievements, i must say, the cast in the sight of the two leads, was just amazing.Such actors are real treasures, because they don't wait for a million dollars to hit them, and then, maybe, start acting.They did the job perfectly, even though the scale of the project was small...at first.They were very convincing and built up an incredible atmosphere.The chemistry was obvious here.You begin to care about them, so all the guts and gore (like in D9) become unnecessary, because you feel bounded to them and whenever they're in trouble and a dangerous situation occurs, you feel the tension rising, and when you care about them, all the explosions and gore in the world won't be needed and in fact, that's not even the spirit of the movie.It's a tension build up, one step at a time.And that's what's giving the actors the freedom they need, to show their talent and acting skills.And Whitney Able and Scoot McNairy were the prefect actors for the on-screen leading couple.A bigger actor just wouldn't fit in to the situation.For example, try picturing Ali Larter or Brendan Fraser, or, whoever you want in this.It just wouldn't be good enough and fitting enough.That's why i give such a credit to the leads.They were unique.
And last, but not least, i must pay attention to the other strengths and weaknesses of the movie.Although obvious, the plot kept throwing new obstacles at the leads and at the viewers, making the ride even more entertaining.The title is good but the ones, who are going in for the Sci-Fi action and gore-that's not the movie for you.The title may be misleading for some, but seeing the trailers or at least a poster, one'll know what is needed, before seeing it.The editing, sound, cinematography were all top-notch and i hope some nominations may come on the path of the movie.
Overall, high quality, good directed, and shot low-budget movie, led by two incredibly well fitting actors and you have a masterpiece out of nowhere!!!
Highly recommended! See it at the movies or buy the DVD when it comes out.
I give the movie the full grade, considering i liked it more than D9 and D9 was almost great.
My grade: 10/10
Edit: The last scene was very strong and a little upsetting, especially for the main characters...but i won't ruin it for you.You can choose what you want to believe in...
I saw Resident Evil when it got out back in 2002, and was impressed by the tension and action and, by Milla Jovovich, of course.Although flawed, the second installment of the franchise found more room to expand to than i could've ever imagined.And though it was logical, the third one provided the goods as well with more action and a bigger picture, as well.
Now, visiting a pre-screening of "a movie", everything would've been perfect, if the movie was one of Zack Snyder's upcoming efforts, or Milla/Anderson's new Resident Evil.And boy, was i happy to know it was one of my most anticipated movies this year.
Now, Alice is back, once again.I wasn't sure what to expect, because the series were strong and solid so far, but it isn't easy to keep up the good pace.So, at first, i thought it wasn't going to be easy to match the prequels, especially the scale of the last installment.
But then, the news about the 3D came around, and followed by the fusion system technology announcement, the infamous Cameron creation, that will be used almost ruthlessly often in the future, it was all clear.I saw it getting better and better, the development of the movie was incredible lately and, though the trailer wasn't saying much, i was kind of hoping to cover the best parts, and i luckily hoped right and this was the best part-i wasn't expecting even half of the action and battle sequences i saw.
And i must say, that the cast is the best, that could've been assembled.Ali Larter is great, she's grown so much to the series, that fits her perfectly well.Wenthwort Miller is cool, a little bit Scofield-like, but that's normal.After all, he was great as a con.The only thing i missed was Oded Fehr, who has portrayed a very likable and convincing character in the 2-nd and 3-rd installments.
And, surprisingly, the script had more incommon with the videogames than the prequels had.I mean, that's a fresh take, and the 3D makes it better.This is probably the best 3D since How to Train Your Dragon was around, and as a horror/action movie-the best of it's kind.Just to compare, the technology was way better than the 3D, used in the last "Destination" installment and, as well, better then "Valentine's Day" remake.And those movies made a lot of profits at the Box Office.
And to add something up-i red a review, claiming that the movie is a "Matrix" rip-off.So my advice is this-don't listen to those claims-first of all, there were some stunts, looking very similar to a couple, featured in "The Matrix", but the script led very logically to them, and this isn't a trademark for "The Matrix".People dodging bullets or walking on walls-wow i've seen this somewhere else-oh yes, in, at least 2 or 3 movies.Second of all, those scenes are very sane and surely not even looking close to those, in the Wachovski movie, instead being shot in an entirely different style.It's like claiming that a car, plane or train explosion is a trademark for some movie.And those people should admit, that The Matrix is also copying a couple of movies.And those movies are Alex Proyas's "Dark City" and Germany's "Welt am Draht".So don't give the audience false infos.
Another interesting thing was the way Anderson shot the movie-in entirely different style from the previous ones.This new moves are definitely a change in direction for Anderson as a director, a fresh and surely an epic one.
So expect "Afterlife" to surpass the domestic achievements of its predecessors, because, aside from the fusion tech and the hype surrounding it's release, the movie has something the above-mentioned movies don't-a convincing lead.Because Milla Jovovich sets the mark for lead female characters in all movies to come, and she's fantastic-Alice's return and the role that fits Milla Jovovich the most.
Fantastic movie for fans, a real peak in it's genre.
And one of the best movies of its kind this year.
My rate:A deserved 10/10 for Milla & co.
