ThejasCMurthy

Edagaiye Apaghatakke Karana is that rare Kannada film that blends dark humour with pure entertainment, and pulls it off with style and swagger. Directed by Samarth Kadkol, the film takes a simple idea and spins it into a laugh-filled rollercoaster of accidents, confusion, and clever mischief.

This isn't one of those "experimental" or "offbeat" films-it's a straight-up entertainer with sharp writing and an irresistible dose of chaos. Diganth is in top form here-his natural comic timing and screen presence make him the perfect fit for a role that demands both innocence and insanity. Dhanu Harsha brings in high-energy madness, while Nidhi Subbaiah adds the perfect counterweight with her confident, cool-headed performance.

What makes this film click is the way it plays with bad luck and poor choices without ever becoming too dark or too silly. The situations are exaggerated, sure-but always relatable, and always funny. You find yourself thinking, "What would I do if this happened to me?"-only to realise, with a smile, that you'd probably make the same hilarious mistakes.

Kadkol's direction keeps things fast and engaging. There's never a dull moment-just a string of well-timed twists, misunderstandings, and "uh-oh" moments that keep the laughs coming. Abhimanyu Sadanandan's visuals are slick and stylish, while Praddyotan's music adds the perfect bounce to the narrative without overpowering it.

Verdict: Edagaiye Apaghatakke Karana is a total paisa-vasool dark comedy that knows how to have fun and take the audience along for the ride. It's clever without being complicated, wild without being weird, and funny without forcing it. If you're in the mood for a well-made Kannada film that entertains with wit, pace, and a touch of madness-this one's a must-watch.

Rating: 9/10 A cleanly executed, clever dark comedy that proves misfortune can be a whole lot of fun.

1st day 1st show - it was the trailer that made me watch it. A simple but entertaining cinema-inside-cinema that turns chaotic as the time passes ( in a good way!).

This is a film made by someone who clearly loves the chaos, charm, and unsung sweat behind the world of cinema. The story revolves around two associate directors racing against time to recover a lost hard drive just before their film's premiere, an idea that feels both quirky and grounded.

What struck me most was the sincerity in its storytelling. There's a certain raw energy in the first half, which is full of inside jokes, vibrant characters, and the kind of tension only creative chaos can bring. The lead performances, especially from Girish G and Jeevitha Vasishta, feel authentic and rooted. Aniruddha Sastry adds a nice touch of humour and right amount of banter.

The film manages to capture the impacts of piracy and how it affects the film industry and the dreams of filmmakers. The movie showcases so many insiders of a film industry and how it cinema has become the source of bread for many households. It also speaks how a cinema becomes more than just a story on screen to director, more than a business to its producer, and more than just a work to all who are involved in the making of it.

But it's not without its flaws. The second half, though still engaging, loses some of the tight grip the first half had. The pacing dips, some subplots feel rushed, and the narrative wanders a bit. A few dramatic turns don't quite hit as hard, and at times, the film tries to juggle too much at once-diluting the emotional impact built earlier.

Still, the film redeems itself with its heart. It doesn't pretend to be perfect - it's scrappy, like the characters it portrays. The music and background score complement the mood well, and the cinematography adds colour and warmth without being flashy. There's an intimacy to the way it's shot-like we're watching from behind the scenes, not just from the front row.

1st Day 1st Show might not blow everyone away, but it's a film that understands and respects the people who make movies happen-the ones behind the lens, in the shadows, making last-minute miracles. For that, and for the genuine emotion it evokes, I'd say it's a solid one-time watch.

Overall, It's a film about films, told with affection and flaws alike. The second half may waver, but the heart never does. A good 7/10 for its honesty, humour, and celebration of those who dare to dream on tight deadlines.

Watched this on Netflix today. Actually, it was the evocative music by Justin Prabhakaran and Rochak Kohli that caught my attention and made me watch this movie. R Madhavan and Fatima Sana Shaikh shine in deeply grounded portrayals. Madhavan brings quiet dignity, while Shaikh captures her character's emotional yearning with nuance.

Scenes feel lived-in and tender, highlighting how presence is often reduced to mere provision. The line, "Din mein teen baar khana aur medicines bhej diya toh humari absence bhi mehsoos nahi hoga." from the wife suffered in a hollow marriage really hits deeply. Director Vivek Soni's restrained vision and Debojeet Ray's visual storytelling capturing simple moments on Kolkata's trams and buses are refreshing.

Ayesha Raza, as Kusum, stands out in a supporting role that adds emotional depth and thematic resonance. Yet as the narrative progresses, the screenplay becomes more didactic, and a subplot involving a dating app lacks credibility. The finale, while emotionally satisfying, feels rushed toward a neat resolution.

The film's strengths lie in its poetic cinematography and immersive mood, which lend even the simplest moments a lyrical quality. The performances are sincere, and the chemistry between R Madhavan and Fatima Sana Shaikh feels natural and lived-in. The film offers a refreshing and bold take on patriarchy and middle-aged relationships, exploring emotional neglect and personal rediscovery with rare sensitivity.

However, the narrative isn't without its shortcomings. The messaging in the middle portions becomes noticeably heavy-handed, occasionally overshadowing the emotional rhythm established earlier. The dating app subplot feels somewhat contrived, disrupting the otherwise grounded tone of the film. Additionally, the ending, though emotionally hopeful, comes across as a little too neat and convenient, softening the complexity the story had carefully developed.

Overall, Aap Jaisa Koi is a quietly affecting film on rediscovering oneself and confronting social norms. It speaks softly, even when its themes are bold.

Rating: 8/10.