ahmetkozan

I didn't keep my expectations very high after the series Hakan: Muhafiz. I ran into a series above my expectations. Although some of the scenes were ridiculous, I found the series successful in general. At least the dialogues were not like translation. The acting was not similarly bad. The use of visual effects was more successful. I watched it and never got bored. Atiye has been a series above country standards.

One of Hakan: Muhafiz positive sides was the steps it took to promote Istanbul well. Atiye does the same for Göbeklitepe and Nemrut. If we look at the script in general, let's not use the word cliche, but I can say classic. But the places used in the series were good. Instead of creating a special universe for itself, the story takes place in today's modern Istanbul. Later, the inclusion of Göbeklitepe and Nemrut adds a mystical feeling to the story. Each series has a color. The selection of light cold and pastel colors was very pleasant. The music selection of the series was also good. Tense music in the tension scenes and the fact that Eastern melodies appear in the background during Göbeklitepe images further connects the viewer to the screen. One of the things I liked about the series was the importance to detail.

Of course, the characters had good and bad sides. The bad character image of Serdar was not as good as I wanted. I found it a bit simple and artificial. Hannah was obvious, too. Some things to improve the mystery of the season seemed a bit unnecessary. There were a few scenes I found extremely bad, but I want to forget them. That's why I won't mention it. It was inadequate for me that the answers of some mysteries were left to the next season and were not explained. I wish the first scene was answered in the season finale, but it didn't. For instance, it would be nice to see what Atiye's powers were. First season was like preparing for the new season. I hope the unexplained things in the next season are explained with a good script. We'il see it next season. 8/10

Production has an incredibly important place to shoot a series or film. Sometimes even a very minimalist story can reach an incredibly successful point after the right production stages. The Witcher series is far from minimalist. The Witcher is one of the best Middle-earth works in the world. Production quality is essential if you want to handle such a topic successfully.

The world that The Witcher goes through is a world with its own rules, races, characters, creatures, beliefs, even if it does not seem too strange to those familiar with fantastic narratives. In particular, the first two chapters carry the risk of being too confusing while reflecting the details of this world to the audience. After the chapters where it is difficult to fully understand which character serves whom and why, the story becomes more beautiful as the other characters gradually increase in the narrative. There are two main characters in the narrative except Geralt. One of them is Ciri, who was advised to find Geralt when her lands were taken over by the enemies. The other is Yennefer, a kind of witch whose aim is to gain as much power as possible. While the goal of these two characters is evident, the fact that Geralt at the center of the narrative does not have a significant motivation due to the character's characteristics causes the story to be thrown from one place to another. However, the story deepens as the characteristics of this character become evident and the dynamics of the world in which events take place gradually emerge. It is the primary factor that gives the dark tone of The Witcher's world that people use their power and material resources to seize land. The dark narrative that expresses the evil within man is supported by the visual language of the series. The visual language, dominated by darkness and shadows, brings The Witcher closer to a gothic horror narrative from time to time when combined with the characteristics of the characters it contains. This dark atmosphere also gains a realistic tone with the violence of the series. The Witcher, one of Netflix's most courageous works to date, relentlessly conveys the mess of the world it tells. It creates a consistent and dark atmosphere thanks to well-captured battle and combat scenes and technical details such as image management and music usage. 9/10

Joaquin' portrayal of a sociopathic, mentally unstable man's transformation to the iconic Joker was non other than a grippingly accurate, realistic and touching rendition. A dark and disturbing character piece led by an Oscar worthy performance by Joaquin Phoenix. You really do feel bad for this guy, which makes it all the more heartbreaking when he inevitably becomes the clown prince of crime we all know and love, although we've never seen him like this. We see him suffer throughout the movie to the point we're almost rooting for himk to become a mass murdering psyco clown, because that at least will make feel better; then it happens and we just wish this could have all just been avoided, because es so messed up. We feel for him and care about him. By the time he's the joker, we wish we could've helped him. There's a lot of great nods to the greater Batman universe, yet the movie is a self contained character piece. That can only be the mark of a great movie. All the acting is great, the plot (while similar to Taxi Driver) is brilliant and the quality of the movie shows you don't need CGI super powers to be a great villain in a Superhero movie. Is a joke not everyone gets. This movie is "the rise of the Joker!" 10/10