Now, visiting a pre-screening of "a movie", everything would've been perfect, if the movie was one of Zack Snyder's upcoming efforts, or Milla/Anderson's new Resident Evil.And boy, was i happy to know it was one of my most anticipated movies this year.
Now, Alice is back, once again.I wasn't sure what to expect, because the series were strong and solid so far, but it isn't easy to keep up the good pace.So, at first, i thought it wasn't going to be easy to match the prequels, especially the scale of the last installment.
But then, the news about the 3D came around, and followed by the fusion system technology announcement, the infamous Cameron creation, that will be used almost ruthlessly often in the future, it was all clear.I saw it getting better and better, the development of the movie was incredible lately and, though the trailer wasn't saying much, i was kind of hoping to cover the best parts, and i luckily hoped right and this was the best part-i wasn't expecting even half of the action and battle sequences i saw.
And i must say, that the cast is the best, that could've been assembled.Ali Larter is great, she's grown so much to the series, that fits her perfectly well.Wenthwort Miller is cool, a little bit Scofield-like, but that's normal.After all, he was great as a con.The only thing i missed was Oded Fehr, who has portrayed a very likable and convincing character in the 2-nd and 3-rd installments.
And, surprisingly, the script had more incommon with the videogames than the prequels had.I mean, that's a fresh take, and the 3D makes it better.This is probably the best 3D since How to Train Your Dragon was around, and as a horror/action movie-the best of it's kind.Just to compare, the technology was way better than the 3D, used in the last "Destination" installment and, as well, better then "Valentine's Day" remake.And those movies made a lot of profits at the Box Office.
And to add something up-i red a review, claiming that the movie is a "Matrix" rip-off.So my advice is this-don't listen to those claims-first of all, there were some stunts, looking very similar to a couple, featured in "The Matrix", but the script led very logically to them, and this isn't a trademark for "The Matrix".People dodging bullets or walking on walls-wow i've seen this somewhere else-oh yes, in, at least 2 or 3 movies.Second of all, those scenes are very sane and surely not even looking close to those, in the Wachovski movie, instead being shot in an entirely different style.It's like claiming that a car, plane or train explosion is a trademark for some movie.And those people should admit, that The Matrix is also copying a couple of movies.And those movies are Alex Proyas's "Dark City" and Germany's "Welt am Draht".So don't give the audience false infos.
Another interesting thing was the way Anderson shot the movie-in entirely different style from the previous ones.This new moves are definitely a change in direction for Anderson as a director, a fresh and surely an epic one.
So expect "Afterlife" to surpass the domestic achievements of its predecessors, because, aside from the fusion tech and the hype surrounding it's release, the movie has something the above-mentioned movies don't-a convincing lead.Because Milla Jovovich sets the mark for lead female characters in all movies to come, and she's fantastic-Alice's return and the role that fits Milla Jovovich the most.
Fantastic movie for fans, a real peak in it's genre.
And one of the best movies of its kind this year.
My rate:A deserved 10/10 for Milla & co.
I saw Memento very recently, something that turned out to be a great miss.I saw it again, just to make a couple of thins straight-and i'll definitely do the same with Inception.
Christopher Nolan keeps improving himself, with even more complex and multilayer script like this.And i thought Memento was hard to reach by most of the viewers, but no.Inception will keep you mesmerized and captivated by the genius, that's hidden behind it.And not just directors and screenwriters (or with other words-Nolan), but with acting and sound-and effects and editing as well.
When you have a cast like this-i mean Leonardo DiCaprio, Joseph Gordon-Lewitt, Michael Caine, or Marion Cotillard (a personal favourite), the movie just keeps going flawlessly.Most of the crew is the same the Nolan brothers worked with on TDK and earlier in Batman Begins.So the Oscar noms in those categories are a certainty for me.
The only thing one could have against the movie, is the headache one could have.See, most of my friends go to the movies for brainless action, they enjoyed Iron Man 2 and The A-Team, but this movie-you have to see it at least twice, to understand it.The levels and the layers on which thing are happening are so many, that one surely'll miss something vital.This is a reason for not fitting to the mass audience, but i hope that won't happen, because Nolan is one of my favourite directors/writers, and he showed, that the brainless action flicks aren't all of it.There are still movies like Inception out there and still people like the Nolans to make those movies, so it's not all lost.And i hope this movie could show the audience that the story is still important for the experience one could receive, not the endless, constant explosions.Because this is really a one of a lifetime event.
Saying that, i must say, that in a world full of remakes, reboots, sequels, prequels and God knows what, this is a unique chance to see something different and unmatched so far-a strong movie, that, surely will be Nolan's latest masterpiece! My Grade won't change-it's the same for all Nolan movies-sheer 10!
Christopher Nolan keeps improving himself, with even more complex and multilayer script like this.And i thought Memento was hard to reach by most of the viewers, but no.Inception will keep you mesmerized and captivated by the genius, that's hidden behind it.And not just directors and screenwriters (or with other words-Nolan), but with acting and sound-and effects and editing as well.
