Robert Kramer(1939-1999)
- Réalisation
- Scénariste
- Direction de la photographie
Robert Kramer est né le 22 juin 1939 dans l'état de New York, États-Unis. Il était réalisateur et scénariste. Il est connu pour Route One USA (1989), À toute allure (1982) et Guns (1980). Il était marié à Erika Kramer. Il est mort le 10 novembre 1999 à Rouen, Seine-Maritime, Haute-Normandie, France.
- Récompenses
- 3 victoires et 3 nominations au total
Réalisation
Scénariste
- 2000
- 1997
- 1997
- 1997
- 1996
- 1996
- 1994
- 1991
- 1989
- 1988
- X-Country: Being a Wedding Between Us and the Farabundo Marti Liberation Front in President Monroe's Old HouseVidéo
- Scénariste
- 1987
- 1986
- 1986
- 1985
- 1984
Direction de la photographie
- 1999
- 1999
- 1998
- La marche des chômeurs, Série-collection 'Des Graines dans le vent'Vidéo
- Direction de la photographie
- 1997
- 1997
- 1997
- 1997
- 1996
- 1996
- 1995
- 1991
- 1991
- 1991
- 1990
- 1989
- Autre nom
- Robert Remark
- Date de naissance
- Date de décès
- Conjoint
- Erika Kramer? - November 10, 1999 (son décès, 1 enfant)
- Annonces publicitaires
- AnecdotesDaughter Keja with wife Erika; older daughter Rain from previous marriage.
- CitationsTo all filmmakers who accept the limited, socially determined rules of clarity of exposition, who think that films must use the accepted vocabulary to "convince," we say, essentially: "You only work, whatever your reasons, whatever your presumed 'content,' to support and bolster this society. You are part of the mechanisms which maintain stability through re-integration. Your films are helping to hold it all together. And, finally, whatever your other descriptions, you have already chosen sides. Dig: Your sense of order and form is already a political choice. Don't talk to me about 'content' - but if you do, I will tell you that you cannot encompass our 'content' with those legislated and approved senses, that you do not understand it if you treat it that way. There is no such thing as revolutionary content, revolutionary spirit laid out for inspection and sale on the bargain basement counter."
We want to make films that unnerve, that shake assumptions, that threaten, that do not soft-sell, but hopefully (an impossible ideal) explode like grenades in people's faces, or open minds up like a good can opener.
FAQ10
Alimenté par Alexa
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