Billy Gray(I)
- Artiste
- Bande-son
Billy Gray est né le 13 janvier 1938 en Californie, États-Unis. Il est acteur. Il est connu pour Le Jour où la Terre s'arrêta... (1951), Le bal du printemps (1951) et Papa a raison (1954).
- Nommé pour 1 Primetime Emmy
- 1 nomination au total
Artiste
Bande-son
- Papa a raison7,4Série télévisée
- performer: "Happy Birthday To You"
- performer: "Good Night, Ladies"
- performer: "Bongo Solo"
- 1958–1960
- Adorable voisine6,4
- performer: "I'd Rather Have a Pal Than a Gal Anytime", "You(I)'d Rather Have a Pal / I'm Mad About the Girl Next Door" (medley) (non crédité)
- 1953
- Le bal du printemps6,9
- performer: "Cuddle Up a Little Closer, Lovey Mine", "Hark! The Herald Angels Sing" (non crédité)
- 1951
- Site officiel
- Autres noms
- Billie Gray
- Date de naissance
- ConjointsDonna Wilkes1977 - ? (divorcé)
- Parents
- Autres œuvresStage: Appeared in Joseph Stein (III)'s play, "Enter Laughing," at the Cape Playhouse in Dennis, MA, with Lynn Bari and Alan Mowbray in the cast.
- Annonces publicitaires
- AnecdotesIn July 1998, he settled a libel suit he brought against noted film critic and historian Leonard Maltin, known for his annual guides on available movies and videos. In all guides from 1974-98, Maltin mistakenly listed Gray as a real-life drug addict and pusher in the critique of Dusty and Sweets McGee (1971); he appeared in the film only as an actor. Part of the settlement required that Maltin publicly apologize for the 27-year-long defamation of character. He did so during a press conference on the morning of July 18, 1998.
- Citations[in 1983, on his Papa a raison (1954) years] I wish there was some way I could tell kids not to believe it--the dialogue, the situations, the characters--they were all totally false. The show did everybody a disservice. The girls were always trained to use their feminine wiles, to pretend to be helpless to attract men. The show contributed to a lot of the problems between men and women that we see today . . . I think we were all well motivated, but what we did was run a hoax. Papa a raison (1954) purported to be a reasonable facsimile of life. And the bad thing is that the model is so deceitful. It usually revolved around not wanting to tell the truth, either out of embarrassment or not wanting to hurt someone . . . If I could say anything to make up for all the years I lent myself to that kind of bullshit, it would be: "YOU Know Best".
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