When you have a cast like this-i mean Leonardo DiCaprio, Joseph Gordon-Lewitt, Michael Caine, or Marion Cotillard (a personal favourite), the movie just keeps going flawlessly.Most of the crew is the same the Nolan brothers worked with on TDK and earlier in Batman Begins.So the Oscar noms in those categories are a certainty for me.
The only thing one could have against the movie, is the headache one could have.See, most of my friends go to the movies for brainless action, they enjoyed Iron Man 2 and The A-Team, but this movie-you have to see it at least twice, to understand it.The levels and the layers on which thing are happening are so many, that one surely'll miss something vital.This is a reason for not fitting to the mass audience, but i hope that won't happen, because Nolan is one of my favourite directors/writers, and he showed, that the brainless action flicks aren't all of it.There are still movies like Inception out there and still people like the Nolans to make those movies, so it's not all lost.And i hope this movie could show the audience that the story is still important for the experience one could receive, not the endless, constant explosions.Because this is really a one of a lifetime event.
Saying that, i must say, that in a world full of remakes, reboots, sequels, prequels and God knows what, this is a unique chance to see something different and unmatched so far-a strong movie, that, surely will be Nolan's latest masterpiece! My Grade won't change-it's the same for all Nolan movies-sheer 10!
Honestly, this review is very special for me, because, when i think about it, i can't recall another occasion, when i wrote a review, without seeing the rate of the movie.So as my first time, i have to say, that i don't need a side opinion, because this movie was the best sequel to an Alien or a Predator movie, maybe, reaching the heights of James Cameron's Aliens.Robert Rodriguez sure raised the bar with this third installment, although, a lot of time was needed to do so.
Adrien Brody does a good Arnie role, adding a little more darkness to the character.And he worked out a lot, it's obvious.And in one thing, Predators is stronger even than the Arnie-driven original.And that's the development.And for such a movie-a hunting movie, that's very hard.Gamer is a good example of movie, where you just don't give a ... about the characters.And honestly, Predator had an issue of itself, as well.And that i find very good for the installment.
I liked the intensity of the situation as well.I don't know, if it is because i saw the original on tape, but i just was'n feeling it.But this one-i saw it at a small pre-premiere theatre, where one is able to hear even the crew shooting the movie :) And when you hear each and every single footstep, more or less, you stand on the edge of your seat, waiting something to happen.That's why i found it so intense.
Another thing i liked was the Laurence Fishbourne cameo, eclipsed only by the Bill Murray cameo in Zombieland, in recent memory.It was cool, claustrophobic and a little bit crazy, but a needed step into making the movie fresh enough and breaking the atmosphere.
The other were fun to watch as well-Rodriguez's favourite, Danny Trejo, was interesting as ever, although, the little on-screen time for him.The others did a fine job as well, especially Alice Braga and the "unsure" Topher Grace.
Another visually good thing were the flora and fauna at the planet.The special effects were OK, and the predators looked very convincing, and most important, faster than before, although their on-screen time is measurable to Danny Trejo's.The hounds were something cool and new, seeing the movie needed something like this, to pull itself out from the original.
All in all, Robert Rodriguez made an incredibly refreshing movie, memorable and Nimrod Antal shoot it perfectly.Seeing Predator 2 very recently, i think this movie is way better than it's predecessor.
I'm giving it the full note, and i'll see it again with some friends very soon! My grade-10/10
Adrien Brody does a good Arnie role, adding a little more darkness to the character.And he worked out a lot, it's obvious.And in one thing, Predators is stronger even than the Arnie-driven original.And that's the development.And for such a movie-a hunting movie, that's very hard.Gamer is a good example of movie, where you just don't give a ... about the characters.And honestly, Predator had an issue of itself, as well.And that i find very good for the installment.
I liked the intensity of the situation as well.I don't know, if it is because i saw the original on tape, but i just was'n feeling it.But this one-i saw it at a small pre-premiere theatre, where one is able to hear even the crew shooting the movie :) And when you hear each and every single footstep, more or less, you stand on the edge of your seat, waiting something to happen.That's why i found it so intense.
Another thing i liked was the Laurence Fishbourne cameo, eclipsed only by the Bill Murray cameo in Zombieland, in recent memory.It was cool, claustrophobic and a little bit crazy, but a needed step into making the movie fresh enough and breaking the atmosphere.
The other were fun to watch as well-Rodriguez's favourite, Danny Trejo, was interesting as ever, although, the little on-screen time for him.The others did a fine job as well, especially Alice Braga and the "unsure" Topher Grace.
Another visually good thing were the flora and fauna at the planet.The special effects were OK, and the predators looked very convincing, and most important, faster than before, although their on-screen time is measurable to Danny Trejo's.The hounds were something cool and new, seeing the movie needed something like this, to pull itself out from the original.
All in all, Robert Rodriguez made an incredibly refreshing movie, memorable and Nimrod Antal shoot it perfectly.Seeing Predator 2 very recently, i think this movie is way better than it's predecessor.
I'm giving it the full note, and i'll see it again with some friends very soon! My grade-10/10
To be honest, i wasn't a big "Prince of Persia" fan, i haven't played the games, but i probably will now, because the film is great.The movie is shot in great style, well adjusted to it's time and era.And this means costumes, effects, traditions-everything.
I have a friend, who's waiting for this movie for a few years, early 2007 to be exact.We went in, and he was totally blown as well, and said there are more similarities with the game, than he could've imagined.So it's story is actually accurate and believable.
The acting was at a very high level, equal to the scale of the movie itself.I like Jake Gyllenhaal for a long time, since "Donnie Darko" and than he was great in "Brokeback Mountain".But i never could've imagined he'll fit so good in a blockbuster movie like this.Gemma Arterton is also cool, as she is in "Casino Royale" or "Clash of the Titans", where she's actually one of the few things i liked.But here, she has more on-screen time, and she shows her talent more fully and that's a lot for a movie like this-a blockbuster.
Another thing, that's not very common for a cash-making movie is the dialogue.There are some pretty edgy and funny lines one could enjoy, especially in the hands of the leads in the movie.Once again, they did an outstanding job.
I can't wait till the day i'll see sir Ben Kingsley as the good guy in a movie of such scale.I doubt it'll ever happen, but i hope it will.He was better than most of his villains, more convincing than before.I liked him.
There was a little mystery as well.Who is the killer, who's guilty, many people can be responsible for what's happened.I didn't expect such things, and was left surprised by them too.
The lenght of the movie is one of the many good things about it.It was long enough, not too long, but perfect.I was a little bit disappointed of the ending of the movie, i don't like endings like this, but i haven't played the game, so that must be the reason for me to feel like this.Go see for yourself, because i'm sure You won't be disappointed! I went in and i enjoyed it.The best blockbuster/summer movie this season.I'll see it again, very soon, with more of my friends.
My rate: 9/10 Agh, what the heck, sheer 10.I'm a fan now!
I have a friend, who's waiting for this movie for a few years, early 2007 to be exact.We went in, and he was totally blown as well, and said there are more similarities with the game, than he could've imagined.So it's story is actually accurate and believable.
The acting was at a very high level, equal to the scale of the movie itself.I like Jake Gyllenhaal for a long time, since "Donnie Darko" and than he was great in "Brokeback Mountain".But i never could've imagined he'll fit so good in a blockbuster movie like this.Gemma Arterton is also cool, as she is in "Casino Royale" or "Clash of the Titans", where she's actually one of the few things i liked.But here, she has more on-screen time, and she shows her talent more fully and that's a lot for a movie like this-a blockbuster.
Another thing, that's not very common for a cash-making movie is the dialogue.There are some pretty edgy and funny lines one could enjoy, especially in the hands of the leads in the movie.Once again, they did an outstanding job.
I can't wait till the day i'll see sir Ben Kingsley as the good guy in a movie of such scale.I doubt it'll ever happen, but i hope it will.He was better than most of his villains, more convincing than before.I liked him.
There was a little mystery as well.Who is the killer, who's guilty, many people can be responsible for what's happened.I didn't expect such things, and was left surprised by them too.
The lenght of the movie is one of the many good things about it.It was long enough, not too long, but perfect.I was a little bit disappointed of the ending of the movie, i don't like endings like this, but i haven't played the game, so that must be the reason for me to feel like this.Go see for yourself, because i'm sure You won't be disappointed! I went in and i enjoyed it.The best blockbuster/summer movie this season.I'll see it again, very soon, with more of my friends.
My rate: 9/10 Agh, what the heck, sheer 10.I'm a fan now!
The human nature is very strange.You see a movie still, an artwork, or whatever, and you think you know everything about a movie, you haven't even seen yet.Yes, like most of you, my expectations were at a very different level, but i was simply not prepared for what i saw.
This movie is epic, although the small proportions of it.And by proportions, i mean budget, scale, those things.The only thing i knew before seeing the movie, was an actor i have seen before-One Eye, or Mads Mikkelsen.He was great in Casino Royale and was one of the few things i liked about Clash of the Titans.So that's the main reason i went to see the movie.
But after all, i wasn't left disappointed, because the movie was good in a light, i haven't predicted.It was relentless, ruthless, brutal, but fascinating as well.It has a few underline stories, involving Christianity and faith in God, as well as paganism and disbelief.There are some Christian taboos as well.And according to Christianity "Valhalla" means hell not the place, where all warriors go.That's in the Scandinavian literature.
The story is pretty simple-a man is being kept as a prisoner, until he escapes with a boy.They meet some Vikings on their way to Jerusalem.They travel together, but next thing you know they find themselves on an isolated shore.The men start dying one by one, which forces them to think, they're in hell.They see the quiet One Eye as the man to blame.
The acting of One Eye was great-the thing, that caught my attention till the very end.He did an outstanding job, and if you want to hear him talk, see Titans or Casino Royale, instead.Because that is something very different.It is set on a smaller scale, and is gruesome and a little bit pointless at time, but that obviously was the point...
The thing i have against the movie, is the fact, it is too slow.It is creative, beautiful, masterful direction most of the time, but it is simply slow and even boring at moments.The dialogue is rare to be found.There was a scene, i didn't quite understood, because of the lack of dialogue.And the scene was important.If this was the idea, well, it wasn't transfered good to the audience.And if it wasn't, this means one thing-poor screen writing.But nevertheless, a good movie, not great, not terrible as well.It is hard to be explained.Maybe, "strange" is the word, i'm looking for.See it.Judge for yourself.
If you're waiting to see endless battles, that's not the movie for you.It has battles, but in a very small amount of time.If you're looking for a different take on Religion, movie-making and acting, see it.And, pointless at times, slow and boring-those are the things that can bother You.But if You overcome them, You'll probably like it a little bit more, because it builds intensity and mystery, sooner or later.
A movie, not from this decade, but a movie, that should have been made.A movie not for anyone.
My rate:6/10
This movie is epic, although the small proportions of it.And by proportions, i mean budget, scale, those things.The only thing i knew before seeing the movie, was an actor i have seen before-One Eye, or Mads Mikkelsen.He was great in Casino Royale and was one of the few things i liked about Clash of the Titans.So that's the main reason i went to see the movie.
But after all, i wasn't left disappointed, because the movie was good in a light, i haven't predicted.It was relentless, ruthless, brutal, but fascinating as well.It has a few underline stories, involving Christianity and faith in God, as well as paganism and disbelief.There are some Christian taboos as well.And according to Christianity "Valhalla" means hell not the place, where all warriors go.That's in the Scandinavian literature.
The story is pretty simple-a man is being kept as a prisoner, until he escapes with a boy.They meet some Vikings on their way to Jerusalem.They travel together, but next thing you know they find themselves on an isolated shore.The men start dying one by one, which forces them to think, they're in hell.They see the quiet One Eye as the man to blame.
The acting of One Eye was great-the thing, that caught my attention till the very end.He did an outstanding job, and if you want to hear him talk, see Titans or Casino Royale, instead.Because that is something very different.It is set on a smaller scale, and is gruesome and a little bit pointless at time, but that obviously was the point...
The thing i have against the movie, is the fact, it is too slow.It is creative, beautiful, masterful direction most of the time, but it is simply slow and even boring at moments.The dialogue is rare to be found.There was a scene, i didn't quite understood, because of the lack of dialogue.And the scene was important.If this was the idea, well, it wasn't transfered good to the audience.And if it wasn't, this means one thing-poor screen writing.But nevertheless, a good movie, not great, not terrible as well.It is hard to be explained.Maybe, "strange" is the word, i'm looking for.See it.Judge for yourself.
If you're waiting to see endless battles, that's not the movie for you.It has battles, but in a very small amount of time.If you're looking for a different take on Religion, movie-making and acting, see it.And, pointless at times, slow and boring-those are the things that can bother You.But if You overcome them, You'll probably like it a little bit more, because it builds intensity and mystery, sooner or later.
A movie, not from this decade, but a movie, that should have been made.A movie not for anyone.
My rate:6/10
At first, when a heard about a second installment, i thought, i was unsure in it, because Jon Favreau is relatively new on the director's chair, so could he pull of another classic superhero movie?The answer is simple-YES! I saw it in its opening day and the theatre was full.I went along with a few friends, and all of them loved it!Here are some things, we all agreed we liked.
CHARACTER DEVELOPMENT:It was pretty good in this movie-making aspect, although it is an action movie, there is some quite exciting development, especially the leads.Don Cheadle made a perfect substitute of Terrence Howard, and looked pretty good in the movie.So did the Gwyneth Paltrow and Scarlet Johansson's heroines.For me, Scarlet is one of the most gifted and talented and in the same time, the most beautiful actresses in the last decade and even more.And last, but not least, of course, the Iron Robert Downey Jr., making one of his unique, specifically for him, roles.He is smart, funny and in the same time, well, action hero type of guy-he adds so much to this otherwise, stereotyped role.Sam Rockwell was a little irritating, but that's what his role is supposed to be, and to those who have doubts, yes, Mickey Rourke made a decent and interesting role again.
TIMING:Almost perfect, except, maybe, the opening credits and a few over timed scenes afterwards, everything was alright and on the perfect spot.
PLOT/STORY:I finally can say it-YES, the day has come.A day, where superhero movies haven't got just CGI, put a pretty decent story, attached to the normal amount of CGI.Well, hard to say normal, a little bit over-the-top, but nonetheless fun, when you get use to the headache.The humor was perfect, brilliantly touched to the smallest line.And most importantly-it's not that predictable-i don't mean the ending, but the development, leading to it.Excecutet skilfully, when looked from this point of view.
CGI:10/10, nothing else to add.Believable Flawless.Perfect.
With no big flaws or plot holes, very funny dialogue, skillful acting and good directing, Iron Man is definitely the best movie of the year so far.The perfect blockbuster as well.I'm glad a saw it, and if the first one didn't made me a fan, this one did.I can't wait to see it again.Cheers to Iron Man Amazing! I would've given this a ten, but with some very few weaknesses, i'll lower this a little, although it did make me a bigger fan than before...
My rate: 7.5/10
CHARACTER DEVELOPMENT:It was pretty good in this movie-making aspect, although it is an action movie, there is some quite exciting development, especially the leads.Don Cheadle made a perfect substitute of Terrence Howard, and looked pretty good in the movie.So did the Gwyneth Paltrow and Scarlet Johansson's heroines.For me, Scarlet is one of the most gifted and talented and in the same time, the most beautiful actresses in the last decade and even more.And last, but not least, of course, the Iron Robert Downey Jr., making one of his unique, specifically for him, roles.He is smart, funny and in the same time, well, action hero type of guy-he adds so much to this otherwise, stereotyped role.Sam Rockwell was a little irritating, but that's what his role is supposed to be, and to those who have doubts, yes, Mickey Rourke made a decent and interesting role again.
TIMING:Almost perfect, except, maybe, the opening credits and a few over timed scenes afterwards, everything was alright and on the perfect spot.
PLOT/STORY:I finally can say it-YES, the day has come.A day, where superhero movies haven't got just CGI, put a pretty decent story, attached to the normal amount of CGI.Well, hard to say normal, a little bit over-the-top, but nonetheless fun, when you get use to the headache.The humor was perfect, brilliantly touched to the smallest line.And most importantly-it's not that predictable-i don't mean the ending, but the development, leading to it.Excecutet skilfully, when looked from this point of view.
CGI:10/10, nothing else to add.Believable Flawless.Perfect.
With no big flaws or plot holes, very funny dialogue, skillful acting and good directing, Iron Man is definitely the best movie of the year so far.The perfect blockbuster as well.I'm glad a saw it, and if the first one didn't made me a fan, this one did.I can't wait to see it again.Cheers to Iron Man Amazing! I would've given this a ten, but with some very few weaknesses, i'll lower this a little, although it did make me a bigger fan than before...
My rate: 7.5/10
Let me straighten this up-the movie isn't bad at all, but I think, the main problem of Bulgarian movies isn't the lack of ideas, but the lack of genre.When i walked in, the posters as well as the trailer, talked about some kind of a comedy.This isn't a comedy-it has funny moments, but one can count them easily, because they were that few.And at least 50 percent of them, and that means three, were in the trailer.
The movie has politics involved in it, but it isn't a political movie either-this is a movie with fine actors, both Bulgarian and British, but without doubt, a movie made mostly for Bulgarians-there are political references, only a Bulgarian can understand, and jokes made specifically for them.
The acting was one of the things i liked, but when a movie doesn't stick up to it's genre, you can't be sure, if those were one-time performances, or not.Alan Ford, a British actor, known mostly with his parts in Guy Ritchie's movies, wasn't at his regular level.He was good, but looked a little bit spooked and shy in a foreign movie.
Something i liked was the cinematography-the movie was shot in great style i little bit blurry and old-fashioned, but in a good way- and that's the director to blame-hi did a fine job in this movie-making aspect.
The one thing about the plot, i really don't understand is, how the ending adds up with the rest of the movie.The one thing i don't like about movies, is when it is all the same in the end.The characters haven't evolved, the whole situation hasn't been changed since the very beginning.Nothing changed, except a few missing ducks and a dead man lying on a pavement-that's all,Nothing really matters.Nothing significant to appreciate and value as useful the rest of the time.
Overall, this movie isn't bad, it just isn't what it promises to be.Above average, considering all the American "movies", that are flushing out of nowhere, but could've been way better.With this fresh story, and talented actors, and the charisma one could accomplish in the middle of two different religions, traditions, cultures, worlds, this could've been a pretty memorable and intriguing roller-coaster ride.
My rate would've been a little lower, but considering the obvious fact i'm a Bulgarian, i just can't rate it lower...Instead of a six, i'm giving it a seven...
My rate: 6.5/10
The movie has politics involved in it, but it isn't a political movie either-this is a movie with fine actors, both Bulgarian and British, but without doubt, a movie made mostly for Bulgarians-there are political references, only a Bulgarian can understand, and jokes made specifically for them.
The acting was one of the things i liked, but when a movie doesn't stick up to it's genre, you can't be sure, if those were one-time performances, or not.Alan Ford, a British actor, known mostly with his parts in Guy Ritchie's movies, wasn't at his regular level.He was good, but looked a little bit spooked and shy in a foreign movie.
Something i liked was the cinematography-the movie was shot in great style i little bit blurry and old-fashioned, but in a good way- and that's the director to blame-hi did a fine job in this movie-making aspect.
The one thing about the plot, i really don't understand is, how the ending adds up with the rest of the movie.The one thing i don't like about movies, is when it is all the same in the end.The characters haven't evolved, the whole situation hasn't been changed since the very beginning.Nothing changed, except a few missing ducks and a dead man lying on a pavement-that's all,Nothing really matters.Nothing significant to appreciate and value as useful the rest of the time.
Overall, this movie isn't bad, it just isn't what it promises to be.Above average, considering all the American "movies", that are flushing out of nowhere, but could've been way better.With this fresh story, and talented actors, and the charisma one could accomplish in the middle of two different religions, traditions, cultures, worlds, this could've been a pretty memorable and intriguing roller-coaster ride.
My rate would've been a little lower, but considering the obvious fact i'm a Bulgarian, i just can't rate it lower...Instead of a six, i'm giving it a seven...
My rate: 6.5/10
This was one of the moments, when you feel so overwhelmed by a movie, that you want to see it again immediately.And when i think of how the whole movie-going began-a theater, full of annoying, noisy kids, 3-th graders mostly.
But in the end, you realize you haven't spent any time listening to them, because you are so fascinated by the movie.You feel you are alone in the otherwise overcrowded theater.This feeling is very precious and when you realize it, you know you loved it.
The whole idea is very interesting-alternate Dragon-fighting times, an era of vikings and so many kinds of winged creatures.The main character, Hiccup, is the son of a mighty Dragon fighter-Stoick, who is the vikings chief as well.He wants to teach his son the Dragon fighting ways of the vikings, but the boy befriends one of the Dragons, a very rare kind, almost impossible to find.He names it Toothless and they are in for a lot of adventures.
The movie is very fresh, but solid and strong as well.And considering it is an animation, the voice performances are very good.That is also important.But the truly strongest sides of the movie are the heart of the movie-it is really a moving picture, but i think, that the level of maturity of the movie is higher, than DreamWorks's previous efforts like "Shrek".It is more meaningful, and although it is a Dragon-fighting story it is more real than most of the studio's previous tries in this genre and definitely a step up in animation.The feelings, the emotions, that were expressed throughout made this animation such a memorable experience, and i'm sure, i won't be able to forget it, at least not soon.
"How to Train Your Dragon" is a new, fresh, different start in the animation genre, with a lot of heart and emotions.I think, that's one of the best animations ever made.I recommend it to everyone-from parents with children to more experienced moviegoers and for the more mature audiences as well.
"How to Train Your Dragon" is the best movie this year so far, and a honestly moving picture.An animation masterpiece!
*****/*****
But in the end, you realize you haven't spent any time listening to them, because you are so fascinated by the movie.You feel you are alone in the otherwise overcrowded theater.This feeling is very precious and when you realize it, you know you loved it.
The whole idea is very interesting-alternate Dragon-fighting times, an era of vikings and so many kinds of winged creatures.The main character, Hiccup, is the son of a mighty Dragon fighter-Stoick, who is the vikings chief as well.He wants to teach his son the Dragon fighting ways of the vikings, but the boy befriends one of the Dragons, a very rare kind, almost impossible to find.He names it Toothless and they are in for a lot of adventures.
The movie is very fresh, but solid and strong as well.And considering it is an animation, the voice performances are very good.That is also important.But the truly strongest sides of the movie are the heart of the movie-it is really a moving picture, but i think, that the level of maturity of the movie is higher, than DreamWorks's previous efforts like "Shrek".It is more meaningful, and although it is a Dragon-fighting story it is more real than most of the studio's previous tries in this genre and definitely a step up in animation.The feelings, the emotions, that were expressed throughout made this animation such a memorable experience, and i'm sure, i won't be able to forget it, at least not soon.
"How to Train Your Dragon" is a new, fresh, different start in the animation genre, with a lot of heart and emotions.I think, that's one of the best animations ever made.I recommend it to everyone-from parents with children to more experienced moviegoers and for the more mature audiences as well.
"How to Train Your Dragon" is the best movie this year so far, and a honestly moving picture.An animation masterpiece!
*****/*****
This is not your typical holiday movie nor at the end of the week- movie.Not everybody's fine.
The story revolves around a father(De Niro), who's wife has passed away, and his desire to reunite his four children for the holidays.Now, when he's alone, preparing the house for the upcoming holidays, all of his children cancel the holiday meeting with no explanation.The lonely man sets on a journey around the States to find his children and learn the truth as well as to reunite the family again.The truths, he finds, are more painful, than he could ever imagine.
The story is obvious at the beginning-but then the viewer begins to discover painful truths, the now-grown-kids are keeping away from their loving father.There are some very inventing and innovating twists, that are merely unpredictable.The story is told beautifully, with some poetry in it, which improves on Robert De Niro's brilliant acting.I would say, he deserves a higher praise, for what he has done, because i personally think, that Jeff Bridges wasn't better than him, with all my respect, of course.De Niro's outstanding performance carries the movie until the end.
As for the other cast, i wasn't that impressed.Kate Beckinsale and Drew Barrymore were at the same level of quality, but that just wasn't enough.Sam Rockwell was mediocre, definitely not good enough.I know they were supposed to be cold, but even coldness can be portrayed better than that.
The director did his best, which wasn't that much, considering the cast and script he had to work with.Every director should be able to pull it off, when he works with an amazing actors (again, mostly De Niro in that case), and a solid script.But as a whole, he did a good job.
I felt, that the tragedy was a little to much in the end, but things couldn't have been better revealed than this.It was depressing, but necessary to say the least.And again, i'm looking at De Niro with new eyes now, he touched me so deep.
The pain is deep sometimes.But you have to fight with it to keep your family united, and together, no matter the distance.The distance in your heart is, what really matters.And in the end Everybody's Fine.
My rate: 8.5/10
The story revolves around a father(De Niro), who's wife has passed away, and his desire to reunite his four children for the holidays.Now, when he's alone, preparing the house for the upcoming holidays, all of his children cancel the holiday meeting with no explanation.The lonely man sets on a journey around the States to find his children and learn the truth as well as to reunite the family again.The truths, he finds, are more painful, than he could ever imagine.
The story is obvious at the beginning-but then the viewer begins to discover painful truths, the now-grown-kids are keeping away from their loving father.There are some very inventing and innovating twists, that are merely unpredictable.The story is told beautifully, with some poetry in it, which improves on Robert De Niro's brilliant acting.I would say, he deserves a higher praise, for what he has done, because i personally think, that Jeff Bridges wasn't better than him, with all my respect, of course.De Niro's outstanding performance carries the movie until the end.
As for the other cast, i wasn't that impressed.Kate Beckinsale and Drew Barrymore were at the same level of quality, but that just wasn't enough.Sam Rockwell was mediocre, definitely not good enough.I know they were supposed to be cold, but even coldness can be portrayed better than that.
The director did his best, which wasn't that much, considering the cast and script he had to work with.Every director should be able to pull it off, when he works with an amazing actors (again, mostly De Niro in that case), and a solid script.But as a whole, he did a good job.
I felt, that the tragedy was a little to much in the end, but things couldn't have been better revealed than this.It was depressing, but necessary to say the least.And again, i'm looking at De Niro with new eyes now, he touched me so deep.
The pain is deep sometimes.But you have to fight with it to keep your family united, and together, no matter the distance.The distance in your heart is, what really matters.And in the end Everybody's Fine.
My rate: 8.5/10
I saw "The Bounty Hunter" today, with a few friends, and we all weren't disappointed.It was interesting too see Aniston and Butler under the same title and we were all curious, which is strange, because there wasn't a girl among us.Nonetheless we went in and we enjoyed it, more or less.As a fan of Gerard Butler i have to say he looks quite well and is portraying his character very good.The plot is predictable, but that's not that important, when it comes to this genre.
Jennifer Aniston was also good, it was interesting to see her, considering she is a big name in the rom-com genre.There were some new ideas as well as some fresh moments, but i won't ruin it for you.
I went in with no high expectations, as the only thing i was interested in was Gerry Butler.But in the end i was surprised and happy i saw it.And the chemistry Aniston/Butler worked out very interesting and convincing.
I think most of You will enjoy it as well, not the critics of course, but those movies aren't about critics, so don't listen to them.
My rate: ***1/2 out of *****
P.S.That's my real note, i have been forced to rate higher :)
Jennifer Aniston was also good, it was interesting to see her, considering she is a big name in the rom-com genre.There were some new ideas as well as some fresh moments, but i won't ruin it for you.
I went in with no high expectations, as the only thing i was interested in was Gerry Butler.But in the end i was surprised and happy i saw it.And the chemistry Aniston/Butler worked out very interesting and convincing.
I think most of You will enjoy it as well, not the critics of course, but those movies aren't about critics, so don't listen to them.
My rate: ***1/2 out of *****
P.S.That's my real note, i have been forced to rate higher :)
The beautiful compositions of Danny Elfman, the sets, or the atmosphere Joe Johnston has created, or of course the stunning performances of Emily Blunt and Hugo Weaving.How do i begin...
I'll keep it short.I've just came back from the movies and i must say-"The Wolfman" is the best remake I've ever seen.We live in a world, filled with bad to worse remakes, only a few of them above average.But this was really good, especially when you're waiting for it such a long time.
The leads were good.I was a little disappointed of sir Anthony Hopkins's acting, but in the end, there is a reason that may explain this a little.Benicio Del Toro was good as well, but i felt so close to Emily Blunt, and even to Hugo Weaving (who soon should have a knight title of his own).They were very convincing, i loved them.
Joe Johnston has done his job very well-the movie was emotional at moments, and gory and scary, when needed.The kills were very impressive and there were some "jump" scenes of good quality and were very well added too.The good jump scenes are something one could see very rare in such a good quality.But here there were even a few of them.The set decoration was great-London well-adjusted to 1891, the weapons, costumes and language of the people, the atmosphere, as well.
The Wolfman is a great remake with great actors and performances.Stunning! My rate: *****/*****
I'll keep it short.I've just came back from the movies and i must say-"The Wolfman" is the best remake I've ever seen.We live in a world, filled with bad to worse remakes, only a few of them above average.But this was really good, especially when you're waiting for it such a long time.
The leads were good.I was a little disappointed of sir Anthony Hopkins's acting, but in the end, there is a reason that may explain this a little.Benicio Del Toro was good as well, but i felt so close to Emily Blunt, and even to Hugo Weaving (who soon should have a knight title of his own).They were very convincing, i loved them.
Joe Johnston has done his job very well-the movie was emotional at moments, and gory and scary, when needed.The kills were very impressive and there were some "jump" scenes of good quality and were very well added too.The good jump scenes are something one could see very rare in such a good quality.But here there were even a few of them.The set decoration was great-London well-adjusted to 1891, the weapons, costumes and language of the people, the atmosphere, as well.
The Wolfman is a great remake with great actors and performances.Stunning! My rate: *****/*****